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In the newest novel in Bruen's thrilling series, ex-cop turned private eye Jack Taylor is pulled out of his quiet new life on a farm by three mysteries that soon prove dangerously linked Jack Taylor has finally escaped the despair of his violent life in Galway in favor of a quiet retirement in the country with his friend Keefer, a former Rolling Stones roadie, and a falcon named Maeve. But on a day trip back into the city to sort out his affairs, Jack is hit by a truck in front of Galway's Famine Memorial, left in a coma but mysteriously without a scratch on him. When he awakens weeks later, he finds Ireland in a frenzy over the so-called Miracle of Galway. People have become convinced that the two children spotted tending to him are saintly, and the site of the accident sacred. The Catholic Church isn't so sure, and Jack is commissioned to help find the children to verify the miracle or expose the stunt. But Jack isn't the only one looking for these children. A fraudulent order of nuns needs them to legitimatize its sanctity and becomes involved with a dangerous arsonist. Soon, the building in which the children are living burns down. Jack returns to his old tricks, and his old demons, as his quest becomes personal. Sharp and sardonic as ever, the Godfather of the modern Irish crime novel (Irish Independent) is at his brutal and ceaselessly suspenseful best in A Galway Epiphany.
Jack Taylor has finally escaped his violent life in Galway for a quiet retirement in the countryside, but - of course - things won't stay quiet for long. Jack Taylor has finally traded in his violent life in Galway for a quiet retirement in the country. But on a day trip back into the city, Jack is hit by a truck and left in a coma, mysteriously without a scratch on him. When he awakens weeks later, he finds Ireland in a frenzy over the so-called 'Miracle of Galway'. People have become convinced that the two children who tended to him are saintly, and the site of the accident sacred. The Catholic Church isn't so sure, and Jack is commissioned to help find the children to verify the miracle or expose the stunt. But Jack isn't the only one looking for these children, and he'll need all the help he can get - and a stiff drink of Jameson - once he finds them.
From the "Godfather of the modern Irish crime novel" (Irish Independent), The Emerald Lie introduces a villain of the most unusual type: an Eton and Cambridge graduate who becomes murderous over split infinitives, improper punctuation, and any other sign of bad grammar. Ken Bruen's irascible protagonist, ex-cop Jack Taylor, is meanwhile approached by a grieving father with a pocketful of cash on offer if Jack will help exact revenge on those responsible for his daughter's brutal rape and murder. Jack agrees to get a read on the likely perpetrators but is soon derailed by the appearance of Emily (also known as Em, Emerald), a chameleon-like young woman who is by turns passionate, clever, and utterly homicidal. She is ready to use any sort of coercion to get Jack to conspire with her against the serial killer the Garda have nicknamed "the Grammarian," but her most destructive obsession just might be Jack himself.
Jack Taylor has never quite been able get his life together, but now he has truly hit rock bottom. Still reeling from a violent family tragedy, Taylor is busy drowning his grief in Jameson and uppers, as usual, when a high-profile officer in the local Garda is murdered. After another Guard is found dead, and then another, Taylor's old colleagues from the force implore him to take on the case. The plot is one big game, and all of the pieces seem to be moving at the behest of one dangerously mysterious team: a trio of young killers with very different styles, but who are united their common desire to take down Jack Taylor. Their ring leader is Jericho, a psychotic girl from Galway who is grieving the loss of her lover, and who will force Jack to confront some personal trauma from his past. As sharp and sardonic as it is starkly bleak and violent, Galway Girl shows master raconteur Ken Bruen at his best: lyrical, brutal, and ceaselessly suspenseful.
Jack Taylor has finally escaped his violent life in Galway for a quiet retirement in the countryside, but - of course - things won't stay quiet for long. Jack Taylor has finally traded in his violent life in Galway for a quiet retirement in the country. But on a day trip back into the city, Jack is hit by a truck and left in a coma, mysteriously without a scratch on him. When he awakens weeks later, he finds Ireland in a frenzy over the so-called 'Miracle of Galway'. People have become convinced that the two children who tended to him are saintly, and the site of the accident sacred. The Catholic Church isn't so sure, and Jack is commissioned to help find the children to verify the miracle or expose the stunt. But Jack isn't the only one looking for these children, and he'll need all the help he can get - and a stiff drink of Jameson - once he finds them.
The latest Jack Taylor novel from the Godfather of Irish noir. Jack Taylor has never quite been able get his life together, but now he has truly hit rock bottom. Still reeling from a violent family tragedy, Taylor is busy drowning his grief in Jameson and uppers, as usual, when a high-profile officer in the local Garda is murdered. After another Guard is found dead, and then another, Taylor's old colleagues from the force implore him to take on the case. The plot is one big game, and all of the pieces seem to be moving at the behest of one dangerously mysterious team: a trio of young killers with very different styles, but who are united in their common desire to take down Jack Taylor. Their ring leader is Jericho, a psychotic girl from Galway who is grieving the loss of her lover, and who will force Jack to confront some personal trauma from his past. As sharp and sardonic as it is starkly bleak and violent, Galway Girl shows master raconteur Ken Bruen at his best: lyrical, brutal, and ceaselessly suspenseful.
