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Tibetan Mustang - A Cultural Renaissance
HH Sakya Trichen; Contributions by Luigi Fieni; Text written by Amy Heller; Photographs by Kenneth Parker
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R1,587
Discovery Miles 15 870
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Ships in 12 - 17 working days
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Tibetan culture revives in hidden Himalayan kingdom. Photographers
Luigi Fieni and Kenneth Parker document the cultural revival of
Tibetan Mustang “the hidden kingdom” of the Himalayas. A
restoration project of its sacred temple murals directed by Luigi
Fieni over more than 20 years has reawakened Buddhist traditions.
Included is Mustang’s extraordinary landscape as well as the
Lobas’ spiritual and secular way of life. The kingdom of Mustang,
where Tibetan Buddhist tradition continues, is emerging as a beacon
of community-directed art conservation and resurgent culture.
Sacred temples dominate the medieval capital Lo Monthang. Following
centuries of deterioration a mural restoration project has taken
place over more then 20 years, directed by conservator/photographer
Luigi Fieni. This included training the unskilled Lobas in Western
conservation methods. This extraordinary initiative led to a
vibrant cultural renaissance in the kingdom.
As the force that gave birth to Anglo-Catholicism, the Oxford
Movement is generally treated as an Anglican phenomenon. Yet the
influence of members who converted to Roman Catholicism proved
decisive for the years leading up to the First Vatican Council and
the definition of papal infallibility in Pastor Aeternus (1870).
This collection of original essays edited by Parker and Pahls,
explores how various Oxford Movement converts to Roman Catholicism
contributed to debates surrounding papal infallibility in the
1850s,1860s and beyond. From Henry Cardinal Manning and Msgr.George
Talbot (a chamberlain to Pius 1X)to John Henry Cardinal Newman and
Richard Simpson (a liberal Catholic journalist),the diverse voices
of these converts marshaled arguments on both sides of the debate
and played substantial roles in framing the outcome. The full story
of Pastor Aeternus and its subsequent reception cannot be told
without exploring the contribution of the combatants,
dissidents,and collaborators who left the Church of England.
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