Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

It is chaotic in Jerusalem in the Persian province of Judah in the fifth century BC. Imanishs, King Artexerxes' most powerful general, wants to overthrow the king. Since all east-west trade, the economic lifeblood of the Persian Empire, runs through Judah, Imanishs has begun his task here by murdering anyone who might oppose him. But rumor has it that God has sent a greatly feared warrior named Uthamel (who is also rumored to be the incarnation of the angel of death) to the Jews to bring God's judgment on this evil man. Despite their parents' warnings to stay clear of the Persians, two little boys, David and Azmaveth, have embarked on a search for this spirit-man that will take them to the very lair of Imanishs himself. The boys do not realize that if they continue their quest, they will put their own and their family's lives in grave danger. For Imanishs is a brutal and vicious man, and he will stop at nothing, including murder, even of little children, to succeed.

From the New York Times bestselling author of PRIMAL FEAR and SHARKY'S MACHINE -- From the Nez Perce Indian reservation in Idaho to New York's Central Park is a straight line right through Bill Diehl's last and most intriguing lead character, Micah Cody. There are seven basic ways to die. In 1969 Dr. John C. Cavanaugh catalogued them all in his Primer of Forensic Pathology-Cast Studies for the Novice M.E. Micah Cody is a 30-something NYPD captain of homicide, who's founded a special unit known as TAZ with city-wide license to take over any investigation at all, with special focus on serial killers. Now its ultimate challenge is on the loose in Manhattan, with three victims already whose causes of death seem like intentional defiance of TAZ's existence-and four to go in four deadly days leading up to Halloween. Chronicling it all with great amusement is the Capote-like award-winning crime writer Ward Hamilton who, egged on by his sexually voracious socialite bedmate, is determined to bring TAZ to its knees journalistically. Captain Micah Cody's Nez Perce name is "Youngest Wolf" from his ability to communicate with the animals and read nature's signs. As all hell is breaking loose in Manhattan, the wolves in Central Park howl, the peregrine falcons shriek their warnings-and Micah is listening. Seven Ways to Die is a non-stop, sexy read with Diehl doing to the end what he did best throughout his bestselling career.

A landmark examination of the art and artists inspired by American dance from 1830 to 1960 As an enduring wellspring of creativity for many artists throughout history, dance has provided a visual language to express such themes as the bonds of community, the allure of the exotic, and the pleasures of the body. This book is the first major investigation of the visual arts related to American dance, offering an unprecedented, interdisciplinary overview of dance-inspired works from 1830 to 1960. Fourteen essays by renowned historians of art and dance analyze the ways dance influenced many of America's most prominent artists, including George Caleb Bingham, William Sidney Mount, Winslow Homer, John Singer Sargent, Cecilia Beaux, Isamu Noguchi, Aaron Douglas, Malvina Hoffman, Edward Steichen, Arthur Davies, William Johnson, and Joseph Cornell. The artists did not merely represent dance, they were inspired to think about how Americans move, present themselves to one another, and experience time. Their artwork, in turn, affords insights into the cultural, social, and political moments in which it was created. For some artists, dance informed even the way they applied paint to canvas, carved a sculpture, or framed a photograph. Richly illustrated, the book includes depictions of Irish-American jigs, African-American cakewalkers, and Spanish-American fandangos, among others, and demonstrates how dance offers a means for communicating through an aesthetic, static form. Distributed for the Detroit Institute of Arts Exhibition Schedule: Detroit Institute of Arts (03/20/16-06/12/16) Denver Art Museum (07/10/16-10/02/16) Crystal Bridges Museum of American Art (10/22/16-01/16/17)

It is chaotic in Jerusalem in the Persian province of Judah in the fifth century BC. Imanishs, King Artexerxes' most powerful general, wants to overthrow the king. Since all east-west trade, the economic lifeblood of the Persian Empire, runs through Judah, Imanishs has begun his task here by murdering anyone who might oppose him. But rumor has it that God has sent a greatly feared warrior named Uthamel (who is also rumored to be the incarnation of the angel of death) to the Jews to bring God's judgment on this evil man. Despite their parents' warnings to stay clear of the Persians, two little boys, David and Azmaveth, have embarked on a search for this spirit-man that will take them to the very lair of Imanishs himself. The boys do not realize that if they continue their quest, they will put their own and their family's lives in grave danger. For Imanishs is a brutal and vicious man, and he will stop at nothing, including murder, even of little children, to succeed.