A revised and updated edition of a bestselling introduction on one of the leading architects of the 20th century. Le Corbusier is probably the most famous architect of the 20th century. The richness and variety of his work and his passionately expressed philosophy of architecture have had a gigantic impact on the urban fabric and the way we live. Weaving through his long and prolific life are certain recurrent themes – his perennial drive towards new types of dwelling, from the early white villas to the Unité d’Habitation at Marseilles; his evolving concepts of urban form, including the Plan Voisin of 1925 with its cruciform towers imposed on the city of Paris and his work at Chandigarh in India; and his belief in a new technocratic order. The distinguished critic and architecture historian Kenneth Frampton re-examines all the facets of his artistic and philosophical world-view in light of recent thinking, and presents us with a Le Corbusier for the 21st century. This revised edition features a new introduction; some illustrations have now been replaced with colour.

The first survey in nearly two decades of the work of John McAslan + Partners. Making Architecture both provides an up-to-date account of the work of John McAslan + Partners, one of Britain’s most respected and dynamic architectural practices, and analyses the culture of a studio that has made a remarkable contribution to architecture, place-making and the lives of individuals for four decades. A series of thematic chapters includes detailed, fully illustrated descriptions of many recent and ongoing international projects, from Central and Waterloo stations in Sydney and ten new stations for Delhi Metro to the transformation of King’s Cross station in London; from the sensitive restoration of the De La Warr Pavilion in Bexhill-on-Sea, East Sussex, to the new Doha Mosque and nearby Msheireb Museums in Qatar. It also includes the pioneering initiatives for which the McAslan studio has become well known and that underline the practice’s humanity and sense of social responsibility: the urgent restoration of the Iron Market in Port-au-Prince, Haiti, after the devastating earthquake in 2010; the Hidden Homelessness initiative, begun in 2017; the N17 project that provided a pop-up design studio in Tottenham, London, after the riots of 2011, with the aim of inspiring young people to become engaged in the regeneration of their own community; and many others. Edited by Chris Foges, with a foreword by Kenneth Frampton and an introduction by Alan Powers, and with contributions by architectural specialists, this beautifully designed book offers the key to understanding the development and philosophy of one of the world’s most socially engaged architectural practices.

This highly acclaimed survey of modern architecture and its origins has become a classic since it first appeared in 1980, and has helped to shape architectural practice and discourse worldwide. For this extensively revised and updated fifth edition, Kenneth Frampton has added a new section that explores in detail the modernist tradition in architecture across the globe in the late twentieth and early twenty-first centuries. He examines the varied ways in which architects are not only responding to the geographical, climatic, material and cultural contexts of their buildings, but also pursuing distinct lines of approach that emphasize topography, morphology, sustainability, materiality habitat and civic form. It remains an essential book for all students of architecture and architectural history.

Kenneth Frampton: Conversations with Daniel Talesnik presents seven interviews with the architectural historian reflecting on the long arc of his rich and influential career in the discipline. Spanning Frampton’s early years as an architecture student at the Guildford School of Art to his nearly fifty years as a professor at Columbia University’s Graduate School of Architecture, Planning, and Preservation, the interviews trace not only the development and implications of his work but also the cultural, political, and discursive terrain surrounding it. Here Frampton outlines the formation of his seminal ideas of “critical regionalism� and “tectonic culture,� and also ruminates on how he understands his own role as a writer on architecture. The book includes an essay by Mary McLeod, which takes stock of Frampton’s “criticality� and his enduring impact on architectural practice. As a whole, Kenneth Frampton: Conversations with Daniel Talesnik is as much a portrait of a thinker as a record of the books, buildings, and ideas that have inspired such profound architectural thought.

Can an architect pass through walls? Can the city permeate a house? In The Dissolution of Buildings, architect Angelo Bucci presents projects in his native Sao Paulo and abroad. Advocating an architecture that is "the opposite of global action," his work responds to the topography of the city and to its urban environment. In a lecture delivered at Columbia University's Graduate School of Architecture, Planning and Preservation, Bucci discusses work designed with his firm SPBR, projects that span from the scale of the house to the city. His built work is here accompanied by an excerpt from his doctoral dissertation, which explores how the devices available to architecture-and the sectional manipulation of groundplanes in particular-can mitigate some of the inequities and exclusions built in to the fabric of the contemporary city. An essay by Kenneth Frampton frames these projects within the rich lineage of Brazilian house design and members of the Paulista school such as Paulo Mendes da Rocha and Joao Batista Vilanova Artigas.

