In the summer of 2008, Andrei Kaplan moves from New York to Moscow to look after his ageing grandmother, a woman who survived the dark days of communism and witnessed Russia’s violent capitalist transformation. She welcomes Andrei into her home, even if she can’t always remember who he is. Andrei learns to navigate Putin’s Moscow, still the city of his birth, but with more expensive coffee. He looks after his elderly – but surprisingly sharp! – grandmother, finds a place to play hockey, a café to send emails, and eventually some friends, including a beautiful young activist named Yulia. Capturing with a miniaturist’s brush the unfolding demands of family, fortune, personal ambition, ideology, and desire, A Terrible Country is a compelling novel about ageing, radical politics, Russia at a crossroads, and the difficulty – or impossibility – of actually changing one’s life.

Orwell demonstrates in piece after piece how intent analysis of a work or body of work gives rise to trenchant aesthetic and philosophical commentary. As a critic, George Orwell cast a wide net. Equally at home discussing Charles Dickens and Charlie Chaplin, he moved back and forth across the porous borders between essay and journalism, high art and low. A frequent commentator on literature, language, film, and drama throughout his career, Orwell turned increasingly to the critical essay in the 1940s, when his most important experiences were behind him and some of his most incisive writing lay ahead. All Art Is Propaganda follows Orwell as he demonstrates in piece after piece how intent analysis of a work or body of work gives rise to trenchant aesthetic and philosophical commentary. With masterpieces such as "Politics and the English Language" and "Rudyard Kipling" and gems such as "Good Bad Books," here is an unrivaled education in, as George Packer puts it, "how to be interesting, line after line." AUTHOR: George Orwell (1903-1950) was born in India and served with the Imperial Police in Burma before joining the Republican Army in the Spanish Civil War. Orwell was the author of six novels as well as numerous essays and nonfiction works.

After the collapse of the Soviet Union, Russia under Yeltsin and Putin implemented a political system of "imitation democracy," marked by "a huge disparity between formal constitutional principles and the reality of authoritarian rule." How did this system take shape, how else might it have developed, and what are the prospects for re-envisioning it more democratically in the future? These questions animate Dmitrii Furman's Imitation Democracy, a welcome antidote to books that blandly decry Putin as an omnipotent dictator, without considering his platforms, constituencies, and sources of power. With extensive public opinion polling drawn from throughout the late- and post-Soviet period, and a thorough knowledge of both official and unofficial histories, Furman offers a definitive account of the formation of the modern Russian political system, casting it into powerful relief through comparisons with other post-Soviet states. Peopled with grey technocrats, warring oligarchs, patriots, and provocateurs, Furman's narrative details the struggles among partisan factions, and the waves of public sentiment, that shaped modern Russia's political landscape, culminating in Putin's third presidential term, which resolves the contradiction between the "form" and "content" of imitation democracy, "the formal dependence of power on elections and the actual dependence of elections on power."

New York Times Bestseller Winner of the World Fantasy Award One of New York magazine's 10 Best Books of the Year One of NPR's 5 Best Works of Foreign Fiction The celebrated scary fairy tales of Russia's preeminent contemporary fiction writer-the author of the prizewinning memoir about growing up in Stalinist Russia, The Girl from the Metropol Hotel Vanishings and aparitions, nightmares and twists of fate, mysterious ailments and supernatural interventions haunt these stories by the Russian master Ludmilla Petrushevskaya, heir to the spellbinding tradition of Gogol and Poe. Blending the miraculous with the macabre, and leavened by a mischievous gallows humor, these bewitching tales are like nothing being written in Russia-or anywhere else in the world-today.

'A wise, mild and enviably lucid book about a chaotic scene' - Dwight Garner, New York Times 'Memoirs of fatherhood are rarely so honest or so blunt' - Daniel Engber, Atlantic 'Tender and generous' - New York magazine Keith Gessen had always assumed that he would have kids, but couldn't imagine what parenthood would be like, nor what kind of parent he would be. Then, one Tuesday night in early June, Raffi was born, a child as real and complex and demanding of his parents' energy as he was singularly magical. Fatherhood is another country: a place where the old concerns are swept away, where the ordering of time is reconstituted, where days unfold according to a child's needs. Like all parents, Gessen wants to do what is best for his child. But he has no idea what that is. By turns hilarious and poignant, Raising Raffi is a story of what it means to invent the world anew.

'Given the bedlam it describes, Raising Raffi is impressively clear-sighted, entertaining and analytical' - Financial Times 'A wise, mild and enviably lucid book about a chaotic scene' - Dwight Garner, New York Times 'Engaging, accessible, down to earth... There is much wry humour here' - James Cook, Times Literary Supplement Keith Gessen had always assumed that he would have kids, but couldn't imagine what parenthood would be like, nor what kind of parent he would be. Then, one Tuesday night in early June, Raffi was born, a child as real and complex and demanding of his parents' energy as he was singularly magical. Fatherhood is another country: a place where the old concerns are swept away, where the ordering of time is reconstituted, where days unfold according to a child's needs. Like all parents, Gessen wants to do what is best for his child. But he has no idea what that is. Written over the first five years of Raffi's life, Raising Raffi examines the profound, overwhelming, often maddening experience of being a dad. How do you instil in your child a sense of his heritage without passing on that history's darker sides? Is parental anger normal, possibly useful, or is it inevitably destructive? And what do you do, in a pandemic, when the whole world seems to fall apart? By turns hilarious and poignant, Raising Raffi is a story of what it means to invent the world anew.

In the fall of 2011, a small protest camp in downtown Manhattan exploded into a global uprising, sparked in part by the violent overreactions of the police. An unofficial record of this movement, Occupy combines adrenalin-fueled first-hand accounts of the early days and weeks of Occupy Wall Street with contentious debates and thoughtful reflections, featuring the editors and writers of the celebrated n+1, as well as some of the world s leading radical thinkers, such as Slavoj i ek, Angela Davis, and Rebecca Solnit.

The book conveys the intense excitement of those present at the birth of a counterculture, while providing the movement with a serious platform for debating goals, demands, and tactics. Articles address the history of the horizontalist structure at OWS; how to keep a live-in going when there is a giant mountain of laundry building up; how very rich the very rich have become; the messages and meaning of the We are the 99% tumblr website; occupations in Oakland, Boston, Atlanta, and elsewhere; what happens next; and much more.

By the author of A Terrible Country and Raising Raffi, a novel of love, sadness, wasted youth, and literary and intellectual ambition-"wincingly funny" (Vogue) Keith Gessen is a brave and trenchant new literary voice. Known as an award-winning translator of Russian and a book reviewer for publications including The New Yorker and The New York Times, Gessen makes his debut with this critically acclaimed novel, a charming yet scathing portrait of young adulthood at the opening of the twenty-first century. The novel charts the lives of Sam, Mark, and Keith as they overthink their college years, underthink their love lives, and struggle to find a semblance of maturity, responsibility, and even literary fame.

This is Mikhail Bulgakov's semi-autobiographical story of a writer who fails to sell his novel and fails to commit suicide. When his play is taken up by the theatre, literary success beckons, but he has reckoned without the grotesquely inflated egos of the actors, directors and theate managers.