The first survey in nearly two decades of the work of John McAslan + Partners. Making Architecture both provides an up-to-date account of the work of John McAslan + Partners, one of Britain’s most respected and dynamic architectural practices, and analyses the culture of a studio that has made a remarkable contribution to architecture, place-making and the lives of individuals for four decades. A series of thematic chapters includes detailed, fully illustrated descriptions of many recent and ongoing international projects, from Central and Waterloo stations in Sydney and ten new stations for Delhi Metro to the transformation of King’s Cross station in London; from the sensitive restoration of the De La Warr Pavilion in Bexhill-on-Sea, East Sussex, to the new Doha Mosque and nearby Msheireb Museums in Qatar. It also includes the pioneering initiatives for which the McAslan studio has become well known and that underline the practice’s humanity and sense of social responsibility: the urgent restoration of the Iron Market in Port-au-Prince, Haiti, after the devastating earthquake in 2010; the Hidden Homelessness initiative, begun in 2017; the N17 project that provided a pop-up design studio in Tottenham, London, after the riots of 2011, with the aim of inspiring young people to become engaged in the regeneration of their own community; and many others. Edited by Chris Foges, with a foreword by Kenneth Frampton and an introduction by Alan Powers, and with contributions by architectural specialists, this beautifully designed book offers the key to understanding the development and philosophy of one of the world’s most socially engaged architectural practices.

The Great Builders surveys the careers of forty great architects whose engineering skills were crucial to their success. Sixteen nationalities and seven centuries of architectural innovation make for a survey of spectacular scope and depth: from churches and fortresses to bridges and high-tech skyscrapers, it includes masterpieces from all over the world and covers 700 years of architectural history.

Here is Brunelleschi, who built the ‘unbuildable’ dome of Florence Cathedral; Sinan, a Christian engineer who became chief architect to the Ottoman court; Joseph Paxton, scribbling down a design for the Crystal Palace, London, on a piece of blotting paper; and James Bogardus, an early American evangelist of the opportunities offered by cast-iron architecture.

Rapid advances in industrial production inspired experiments with new materials and techniques, gradually allowing a whole new architecture to emerge: reinforced concrete, plate glass and steel were central to the creations of Le Corbusier, Auguste Perret and Mies van der Rohe, for instance; and, in the High-Tech architecture of the present day – represented by Norman Foster, Frank Gehry and Santiago Calatrava, among others – computer-aided design has seemingly tested the boundaries of the possible.

Completed in 1984 by Arup Associates 1 Finsbury Avenue (1FA), the first section of the Broadgate masterplan, was widely acclaimed at the time and has since been listed as a Grade II building by Historic England. It was commonly acknowledged as having set the exemplar for future commercial architecture in the UK, introducing major innovations in construction methods and materials from the US and adopting a whole new approach to the design and planning of an office block. 1FA has recently undergone a prestigious mixed-use restoration by British Land, in liaison with Historic England, designed by award-winning architects Allford Hall Monaghan Morris. While retaining the distinctive listed facade and reintroducing the original plan's full-height interior atrium, AHMM have taken a similarly innovative and experimental approach to the complex, and in doing so, have set a new exemplar for the future of office design in the 21st Century. This book sets the iconic building in its historic context, before detailing the story of its initial development, design and construction, its listing and the effect of this listing on a commercial property in terms of planning and adaptive re-use. It then critically examines the current, similarly innovative scheme and the reimagining of this late 20th-century landmark.

Designed by the internationally renowned architect Renzo Piano and developed by Irvine Sellar, The Shard is one of the world's most striking new skyscrapers and is now, at 310m, the tallest building in Western Europe. From 1 February 2013, people will be able to visit The View on floors 68, 69 and 72 - almost twice the height of any other viewing gallery in London - from where they will experience a 360-degree, 40-mile view over one of the world's most historic and exciting cities. Organized spread by spread, easy to navigate and as elegantly designed as the building itself, the official guidebook sets The Shard in the context of Southwark, one of the capital's most historic boroughs, before outlining the design principles and construction story of the building. Also included are Q&As with both the architect and the developer and fascinating facts and stats relating to this extraordinary building. Central to the book's purpose as the official guidebook are a series of twelve high-resolution double-page panoramic photographs of the views from The Shard (three per compass point: looking left, looking right and looking down), each annotated to identify London's key buildings, monuments and landmarks. An informative souvenir for visitors to The Shard, the book will also be available in the trade, making it available to all Londoners and visitors to the capital.