A revealing new look at modernist architecture, emphasizing its diversity, complexity, and broad inventiveness "[Frampton] remains a formidable force in architecture . . . The Other Modern Movement offers an opportunity to re-examine the Western canon of 20th-century architecture-which Frampton himself was crucial in establishing-and delve deeper into the work of lesser-known practitioners."-Josephine Minutillo, Architectural Record Usually associated with Mies and Le Corbusier, the Modern Movement was instrumental in advancing new technologies of construction in architecture, including the use of glass, steel, and reinforced concrete. Renowned historian Kenneth Frampton offers a bold look at this crucial period, focusing on architects less commonly associated with the movement in order to reveal the breadth and complexity of architectural modernism. The Other Modern Movement profiles nineteen architects, each of whom consciously contributed to the evolution of a new architectural typology through a key work realized between 1922 and 1962. Frampton's account offers new insights into iconic buildings like Eileen Gray's E-1027 House in France and Richard Neutra's Kaufmann House in Palm Springs, California, as well as lesser-known works such as Antonin Raymond's Tokyo Golf Club and Alejandro de la Sota's Maravillas School Gymnasium in Madrid. Foregrounding the ways that these diverse projects employed progressive models, advanced new methods in construction techniques, and displayed a new sociocultural awareness, Frampton shines a light on the rich legacy of the Modern Movement and the enduring potential of the unfinished modernist project.

Wright's Writings traces the discursive work of Frank Lloyd Wright through a set of essays by Kenneth Frampton. Originally written as a series of introductions to the five-volume collection of Wright's writing published in 1992, the essays are gathered here as a critical survey of the architect's written and spoken work-a body of text that testifies to Wright's staggering prolificacy, pleasure in argument, diversity of interests, and desire to engage with timely political debates. Alongside these five essays, Wright's Writings provides a visual record of Wright's literary output, demonstrating the range of media he employed in the act of making architecture. Read together, it presents a history of the architect through the essays, books, letters, lectures, and speeches he wrote as well as the material and social cultures he navigated.

Ontology of Construction explores theories of construction in modern architecture, focusing on the relationship between nihilism of technology and architecture. The essays articulate the implications of technology in works by such architects as Le Corbusier, Frank Lloyd Wright, and Mies Van der Rohe. Hartoonian also examines Gottfried Semper's discourse on the tectonic and the relationship between architecture and other crafts. Emphasizing "fabrication" as a critical theme for contemporary architectural theory and practice, Ontology of Construction is a provocative contribution to the current debate in these areas.

Architecture and the Public World brings together key writings by Kenneth Frampton, the eminent architectural historian and critic, from the 1980s to the present. Articles are grouped into thematic sections representing abiding concerns of Frampton's criticism: history and critical theory; modes of criticism; the vicissitudes of urban form, and tactility, tectonics, and resistance. The volume also includes a new interview with Frampton and an essay by Clive Dilnot exploring the relevance of Frampton's thought for design history and criticism. The anthology represents Frampton's abiding concern for labor and the political dimensions of architecture, including his development of the concept of 'critical regionalism', but, in featuring writings from across the range and breadth of Frampton's career, enables a broader understanding of his work, demonstrating the potential for architectural interpretation and analysis to function as a mode of cultural criticism.

Shim-Sutcliffe's masterful work at Point William intertwines landscape and architecture with ancient rock and water reshaping and reimagining a site on the Canadian Shield over two decades. Found conditions and new buildings are interwoven and choreographed to create a rich spatial experience moving between inside and out. Kenneth Frampton provides an insightful introduction with selected images and his own sketches framing a way of seeing Point William for the reader. Michael Webb's provocative interview with Brigitte Shim and Howard Sutcliffe describes their evolving vision for Point William and their two-decade journey towards its realisation. Acclaimed photographers Ed Burtynsky, James Dow and Scott Norsworthy contribute through their powerful images capturing the spirit of Point William through the seasons and over time.

In Extremis is a cartography of contemporary global architecture, focusing upon the close relationship between different building types and the landscapes in which they are situated, illuminating the resonances and contrasts, continuities and discontinuities between new work and the natural or urban environment. With essays by Alessio Assonitis, Kenneth Frampton, Juhani Palaasma, Dimitri Philippidis, Jeannette Plaut, Jilly Traganou.

