Gaston Leroux's classic tale of tragedy, grand opera, romance and horror has been masterfully adapted by Ken Hill, the author of Mummy's Tomb and The Curse of the Werewolf, into a musical play which preserves all of the excitement and passion of the much-loved original, underscored by a strong current of comedy as well. The Phantom, born with a monstrously disfigured face but the voice of an angel, haunts the Paris Opera House and falls in love with Christine, a young chorus girl. He terrorizes the management in order to further Christine's career, while preying upon her childlike innocence to force her to love him in return. But Raoul, Christine's true love, intends to fight for her to the end...9 women, 13 men

Supposedly taking place at the Empire, Bromley, in 1904, the company dramatize the 'idious 'appenings that shook the bucolic village of Iping three years earlier. The sinister Griffin arrives in the village with his face swathed in bandages and a manner that is distinctly unsociable. The village wonder: was it really an accident that destroyed his face , as he claims, or is he a criminal on the run? There is only one way to find out, and they get what they asked for. The Invisible Man takes off not only his gloves to reveal no hands, but his bandages to reveal no head! Then the pranks - comic and malevolent - truly begin.

"One must believe in werewolves, one must believe in the people and one must care what happens to them."3 women, 9 men

For owners and would-be owners of three-wheeled Morgans, Ken Hill has created an invaluable `Bible' which is absolutely packed with genuinely useful information. Ken sets the stage by detailing the history of the Morgan motor company, describes the marque's motorsport record and then, with great thoroughness, chronicles the evolution of all three-wheeler models since 1910. Next comes practical advice on maintenance and repair - advice based on expert information produced when the three-wheelers were still in production. Part of the `Morgan experience' is the extraordinary social scene that embraces the marque on a worldwide basis, so Ken devotes a whole chapter to Morgan clubs and their activities. The last part of the book is a series of appendices comprised of original specification, production changes, wiring diagrams, technical data sheets, details of specialists, distributors and manufacturers, details of Morgan miniature models and a record of factory sales literature. Altogether, this work is a unique source book of essential information for all Morgan three-wheeler owners and enthusiasts. The two other books in this series: Completely Morgan - Four-wheelers 1936-1968, and Completely Morgan - Four-wheelers 1968-1995, are also being reissued as part of Veloce's Classic Reprint series.

For all owners - and would-be owners - of four-wheeled Morgans, this invaluable book is packed with genuinely useful information. Beginning with a detailed look at Morgan's history, Ken Hill then describes the marque's motorsport record, followed by a thorough look at the evolution of all four-cylinder and eight-cylinder models available from 1968 to 1975. Later chapters are devoted to restoration techniques, technical specifications, and information about the Morgan community, so providing an invaluable reference source. See the other books in this series, Completely Morgan - Three-Wheelers, and Completely Morgan - Four-Wheelers 1936-1968, also published by Veloce as part of its Classic Reprint series.

Take this book and toss it out a second story window. Eventually it will reach the ground. It's a law. Throw it at the ground, it will get there sooner then if you open it and cast it out into the wind where it may drift or even float for a time before it reaches the ground. Tear it page by page and give each one to the wind to do what it will do with it. One may be found by someone who will read the words on the page, feel glad they happened upon it and put the poem in their pocket, as another may consider it littering.

This is a true story with fictional embellishments. It is a story of the sexual abuse of a young boy by a Catholic priest. It Happened to me. I kept this secret to myself and, in fact, never revealed it to my wife until 35 years after we were married Buried deep within, the full physical and psychological impact did not begin to resurface until shortly after my retirement from the teaching profession. Then it erupted like a volcano. I needed, sought and received professional help. Every week for the next three years, I visited with my psychiatrist. Through her kind and loving guidance, I began to understand my behavioural patterns and my severe mood swings. The narrative traces the life of the young protagonist and illustrates the life-long effects of this childhood traumatic experience. It explores his relationships with his family, his friends, his God and his church. It is sometimes sad but often humorous and it does end on a hopeful note.

Consider the road, any road. How things would look without it, why it is where it is, what it brings us to when we don't have anyplace to be. Where these stories take place the road cuts through fields of potatoes, corn and tobacco, past ponds and broken down barns, clotheslines and kitchens with lights left burning through the night. Where people don't kill each other very often or shoot at each other much, and bombs are not falling from the sky or exploding outside the market. It's paradise really, for the lucky ones. Like most places it's where people are trying like mad to love or keep from thinking about it.