Ken Loach directs this drama that follows a 59-year-old joiner as he tries to navigate the British benefits system.

In the North-East of England, widower Daniel Blake is forced to stop working when he is taken ill with heart disease and so applies for Employment and Support Allowance from the Government. But his life is further thrown into disarray when his benefits are suddenly taken away from him and he is forced to jump through the many hoops of the bureaucratic system to get them back. During this time, he meets the similarly-troubled single mother Katie whose financial problems mean she is being forced out of her home in London along with her two kids Dylan and Daisy.

This critically-acclaimed film was nominated for five BAFTAs including Best Film, Best Director (Loach), Best Original Screenplay and Best Supporting Actress (Squires) and won the award for Outstanding British Film of the Year.

*Winner of the European Award for Investigative And Judicial Journalism 2021* *Winner of the Premio Alessandro Leogrande Award for Investigative Journalism 2022* 'I want to live in a society where secret power is accountable to the law and to public opinion for its atrocities, where it is the war criminals who go to jail, not those who have the conscience and courage to expose them.' It is 2008, and Stefania Maurizi, an investigative journalist with a growing interest in cryptography, starts looking into the little-known organisation WikiLeaks. Through hushed meetings, encrypted files and explosive documents, what she discovers sets her on a life-long journey that takes her deep into the realm of secret power. Working closely with WikiLeaks' founder Julian Assange and his organisation for her newspaper, Maurizi has spent over a decade investigating state criminality protected by thick layers of secrecy, while also embarking on a solitary trench warfare to unearth the facts underpinning the cruel persecution of Assange and WikiLeaks. With complex and disturbing insights, Maurizi's tireless journalism exposes atrocities, the shameful treatment of Chelsea Manning and Edward Snowden, on up to the present persecution of WikiLeaks: a terrifying web of impunity and cover-ups. At the heart of the book is the brutality of secret power and the unbearable price paid by Julian Assange, WikiLeaks and truthtellers.

*Winner of the European Award for Investigative And Judicial Journalism 2021* *Winner of the Premio Alessandro Leogrande Award for Investigative Journalism 2022* *Winner of the Premio Angelo Vassallo Award 2022* 'I want to live in a society where secret power is accountable to the law and to public opinion for its atrocities, where it is the war criminals who go to jail, not those who have the conscience and courage to expose them.' It is 2008, and Stefania Maurizi, an investigative journalist with a growing interest in cryptography, starts looking into the little-known organisation WikiLeaks. Through hushed meetings, encrypted files and explosive documents, what she discovers sets her on a life-long journey that takes her deep into the realm of secret power. Working closely with WikiLeaks' founder Julian Assange and his organisation for her newspaper, Maurizi has spent over a decade investigating state criminality protected by thick layers of secrecy, while also embarking on a solitary trench warfare to unearth the facts underpinning the cruel persecution of Assange and WikiLeaks. With complex and disturbing insights, Maurizi’s tireless journalism exposes atrocities, the shameful treatment of Chelsea Manning and Edward Snowden, on up to the present persecution of WikiLeaks: a terrifying web of impunity and cover-ups. At the heart of the book is the brutality of secret power and the unbearable price paid by Julian Assange, WikiLeaks and truthtellers.

Acclaimed drama from director Ken Loach following a young boy from a working-class Northern town who begins training a falcon to find relief from his problems. Billy (David Bradley) appears to have little hope in his life. He is bullied by his brother and neglected by his mother, while his inability to pay attention at school suggests he is destined for a future spent working in the harsh conditions of the local mine. The discovery of a young kestrel falcon is an important event in his life. Caring for and training Kes becomes a positive way for him to express himself and, with the help of his English teacher, Mr Farthing (Colin Welland), Billy even begins reading books on falconry so he can take better care of his pet. However, as the problems at home continue, will Billy be allowed to develop his natural affinity with Kes?

A story inspired by the life and times of Jimmy Gralton and a country hall in Ireland. Jimmy Gralton's sin was to build a dance hall on a rural crossroads in Ireland where young people could come to learn, to argue, to dream...but above all to dance and have fun. Jimmy's Hall celebrates the spirit of these free thinkers. Features Full screenplay Photos from the film Production notes from cast and crew, including Paul Laverty, Ken Loach and Rebecca O'Brien Historical context for Jimmy Gralton

Ken Loach's television play, made for the BBC's Wednesday Play series, is probably the most famous British television play ever, watched by a quarter of the population both on its first broadcast in November 1966 and on its repeat in January 1967. Carol White stars as the bright young bride Cathy, who is driven to despair by the social and economic forces pitted against her as she struggles to keep her children in a housing system that is constantly working against her. Loach used voice-overs of actual people caught up in the system and managed to get the unfairness of the system into the debating arena at the time.

Collection of TV dramas by the acclaimed British film maker Ken Loach. 'The Big Flame' (1967) and 'Rank and File' (1971) are trademark Loach dramas, detailing with sympathy the plight of workers caught up in industrial disputes at the Liverpool docks and the Pilkington glassworks, respectively. 'Three Clear Sundays' (1965) tells the story of Danny (Tony Selby), a young man facing up to the death penalty after an attempt to help reduce the sentence of two other prison inmates goes badly wrong. 'Days of Hope' (1975) is an epic four-part series starring Paul Copley, Pamela Brighton and Nikolas Simmonds as members of a working class family whose fortunes are depicted from the end of WWI to what they perceive as their betrayal in the General Strike of 1926. 'The End of Arthur's Marriage' (1965) offers something of a departure from Loach's conventional films, an adaptation of a musical scripted by Christopher Logue. 'In Two Minds' (1967) stars Anna Cropper and examines the plight of those suffering from schizophrenia. 'Up the Junction' (1965) raised the issue of abortion, at the time illegal, and played a major role in shaping public debate on the issue. Its influence in this regard was possibly only surpassed by Loach's most famous TV drama 'Cathy Come Home' (1966), which follows the struggles of young bride Cathy (Carol White) as she struggles to keep a roof over herself and her children in a housing system that seems constantly to be working against her. 'The Price of Coal' (1977) is a two-part drama set in a Yorkshire mining village which contrasts the humour of the working men (many played by actual comedians, including Duggie Brown) with the dangerous conditions in which they are forced to earn a living.

Ken Loach directs this documentary about the rise of the British Welfare State and the need to safeguard it from powerful political movements that favour privatisation. At the end of the Second World War, the British public welcomed in a Labour government which promised better state housing and a National Health Service for its citizens. Although these things have contributed to higher standards of living in Britain, a mixture of apathy and a focus on the individual in recent political movements has weakened the institutions.

The film is Ken Loach's attempt to rally the public in support of the state rights people fought for so long to acquire.

Eric the postman is slipping through his own fingers...

His chaotic family, his wild stepsons, and the cement mixer in the front garden don't help, but it is Eric's own secret that drives him to the brink. Can he face Lily, the woman he once loved? Despite outrageous efforts and misplaced goodwill from his football fan mates, Eric continues to sink.

In desperate times it takes a spliff and a special friend to challenge Eric to journey into the most perilous territory of all - the past.

As a certain frenchman says, "He who is afraid to throw the dice, will never throw a six."