The Aulularia is a comedy by the early poet Plautus (about 200 BCE) who transformed plays of Greek New Comedy, especially Menander, into typical Roman plays. Great interest lies in the imaginative metre and the archaic language of Plautus' work, whose 20 plays are the oldest substantial surviving documents in this language. This book focuses on the Aulularia, a brilliant piece of writing, containing comic scenes of great variety and one character (the old man Euclio), unmatched in surviving Latin drama for vivid presentation and effective development. The play raises very interesting questions about the relation of Roman comedy to the Greek theatrical tradition which lies behind it and its unfinished state has provoked much discussion about how it could have been completed. The Aulularia has given inspiration to a host of works in later European literature from the fifteenth to the twentieth centuries, yet no new edition or commentary has been published in English since 1913. With an introduction that will be of interest to students of literature and classics, there is also a substantial chapter on the rich reception of the play in modern literature as well as a chapter on the Greek original.

The Aulularia is a comedy by the early poet Plautus (about 200 BCE) who transformed plays of Greek New Comedy, especially Menander, into typical Roman plays. Great interest lies in the imaginative metre and the archaic language of Plautus' work, whose 20 plays are the oldest substantial surviving documents in this language. This book focuses on the Aulularia, a brilliant piece of writing, containing comic scenes of great variety and one character (the old man Euclio), unmatched in surviving Latin drama for vivid presentation and effective development. The play raises very interesting questions about the relation of Roman comedy to the Greek theatrical tradition which lies behind it and its unfinished state has provoked much discussion about how it could have been completed. The Aulularia has given inspiration to a host of works in later European literature from the fifteenth to the twentieth centuries, yet no new edition or commentary has been published in English since 1913. With an introduction that will be of interest to students of literature and classics, there is also a substantial chapter on the rich reception of the play in modern literature as well as a chapter on the Greek original.

Reading Homer presents two highlights of the Iliad: Book 16, where Patroclus fights and dies, and Book 18, where Achilles grieves for him and is awarded new armour before he returns to battle. It enables students who have been learning Greek for perhaps a year to approach Homer for the first time, and to have the satisfaction of reading two whole books in the original language. Full and detailed help is given with vocabulary, accidence and syntax. Homeric forms are introduced and set alongside Attic ones, enabling students to consolidate their existing knowledge at the same time as extending it. The Introduction and notes enable students to see these two books in the context of the whole epic, and the epic itself in the context of early Greek society. They also encourage students to consider why the Greeks themselves regarded Homer as the master poet.

Reading Homer presents two highlights of the Iliad: Book 16, where Patroclus fights and dies, and Book 18, where Achilles grieves for him and is awarded new armour before he returns to battle. It enables students who have been learning Greek for perhaps a year to approach Homer for the first time, and to have the satisfaction of reading two whole books in the original language. Full and detailed help is given with vocabulary, accidence and syntax. Homeric forms are introduced and set alongside Attic ones, enabling students to consolidate their existing knowledge at the same time as extending it. The Introduction and notes enable students to see these two books in the context of the whole epic, and the epic itself in the context of early Greek society. They also encourage students to consider why the Greeks themselves regarded Homer as the master poet.

Book VIII of the Aeneid presents a crucial turning point in the mythological foundation of Rome, with clear political resonances for the future Augustan regime. Set on the verge of war between the Latins and Aeneas' Trojan forces, it describes Aeneas' visit to the future site of Rome, where he enlists the help of the Arcadian King Evander for the forthcoming war.In confirmation of the gods' support for Aeneas, his mother Venus presents her son with new armour, including a shield depicting key events in the future history of Rome. Their climax is Augustus' victory at Actium over the forces of Mark Antony and Cleopatra. This new edition makes the Latin text accessible to students, with commentary notes providing ample linguistic help, explanation of difficult words and phrases, a glossary of grammatical and literary terminology, and a full list of vocabulary and proper names. The in-depth introduction sets the work in its literary and historical context, and provides an overview of Virgil's metrical and stylistic points.

This is the endorsed publication from OCR and Bloomsbury for the Latin AS and A-level (Group 3) prescription of Virgil's Aeneid VIII, giving full Latin text, commentary and vocabulary for lines 86-279 and 558-584, along with a detailed introduction. Book VIII of the Aeneid is remarkable for the diversity of its subject matter. Aeneas travels upriver to the site where Rome will be founded. He meets King Evander, who tells him the dramatic story of Hercules and Cacus and shows him round 'Rome' before it is Rome. Aeneas' mother makes new armour for him and at the end of the book we see him brandishing the shield whose centrepiece is the triumph of Augustus. The OCR selection focuses on Evander and Hercules, and concludes with the fatal moment when Aeneas takes Evander's son Pallas to war. Its vivid narrative, human characters and larger-than-life heroes and villains are compelling reading.

An exciting series that provides students with direct access to the ancient world by offering new translations of extracts from its key texts. Horace's poetry not only sheds light upon his own world, but also provides ways for us to think about our own. This book provides a range of extracts which show how Horace dealt with a wide range of subjects, issues and people.

In Book I of the "Aeneid," Aeneas is shipwrecked on the coast of North Africa, near where the Phoenician queen Dido is building a city that will become Carthage. Aeneas and Dido meet. Their doomed love is set against Aeneas' destiny as founding father of Rome. Edited by Keith Maclennan, this volume makes Virgil's work more accessible to today's students, by setting it in its literary and historical context and taking account of the most recent scholarship and critical approaches to Virgil. The edition includes a full introduction which covers Virgil's life and writings, his literary predecessors, a summary of the epic poem's plot, an exploration of Rome, Carthage and Dido's role, explanation of the metre, and some notes on translating and reading the poem. As well as the introduction, the volume contains the original Latin text, in-depth annotation to explain language and content, a glossary and a comprehensive vocabulary list.

In Book IV of Virgil's "Aeneid," one of the most studied books of that epic poem, Dido, queen of Carthage, is inflamed by love for Aeneas. The goddesses Juno and Venus plot to unite them, and their 'marriage' is consummated in a cave during a hunt. However, Jupiter sends Mercury to remind Aeneas of his duty, and the hero departs despite Dido's passionate pleas. At the end of the book, Dido commits suicide. This classic edition of the Latin text of Book IV replaces the long-serving edition by Gould and Whiteley, making this book more accessible to today's students and taking account of the most recent scholarship and critical approaches to Virgil. It includes a substantial introduction, annotation to explain language and content, and a comprehensive vocabulary.

This pivotal book of the "Aeneid" has Aeneas - like Odysseus in "Odyssey XI" - visiting the Underworld. He is poised, as it were, between the world of his 'Homeric' past, the wanderings he has undergone in the poem's first half, and the destiny mapped out for his descendants, which culminates in the age of Augustus and his lost successor Marcellus. Aeneas is at once a figure of past, present and future. This new edition replaces the long-serving edition by Gould & Whiteley, making the book more accessible to today's students and taking account of the most recent scholarship and critical approaches to Virgil. It includes an introduction, annotation to explain language and content, and a comprehensive vocabulary.