An exhuberant comedy which is yet a sad commentary on twentieth-century bureaucracy. The Hesseltines are living in property well overdue for demolition and they are looking forward to being re-housed in more beautiful and salutory surroundings. The crisis comes when they find that, far from a house with a little bit of garden, they are to live in a warrenous block of flats.3 women, 6 men

A sensitive, wryly humorous study of a middle-aged widow who finds the courage to break with the past. June keeps a diary in the form of private conversations with her late husband Sam, a national newspaper editor. Her stepdaughter, Pauline, determines to keep an eye on June. Likewise, Eric Grant, an ex-colleague of Sam's. But June strikes out on her own and befriends Duggie, who, like June, is lonely. June, however, discovers that Pauline, Eric and Duggie have their own hidden agenda.2 women, 2 men

Pulling himself out of the rut of his middle-aged executive lifestyle, Roger Piper stumbles into a sixteen-month tempestuous affair with the effervescent Angela Caxton, and is thrown into a whirlwind of romances and champagne. He discovers that Angie does not share his obsession with their relationship and after multiple crises the affair ends in tragedy.3 women, 4 men

Who's Who takes place in the lounge of a Brighton hotel a place of faded elegance where the inevitable trio saw away playing sad and dated ballads. In the first act we follow the confusion that Mr. Black and Mr. White land themselves in as inextricable as the hotel itself in their efforts to cover up a clandestine weekend; a confusion which ends in no one knowing anyone else's identity and a hint that, even when things have more or less cleared up, it's likely to start all over again. In the second act the male leads discuss the previous events and Mr. White says that if positions and identities had been reversed the confusion would never have happened. 2 women, 2 men

A hectic children's birthday party provides a noisy background to a series of domestic crises. Robin has left Emma and Emma has become friendly with her solicitor, Tom; both Tom and Robin arrive for the celebrations. The mishaps of the party spill over into the kitchen'situation, the behaviour of the young visitors affecting the adults. By the end of the party however, thin's look a little brighter for Robin and Emma.4 women, 3 men

The Wedding and The Funeral make up the two parts of this comedy in which we are introduced to the same family, first making preparations for a wedding and subsequently, six months later, returning from the funeral of their Uncle Arthur, a lovable personality who provides the link between the two plays.7 women, 7 men

Following the successful television series based on Barbara Euphan Todd's children's classic, Keith Waterhouse, Willis Hall and Denis King bring us a new, effervescent stage musical of the story of Worzel Gummidge. The naughty, petulant, greedy, yet always lovable scarecrow is here with all the familiar characters: Aunt Sally, Sergeant Beetroot and Sue and John. Brought to life by the Crowman, Worzel creates havoc and farce wherever he goes in his frenzied efforts to win Aunt Sally's unwilling hand until he finds himself before the scarecrow court on a very serious charge. But the final resolution is a happy one with a birthday cake enormous enough to satisfy even Worzel's appetite!5 women, 13 men

Gambler, journalist, fervent alcoholic and four-times married Jeffrey Bernard writes the "Low Life" column for the Spectator magazine chronicling Soho life as well as offering a very personal philosophy on vodka, women and race-courses. From this, Keith Waterhouse has brilliantly constructed a play (the title being the euphemism used by the Spectator when Bernard is incapable of writing his column) which is set in the saloon bar of Bernard's favourite Soho pub, the Coach and Horses. Having passed out in the lavatory, Bernard awakes in the early hours of the morning to find himself alone and in the dark. Unable to contact the landlord, he is resigned to spending the rest of the night with a bottle of vodka and an endless chain of cigarettes, narrating a story of hilarious anecdotes and witty reminiscences which are enacted by two actors and two actresses who bring to life the various characters who populate Jeff 's world. Starring Peter O'Toole, later succeeded by Tom Conti then James Bolam, the play enjoyed a hugely successful run at the Apollo Theatre, London.

A teenager in a North Country town, Billy Fisher weaves a world of his own out of his day dreams. He is an incurable liar, idle and dishonest, and to escape from his dull job as an undertaker's clerk and his dreary domestic background he imagines himself in so many different situations that truth and fiction become hopelessly intermingled. His family is unable to understand or control him, though they realize that he is a good for nothing. The cast is completed by the three girls to whom he is simultaneously engaged. When he is given the chance to start a new life, he turns it down, preferring his dreams to reality.