MAX AND ANGELA ARE GOING DOWN!
Ireland, awash with cash and greed, no longer turns to the church for solace or comfort. But the decapitation of Father Joyce in a Galway confessional horrifies even the most jaded citizen.Jack Taylor, devastated by the recent trauma of personal loss, has always believed himself to be beyond salvation. But a new job offers a fresh start, and an unexpected partnership provides hope that his one desperate vision--of family--might yet be fulfilled.An eerie mix of exorcism, a predatory stalker, and unlikely attraction conspires to lure him into a murderous web of dark conspiracies. The specter of a child haunts every waking moment.Explosive, unsettling, and totally original, Ken Bruen's writing captures the brooding landscape of Irish society at a time of social and economic upheaval. Here is evidence of an unmistakable literary talent.
Seems impossible, but Jack Taylor is sober---off booze, pills, powder, and nearly off cigarettes, too. The main reason he's been able to keep clean: his dealer's in jail, which leaves Jack without a source. When that dealer calls him to Dublin and asks a favor in the soiled, sordid visiting room of Mountjoy Prison, Jack wants to tell him to take a flying leap. But he doesn't, can't, because the dealer's sister is dead, and the guards have called it "death by misadventure." The dealer knows that can't be true and begs Jack to have a look, check around, see what he can find out. It's exactly what Jack does, with varying levels of success, to make a living. But he's reluctant, maybe because of who's asking or maybe because of the bad feeling growing in his gut. Never one to give in to bad feelings or common sense, Jack agrees to the favor, though he can't possibly know the shocking, deadly consequences he has set in motion. But he and everyone he holds dear will find out soon, sooner than anyone knows, in the lean and lethal fourth entry in Ken Bruen's award-winning Jack Taylor series.
Jack Taylor is walking the delicate edge of a sobriety he doesn't
trust when his phone rings. He's in debt to a Galway tough named
Bill Cassell, what the locals call a "hard man." Bill did Jack a
big favor a while back; the trouble is, he never lets a favor go
unreturned.
When Jack Taylor blew town at the end of "The Guards" his
alcoholism was a distant memory and sober dreams of a new life in
London were shining in his eyes. In the opening pages of "The
Killing of the Tinkers," Jack's back in Galway a year later with a
new leather jacket on his back, a pack of smokes in his pocket, a
few grams of coke in his waistband, and a pint of Guinness on his
mind. So much for new beginnings.
Advance Praise for Ken Bruen and "The Guards
Ill-fated ex-cop Jack Taylor is broke and working nightshifts as a security guard when he receives an unexpected commission – find The Red Book, an infamous blasphemous text stolen from the Vatican archives. The thief, a rogue priest, is now believed to be hiding out in Galway. Despite Jack's distaste for priests of any stripe, the money is just too good to turn down. It won't be hard for a man with Jack's skills to track down the errant churchman, but Jack has underestimated The Red Book's toxic lure and will be powerless to stem the wave of violence unleashed in its wake – a wave that will engulf Jack and all those around him. 'Bruen has a surreal mind and an unusual writing style of short, sharp, often one-word sentences. It shouldn't work, but it does, delightfully' The Times, Books of the Year.
Two modern noir mysteries by a writer whose promise was cut short. Dogtown: Whitney Logan, attorney-at-law, is broke. So when Monica Fullbright shows up with a $1,000 retainer to locate her missing housemaid, an illegal immigrant named Carmen, Whitney takes the job. She doesn't like playing sleuth, but she can't afford to be picky. Enlisting the aid of Lupe Ramos, a chicana prostitute, she stumbles on the housemaid's dead body. The unlikely pair find themselves on a fetid trail of Latin politics, drug smuggling and misguided allegiances. Soultown: Whitney Logan and Lupe have gone in different directions, both with dreams of a new start. But Whitney figures she owes Lupe something, and agrees to help her reunite her with her son, now living with Lupe's ex-boxer brother Hector and his new girlfriend in Koreatown. When they show up to get the boy, they find themselves in the midst of an armed robbery, a complicated theft involving old Korean friends who all have closely held secrets, where deception is the order of the day.