Whether creating enormous exhibition spaces or designing living quarters for collectors and homes and studio facilities for artists, the acclaimed architect Max Gordon (1931-1990) shaped the physical settings of art in the world's major metropolises during his influential career. Following several decades of work with leading architectural firms in New York and London (during which he designed the headquarters of New Scotland Yard), in the early 1980s Gordon designed the first Saatchi Gallery in London, and went on to become celebrated and sought after as the art world's architect of choice, designing spaces for artists Elizabeth Murray, Jennifer Bartlett, Richard Serra and Joel Shapiro, and gallerists Paula Cooper, Brooke Alexander, Maeght-Lelong and Lorence-Monk in New York and Anthony d'Offay and Annely Juda in London. This first monograph offers a detailed overview of Gordon's projects for the art world, from the 100,000-square-foot exhibition space he designed for the Museo Nacional Centro de Arte Reina Sofia in Madrid to the SoHo home he remodeled for Richard Serra, demonstrating throughout his elegant use of light, space and minimal decoration, and displaying his gift for always highlighting the art.

Singapore's Orchard Road sits alongside New York's Fifth Avenue and Paris' Champs Elysees in the pantheon of prestigious retail districts. For more than 40 years, DP Architects has contributed to the development of Orchard Road's architectural typography, the regionalism of which is flavoured with a uniqueness born of inventiveness and an accommodation of contextual forces. Evolution of a Retail Streetscape is much more than simply a lush visual and textual narrative showcasing DP Architects' extensive contribution to the character, growth and personality of the famous Singapore shopping and entertainment precinct. It also explores the concept of retail architectural typology generally, provides a brief contextual history of Singapore from British colonisation onwards, outlines the development and evolution of Orchard Road in particular, and explores some of the world's other famous shopping streets.

This publication deals with projects that the partnership PROMONTORIO developed over the past 30 years. They constitute an impressive body of work for various places across Europe, Africa, the Middle East and the USA, ranging from city planning, to culture and education, heritage and conservation, commercial and mixed-use, in addition to hospitality and leisure. The idea of a reflective practice, set forth by PROMONTORIO, summons the ability to critically and ethically reflect on its own actions, while engaging in a process of continuous adaptation and learning. Perceived as kind of ‘practicing school’ for various generations in Portugal, the practice evolved, in both theory and practice, with the idea that deliberate reflection on experience is essential to cultivate a developmental insight on architecture.

The quintessential Japanese architect of today, Kengo Kuma has forged a modern design language that artfully combines the country's traditional building crafts with sophisticated technologies and materials. From his iconic Glass House (1995) to Dundee's V&A (2018), this is the complete record of Kuma's built work, comprising thirty projects to date. Kenneth Frampton's revised and updated essay frames Kuma's work in the context of post-war Japan's flourishing architecture scene and influential figures, and recounts the international acclaim that Kuma's ideas and buildings have received. The heart of the book consists of projects presented in detail, accompanied by descriptive text and detailed drawings, and organized by the material themes that have come to define the architect's output. This new edition includes five new projects: Komatsu Seiren Fabric Laboratory fa-bo, Under One Roof project for the EPFL ArtLab, Japan House Sao Paulo, China Academy of Art's Folk Art Museum, and the V&A Dundee.

British architect, critic, historian and educator Kenneth Frampton is the third recipient of the Soane Medal, which is awarded annually in recognition of architects and critics who have made a major contribution to their field through practice, education, history or theory, and in doing so have furthered and enriched the public understanding of architecture. The lecture was delivered on 11 November 2019 at the Sheikh Zayed Theatre in the New Academic Building of the London School of Economics. This publication contains the transcript of Kenneth Frampton's lecture, which examines masterworks of modern architecture from 1930 to the present in order to theorise an architecture that resists our compulsive commodification of the environment.