Returning from the memorial service for her husband, a tough tabloid editor cut down in his prime, June Pepper sets about following his instructions to keep a journal as therapy. But both grief and the journal prove elusive. Distracted by a problem stepdaughter and by a liaison with a man she discovers wearing one of her husband's old suits, June finds bereavement far from straightforward. And as she empties skeletons from closets, she learns there is far more to life than death.

'Among the few great writers of our time' Independent 'An exceptionally talented novelist' Sunday Times 'Remarkable for the deep and unwavering insight it gives into child behaviour' The Times Seen through the eyes of a young boy living on a council estate in a northern town, a pre-war childhood emerges that is universal in its everyday adventures, shifting allegiances, mysteries and occasional tragedy. Yet it is also one that is rooted firmly in a bygone era of innocence. Acclaimed on its first publication, There is a Happy Land marked the debut of a brilliant new talent and is now seen as a much-loved classic.

Keith Waterhouse's long-running column, which began appearing in the Daily Mail in 1986, won him numerous national press award. His characters Sharon and Tracy became a national institution, as did that venerable acadamy of English letters, the Association for the Annihilation of the Aberrant Apostrophe. The phlegmatic councillors of Clogthorpe and British Rail's brother-in-law Arnold are among the other regulars featured in this collection, which distils the wit and wisdom of a justly celebrated writer.

Keith Waterhouse is very particular about what lunch is not: 'It is not prawn cocktail, steak and Black Forest gateau with your bank manger. It is not civic, commemorative, annual office or funeral. It is not when either party is on a diet, on the wagon or in a hurry.' He is equally precise about what lunch is: 'It is a mid-day meal taken at leisure by, ideally, two people. Three's a crowd, four always split like a double amoeba into two pairs, six is a meeting, eight is a conference... A little light business may be touched upon but the occasion is firmly social. Whether they know it or not, for as long as they linger in the restaurant they are having an affair. The affair is lunch.' The Theory and Practice of Lunch is an authoritative and delightfully witty manual on the art of taking the most agreeable meal of the day, written by a shrewd observer of the passing show who listed his sole hobby in Who's Who as 'Lunch'.

A collection of four classic films starring Julie Christie. In 'Billy Liar' (1963), undertaker's clerk Billy (Tom Courtenay) escapes his dreary small town existence in a 1950s Northern town by living in a fantasy world where he realises his ambitions. When his job, unsympathetic working class family and two fiancees threaten to become too much, he meets the fashionable Liz (Christie), who offers him his one chance for real escape. Christie won an Oscar for her role in 'Darling' (1965). In the film she plays Diana Scott, an ambitious model determined to make it to the top. Using her sexuality, she manipulates powerful men, but in so doing becomes a prisoner of the jet-setting lifestyle she once yearned for. Dirk Bogarde co-stars as Diana's long-suffering boyfriend. 'Far From The Madding Crowd' (1967) is an adaptation of Thomas Hardy's 19th-century story of a woman's passion. Bathsheba (Christie) is in love with three very different men who are also in love with her: her first love is a handsome and wayward soldier; the second is the local noble Lord, and the third is an ever-patient farmer. 'The Go-Between' (1970) is an adaptation of the classic novel by L.P. Hartley. A young teenage boy, Leo (Dominic Guard), is invited to a wealthy school friend's rich family estate and is drawn into a love affair between his friend's twenty-something sister, Marian (Christie), and the family neighbour, even though she is engaged to be married. She uses Leo as a go-between, sending messages to her lover. Despite feeling he is betraying her fiance Hugh (Edward Fox), Leo carries on being the messager boy and discovers more about the attraction between men and women along the way.