Now a major motion picture starring Colin Farrell and Keira Knightley, written and directed by Oscar-winning screenwriter William Monahan of "The Departed." When Mitchell is released from prison after serving three years for a vicious attack he doesn't even remember, Billy Norton is there to pick him up. But Norton works for Tommy Logan, a ruthless loan shark lowlife with plans Mitchell wants nothing to do with. Attempting to stay out of Logan's way, he finds work at the Holland Park mansion of faded movie actress Lillian Palmer, where he has to deal with her mysterious butler, Jordan. It isn't long before Mitchell's violent past catches up with him and people start getting hurt. When his disturbed sister Briony is threatened, Mitchell is forced to act. "London Boulevard" is a masterful work of double-dealing and suspense from Ken Bruen, one of the great crime writers of our time.
America--the land of opportunity, a place where economic prosperity beckons: but not for PI Jack Taylor, who's just been refused entry. Disappointed and bitter, he thinks that an encounter with an overly friendly stranger in an airport bar is the least of his problems. Except that this stranger seems to know much more than he should about Jack. Jack thinks no more of their meeting and resumes his old life in Galway. But when he's called to investigate a student murder--connected to an elusive Mr. K--he remembers the man from the airport. Is the stranger really who he says he is? With the help of the Jameson, Jack struggles to make sense of it all. After several more murders and too many coincidental encounters, Jack believes he may have met his nemesis. But why has he been chosen? And could he really have taken on the devil himself? Suspenseful, haunting, and totally unique, "The Devil" is Bruen at his very best.
Requiems for the Departed Irish Crime, Irish Myths. It has been said before, that every story has already been told. Maybe so. But if you've got the gift of the gab, you can tell the same tale as often as you like and still give it a life of its own every time. Requiems for the Departed flaunts that gift seventeen times over. The children of Conchobar are back to their old mischievous ways; ancient Celtic royalty and druids and banshees are set loose in the new Irish underbelly. Requiems for the Departed contains seventeen short stories, inspired by Irish mythology, from some of the finest contemporary writers in the business.
Michael O'Shea is a member of Ireland's police force, known as The Guards. He's also a sociopath who walks a knife edge between sanity and all-out mayhem. When an exchange program is initiated and twenty Guards come to America and twenty cops from the States go to Ireland, Shay, as he's known, has his lifelong dream come true--he becomes a member of the NYPD. But Shay's dream is about to become New York's nightmare. Paired with an unstable cop nicknamed Kebar for his liberal use of a short, lethal metal stick called a K-bar, the two unlikely partners become a devastatingly effective force in the war against crime. But Kebar harbors a dangerous secret: he's sold out to the mob to help his sister. Her rape and beating leaves her in a coma and pushes an already unstable Kebar over the edge just as Shea's dark secrets threaten boil over and into the streets of New York. "Once Were Cops" melds the street poetry of Brooklyn and Dublin into a fast-paced, incomparable hard-boiled novel. This is Ken Bruen at his best.
Jack Taylor brings death and pain to everyone he loves. His only hope of redemption - his surrogate son, Cody - is lying in a hospital in a coma. At least he still has Ridge, his old friend from the Guards, though theirs is an unorthodox relationship. When she tells him that a boy has been crucified in Galway city, he agrees to help her search for the killer. Jack's investigations take him to many of his old haunts where he encounters ghosts, dead and living. Everyone wants something from him, but Jack is not sure he has anything left to give. Maybe he should sell up, pocket his Euros and get the hell out of Galway like everyone else seems to be doing. Then the sister of the murdered boy is burned to death, and Jack decides he must hunt down the killer, if only to administer his own brand of rough justice. Ken Bruen's "Cross "is suspenseful and deeply moving mystery.
Over the many years that Inspector Brant has been bringing his own
patented brand of policing to the streets of southeast London, the
brilliant but tough cop has made a few enemies. So when a crazed
gunman, hired by persons unknown, pumps a magazine full of bullets
into Brant in a local pub, leaving him in grasping at life (but
ornery as ever), his colleagues on the squad are left wondering how
to react.
For the Southeast London police squad, it's rough, tough, dirty
business as usual. The Vixen, the most sensuos, crazed female
serial killer ever, is masterminding a series of lethal explosions.
She is unpredictable, wild, angry--and the cops don't even know she
exists.
Blitz represents Ken Bruen at his edgy, lethal, and sharp-tongued best, and will reward fans of his Jack Taylor novels with another astonishing, smart, and brutal vision from a writer rapidly becoming one of the best of his generation. The basis for the 2011 major motion picture starring Jason Statham, Paddy Considine, and Aidan Gillen. The South East London police squad are down and out: Detective Sergeant Brant is in hot water for assaulting a police shrink, Chief Inspector Roberts' wife has died in a horrific car accident, and WPC Falls is still figuring out how to navigate her job as a black female investigator in the notorious unit. When a serial killer takes his show on the road, things get worse for all three. Nicknamed The Blitz by the rabid London media, the killer is aiming for tabloid immortality by killing cops in different beats around the city. |
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