According to many pundits and cultural commentators, the U.S. is enjoying a post-racial age, thanks in part to Barack Obama's rise to the presidency. This high gloss of optimism fails, however, to recognize that racism remains ever present and alive, spread by channels of media and circulated even in colloquial speech in ways that can be difficult to analyze.

In this groundbreaking collection edited by Michael G. Lacy and Kent A. Ono, scholars seek to examine this complicated and contradictory terrain while moving the field of communication in a more intellectually productive direction. An outstanding group of contributors from a range of academic backgrounds challenges traditional definitions and applications of rhetoric. From the troubling media representations of black looters after Hurricane Katrina and rhetoric in news coverage about the Columbine and Virginia Tech massacres to cinematic representations of race in "Crash," "Blood Diamond," and Quentin Tarantino's films, these essays reveal complex intersections and constructions of racialized bodies and discourses, critiquing race in innovative and exciting ways. "Critical Rhetorics of Race" seeks not only to understand and navigate a world fraught with racism, but to change it, one word at a time.

Critical Administration: Negotiating Political Commitment and Managerial Practice in Contemporary Higher Education explores the challenges that higher education administrators face when negotiating political commitments in the day-to-day practice of university life. Jay Brower and W. Benjamin Myers have collected reflections from 12 administrators, all of whom identify as critical/cultural scholars, about how ideological commitments affect their identities as administrators and the work they conduct. Contributors reflect on how their academic training helps them understand their role as administrators in higher education in terms of central issues surrounding power, ethics, and identity, and how they entwine with managerial responsibilities. Each contributor focuses on specific experiences where their managerial duties intersect with political commitments. Ultimately, this collection provides opportunities to observe the challenges and opportunities of performing ethical leadership in contemporary higher education. Scholars of education, critical/cultural communication, and administration will find this book particularly useful.

According to many pundits and cultural commentators, the U.S. is enjoying a post-racial age, thanks in part to Barack Obama's rise to the presidency. This high gloss of optimism fails, however, to recognize that racism remains ever present and alive, spread by channels of media and circulated even in colloquial speech in ways that can be difficult to analyze.

In this groundbreaking collection edited by Michael G. Lacy and Kent A. Ono, scholars seek to examine this complicated and contradictory terrain while moving the field of communication in a more intellectually productive direction. An outstanding group of contributors from a range of academic backgrounds challenges traditional definitions and applications of rhetoric. From the troubling media representations of black looters after Hurricane Katrina and rhetoric in news coverage about the Columbine and Virginia Tech massacres to cinematic representations of race in "Crash," "Blood Diamond," and Quentin Tarantino's films, these essays reveal complex intersections and constructions of racialized bodies and discourses, critiquing race in innovative and exciting ways. "Critical Rhetorics of Race" seeks not only to understand and navigate a world fraught with racism, but to change it, one word at a time.

A new collection on women in American television in the 90s uncovers a cultural obsession with tough yet sexy heroines in mythical pasts, the "girl power" present, and utopic futures. Xena, Buffy, Sabrina, and a host of other characters have become household words, as well as icons of pop culture 'feminism.' Their popularity makes for successful programming, however, how much does this trend truly represent a contemporary feminist breakthrough? And what does it mean for feminism in the next few decades? Fantasy Girls: Navigating the New Universe of Science Fiction and Fantasy Television seeks to explore as well as challenge the power and the promises of this recent media phenomenon. Such TV programming offers the exciting opportunity to rethink established gender norms, but how far is it really pushing the limits of the status quo? Amidst the exuberant optimism of fanzines and doting fan websites, the contributors to this volume endeavor to provide us with a much needed critical analysis of this contemporary trend. These essays explore the contradictions and limitations inherent in the genre, forcing readers to take a fresh and critical look through a variety of lenses including girl power, postfeminism, cyborg feminism, disability politics, queer studies, and much more. Programs covered are Babylon 5, Buffy the Vampire Slayer, Disney's Cinderella, Lois and Clark, Mystery Science Theater 3000, Sabrina the Teenage Witch, Star Trek: Voyager, The X-Files, Third Rock from the Sun, and Xena: Warrior Princess.