' A]mong the few great writers of our time.' - Auberon Waugh, "The Independent"
'He gets into the mind of his eleven-year-old, sees the world from the height of three foot six . . . The book is vivid, accurate, perceptive . . . how brilliant - and how honestly - the author makes his original effect.' - "The Observer"
'An exceptionally talented novelist.' - "The Sunday Times"
'Remarkable for the deep and unwavering insight it gives into child behaviour . . . the candour of his vision and the cunning of his art are such that he captures the very essence of the eleven-minus mind.' - "The Times"
Inspired by its author's own childhood experiences, this moving novel is the story of a fateful few weeks in the life of an eleven-year-old boy on a public housing estate. When an eccentric man who is unusually fond of children (they nickname him 'Uncle Mad') moves onto the estate, the wheels of tragedy are set in motion, a tragedy made especially poignant because we experience it through the eyes of the young narrator, who is incapable of fully understanding the significance of the terrible events unfolding around him . . .
Although Keith Waterhouse (1929-2009) is best known for his classic comic novel "Billy Liar" (1959), many critics believe his first novel, "There is a Happy Land" (1957), is his best. This edition is the first ever published in the United States and includes a new introduction by Bill Hagerty and the original jacket art by William Belcher.

'Billy Liar' tells the story of Billy Fisher, a teenager unable to stop lying especially to his three girlfriends. Trapped by his boring job and working-class parents, Billy finds that his only happiness lies in grand plans for his future and fantastical day-dreams of the fictional country Ambrosia.

A hard-headed but often hilarious guide to the pleasures and pitfalls of travel by one of Britain's favourite writers.

Edited by Stella Bingham and republished in 2010, Waterhouse on Newspaper Style is still the standard, and most entertaining, manual of tabloid journalism, as important and relevant today as when it was first published in 1989.

'The work of a master' Sunday Times 'Effortlessly brilliant...a comedy of London life' Sunday Telegraph No London neighbourhood more resmbles the restless downstream tide of the Thames than the ragged square mile of Soho. Ask the people who live there, like Christine Yardley, drag queen by night and grey-suited accountant by day; or Len Gates, self-appointed Soho historian and bore; or Jenny Wise, former starlet and now resident lush in the New Kismet club; or even Ellis Hugo Bell, wannabe film producer who dreams of moving to L.A. Daily, nightly, shift by shift, their numbers are swelled by immigrants flocking to work, eat, drink and loiter, from kitchen staff to dress designers, hookers to pushers to punters. Down into this human rabbit warren one evening slips Alex Singer, a student from Leeds in pursuit of his errant girlfriend, whose search takes him from club to pub and into contact with a rich cross-section of Soho life. Twenty-four hours, three deaths, one fire and one mugging later, seduced, traduced and befriended, Alex is on his way to the Soho Ball. In this fast, funny and superbly crafted novel, Keith Waterhouse draws a vibrant portrait of London's liveliest quarter and it's eccentric inhabitants.

Undertaker's clerk Billy (Tom Courtenay) escapes his dreary small town existence in a 1950s Northern town by living in a fantasy world where he realises his ambitions. When his job, unsympathetic working class family and two fiancees threaten to become too much, he meets fashionable Julie Christie, who offers him his one chance for real escape.

Keith Waterhouse is one of Britain’s most popular writers in nearly every field. This collection brings together for the first time his most celebrated plays from a career spanning more than forty years. Our Song is a warm, tender, romantic drama, infused with moments of great humour. Pulling himself out of the rut of his middle-aged executive lifestyle, Roger Piper stumbles into a sixteen-month tempestuous affair. Billy Liar tells the story of a funeral parlour worker with a humdrum life, who spends most of his time dreaming of ways to escape his drab existence in Yorkshire. Adapted from his celebrated novel. Jeffrey Bernard is Unwell Gambler, journalist, fervent alcoholic, four-times married Jeffrey Bernard writes the‘Low Life’ column for the Spectator magazine. Locked in The Coach and Horses in Soho overnight, he has time to reflect on a dissolute life. Good Grief is a sensitive, wryly humorous study of a middle-aged widow, coming to terms with bereavement, who finds the courage to break with the past. Mr and Mrs Nobody is an adaptation of George and Weedon Grossmith’s comic novel The Diary Of A Nobody and Mrs Pooter’s Diary. A respectable Victorian clerk has lofty social aspirations.