This is a new release of the original 1924 edition.

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

This scarce antiquarian book is a selection from Kessinger Publishing's Legacy Reprint Series. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment to protecting, preserving, and promoting the world's literature. Kessinger Publishing is the place to find hundreds of thousands of rare and hard-to-find books with something of interest for everyone!

1924. The mask is not to be carelessly assumed or lightly put off. Primitive man knows that there must be initiation and a certain ceremony. If he puts on a false face without the proper incantation, there will be no power in it. It is the purpose of the following pages to try to bridge by just a little the gap that lies between the primitive man who puts a sort of idol on his face, and the Greek tragedian; between the Duk-Duk dancer who regulates morals and acquires riches in New Guinea, and some artist of the theater who wishes to bring the mask back to the stage. Illustrated throughout.

1924. The mask is not to be carelessly assumed or lightly put off. Primitive man knows that there must be initiation and a certain ceremony. If he puts on a false face without the proper incantation, there will be no power in it. It is the purpose of the following pages to try to bridge by just a little the gap that lies between the primitive man who puts a sort of idol on his face, and the Greek tragedian; between the Duk-Duk dancer who regulates morals and acquires riches in New Guinea, and some artist of the theater who wishes to bring the mask back to the stage. Illustrated throughout.

This scarce antiquarian book is a selection from Kessinger Publishing's Legacy Reprint Series. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment to protecting, preserving, and promoting the world's literature. Kessinger Publishing is the place to find hundreds of thousands of rare and hard-to-find books with something of interest for everyone

This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.

The mask is not to be carelessly assumed or lightly put off. Primitive man knows that there must be initiation & a certain ceremony. If he puts on a false face without the proper incantation, there will be no power in it. It is the purpose of the following pages to try to bridge by just a little the gap that lies between the primitive man who puts a sort of idol on his face, and the Greek tragedian; between the Duk-Duk dancer who regulates morals & acquires riches in New Guinea, and some artist of the theater who wishes to bring the mask back to the stage. Illustrated throughout.