Frank Lloyd Wright is not only synonymous with architecture, his name is also synonymous with the American house in the twentieth century. In particular, his residential work has been the subject of continuing interest and controversy. Wright's Fallingwater (1935), the seminal masterpiece perched over a waterfall deep in the Pennsylvania highlands, is perhaps the best-known private house in the history of the world. In fact, Wright's houses-from his Prairie style Robie House (1906) in Chicago, to the Storer (1923) and Freeman (1923) houses in Los Angeles, and Taliesen West (1937) in the Arizona desert-are all touchstones of modern architecture. For the first time, all 289 extant houses are shown here in exquisite color photographs. Along with Weintraub's stunning photos and a selection of floor plans and archival images, the book includes text and essays by several leading Wright scholars. Frank Lloyd Wright: The Houses is an event of great importance and a major contribution to the literature on this titan of modern architecture.

Since the mid-1990s, when China allowed its architects to practice independently from government-run design institutes, a new kind of architecture, distinguished by unique regional characteristics, has emerged. China Dialogues is a rigorously selected collection of insightful interviews that the book's author Vladimir Belogolovsky has conducted with 21 leading Chinese architects during his extensive travels in China. At the time when so many buildings that are being built around the world are no longer rooted in their place and culture, the leading Chinese architects succeeded collectively in producing unique architectural body of work that could not be confused with any other regional school. The interviews are accompanied by over 120 photographs and drawings of beautifully executed projects built throughout China since early 2000s. China Dialogues opens up the thinking process of the country's top architects, as they share their ideas, insights, intentions, and visions in unusually revealing and candid ways.

Architecture and the Public World brings together key writings by Kenneth Frampton, the eminent architectural historian and critic, from the 1980s to the present. Articles are grouped into thematic sections representing abiding concerns of Frampton's criticism: history and critical theory; modes of criticism; the vicissitudes of urban form, and tactility, tectonics, and resistance. The volume also includes a new interview with Frampton and an essay by Clive Dilnot exploring the relevance of Frampton's thought for design history and criticism. The anthology represents Frampton's abiding concern for labor and the political dimensions of architecture, including his development of the concept of 'critical regionalism', but, in featuring writings from across the range and breadth of Frampton's career, enables a broader understanding of his work, demonstrating the potential for architectural interpretation and analysis to function as a mode of cultural criticism.

Two Journeys is the firsat comprehensive monograph on the work of Michael Webb, an artist who is also a trained architect and who operates at the intersection of the two disciplines. He is widely known for creatively exploring the boundaries of drawing techniques, specifically perspectival projection. Webb's aspirations for and re-conceptions of both built and natural environments are revealed between a twenty-year study on perspective projection that utilizes as its subjects the Regatta Course at Henley-on-Thames in England, and early work, some of which was done in conjunction with Archigram, an avant-garde group concerned with theorizing and critiquing architecture which formed during the 1960s at the Architectural Association in London. The publication connects nearly sixty years of the artist's work into a continuously evolving narrative about the relationship between architecture, the automobile, and landscape. Webb's work investigates these relationships using notions of time, space, and speed, and analogue drawing tools such as pencil and collage, which are often rendered later in oil paint. The book features over 150 drawings: artistic works rooted in analytical thinking and structured around architectural elements and notational systems.

An illuminating study of the architecture of one of the 20th century’s most important tropical modernists Vladimir Ossipoff (1907–1998), known as the “master of Hawaiian architecture,� was at the forefront of the postwar phenomenon known as tropical modernism. Although he practiced at a time of rapid growth and social change in Hawai`i, Ossipoff criticized large-scale development and advocated environmentally sensitive designs, developing a distinctive form of architecture appropriate to the lush topography, microclimates, and vernacular traditions of the Hawaiian islands.   This stunning book, now available for the first time in paperback, surveys Ossipoff’s buildings, which demonstrate a striking interplay of indoor and outdoor space, as well as a vibrant and glamorous architectural style that has proven delightfully particular to its place and durable over time. Published in association with the Honolulu Museum of Art Exhibition Schedule: Honolulu Academy of Arts, Hawaii (November 29, 2007 – January 27, 2008) Yale School of Architecture, New Haven (Fall 2008) Deutsches Architekturmuseum, Frankfurt (Spring 2009)

Custom and Innovation: John Miller + Partners is the first publication devoted to the work of John Miller + Partners, and explores Miller's work from his student days at the Architectural Association, to his present practice as a multi-award winning firm. The book provides an insight into the contemporary fascination with museum buildings as well as the revived interest on post-war modernism both in Europe and the USA. John Miller + Partners is responsible for some of the most highly regarded museum and university projects of the past 25 years, such as the Queen's Building and the extension to Tate Britain, as well as schemes for the Fitzwilliam Museum and the National Portrait Gallery.
Custom and Innovation: John Miller + Partners takes a close look at the architects' body of work, and examines its working practices, such as John Miller's indebtedness to Modernism and its proponents, such as Le Corbusier. Further, the book sets out the practice's departure from its precedents by showing its work to be wholly contemporary and of its moment.
Fascinating texts by respected architects and writers elucidate the firm's contribution to modern architecture. Kenneth Frampton, well known for his writing on twentieth century architecture, looks at the work of John Miller in the context of the museum building, and other typologies he works with. Robert Maxwell, Emeritus Professor of Architecture at Princeton, writes extensively on architecture, combining consultancy and architectural criticism, and here looks at the historical context of John Miller + Partners' work. Finally, Deyan Sudjic, Director of the Design Museum, London, focuses on the early work produced by John Miller through his student days to his partnership with Alan Colquhoun.

Composed of ten essays and an epilogue that trace the history of contemporary form as an evolving poetic of structure and construction, the book's analytical framework rests on Frampton's close readings of key French and German, and English sources from the eighteenth century to the present. Kenneth Frampton's long-awaited follow-up to his classic A Critical History of Modern Architecture is certain to influence any future debate on the evolution of modern architecture. Studies in Tectonic Culture is nothing less than a rethinking of the entire modern architectural tradition. The notion of tectonics as employed by Frampton-the focus on architecture as a constructional craft-constitutes a direct challenge to current mainstream thinking on the artistic limits of postmodernism, and suggests a convincing alternative. Indeed, Frampton argues, modern architecture is invariably as much about structure and construction as it is about space and abstract form. Composed of ten essays and an epilogue that trace the history of contemporary form as an evolving poetic of structure and construction, the book's analytical framework rests on Frampton's close readings of key French and German, and English sources from the eighteenth century to the present. He clarifies the various turns that structural engineering and tectonic imagination have taken in the work of such architects as Perret, Wright, Kahn, Scarpa, and Mies, and shows how both constructional form and material character were integral to an evolving architectural expression of their work. Frampton also demonstrates that the way in which these elements are articulated from one work to the next provides a basis upon which to evaluate the works as a whole. This is especially evident in his consideration of the work of Perret, Mies, and Kahn and the continuities in their thought and attitudes that linked them to the past. Frampton considers the conscious cultivation of the tectonic tradition in architecture as an essential element in the future development of architectural form, casting a critical new light on the entire issue of modernity and on the place of much work that has passed as "avant-garde." A copublication of the Graham Foundation for Advanced Studies and The MIT Press.

"‘Truth and Lies in Architecture’ delves deep into the soul of architects and their work." — Naser Nader Ibrahim, Amazing Architecture This is a collection of provocative essays that journey into the vexed circumstance of contemporary architectural practice. The nature of the great cultural, social, political, environmental, and consumerist challenges facing the contemporary architect are explored, interpreted, and questioned, while drawing connections from architecture theory, philosophy, science, literature, and film sources in an attempt to negotiate the territory between the truth and lies in architecture. These essays written by a leading Australian architect represent a level of comprehensive critical awareness rarely found within the architectural profession and one would be hard pressed to find another comparable figure in contemporary architectural practice. The entire argumentation is impressive, challenging, intellectually at the highest level and beautifully written.

The Friendship Centre near the district town of Gaibandha, Bangladesh, is for an NGO which works with some of the poorest in the country and who live mainly in riverine islands (chars) with very limited access and opportunities. Very limited funding prevented an elevated structure in this area under constant threat of flooding. This and the location in an earthquake zone and the low bearing capacity of the silty soil lead to a design surrounded by an embankment for flood protection while built directly on existing soil. Rainwater and surface run-off are collected in internal pools and the excess is pumped to an excavated pond. The design relies on natural ventilation and cooling facilitated by courtyards and pools and the earth covering on roofs. An extensive network of septic tanks and soak wells ensure the sewage does not mix with flood water. This new book features the austere beauty and simplicity the building by Dhaka-born architect Kashef Mahboob Chowdhury in striking photographs taken by Helene Binet and selected plans and sections. Essays by architects and critics Kenneth Frampton and Robert Wilson round out this building monograph.