LONGLISTED FOR THE BOOKER PRIZE IRISH TIMES NUMBER ONE BESTSELLER SHORTLISTED FOR NOVEL OF THE YEAR AT THE IRISH BOOK AWARDS, THE DALKEY LITERARY AWARDS AND THE KERRY GROUP AWARDS A BOOK OF THE YEAR IN THE NEW YORK TIMES, NEW STATESMAN, TIMES LITERARY SUPPLEMENT, BIG ISSUE, i, THE ATLANTIC and LITERARY HUB 'A true wonder' Max Porter 'Beautifully written' Guardian It's late one night at the Spanish port of Algeciras and two fading Irish gangsters are waiting on the boat from Tangier. A lover has been lost, a daughter has gone missing, their world has come asunder - can it be put together again?

SHORTLISTED FOR THE EDGE HILL SHORT STORY PRIZE 'One of the best collections you'll read this year' Sunday Times 'Wild, witty stories . . . Exhilarating' Observer In this rapturous story collection we encounter a ragbag of west of Ireland characters, many on the cusp between love and catastrophe, heartbreak and epiphany, resignation and hope. These stories affirm Kevin Barry as one of the world's most accomplished and gifted writers, and show an Ireland in a condition of great flux but also as a place where older rhythms, and an older magic, somehow persist.

This award-winning story collection summons all the laughter, darkness and intensity of contemporary Irish life. A pair of fast girls court trouble as they cool their heels on a slow night in a small town. Lonesome hillwalkers take to the high reaches in pursuit of a saving embrace. A bewildered man steps off a country bus in search of his identity - and a stiff drink. These stories, filled with a grand sense of life's absurdity, form a remarkably surefooted collection that reads like a modern-day Dubliners.

An award-winning collection from the author of "City of Bohane," which was hailed by Pete Hamill as "full of marvels" ("The New York Times Book Review")

"* Short-listed for the Frank O'Connor Short Story Award * Winner of the Sunday Times Short Story Award * One of last year's most critically acclaimed books in the UK * A "Guernica "Best Book of the Year * A "Library Journal ""Best Indie Fiction of 2013" "*
"Dark Lies the Island" is a wickedly funny and hugely original collection of stories about misspent love and crimes gone horribly wrong. In the Sunday Times Short Story Award-winning "Beer Trip to Llandudno," a pack of middle-aged ale fanatics seeking the perfect pint find more than they bargained for. A pair of sinister old ladies prowl the countryside for a child to make their own. And a poet looking for inner calm buys an ancient inn on the west coast of Ireland but finds instead rancorous locals and catastrophic floodwaters.
Kevin Barry's dazzling language, razor-sharp ear for the vernacular, and keen eye for the tragedies and comedies of daily life invest these tales with a startling vitality. "Dark Lies the Island" was short-listed for the Frank O'Connor International Short Story Award, and as one of the most acclaimed collections in Europe in many years, it heralds the arrival of a new master of the short story.

How we come in, and how we go out, sex and death: these are the governing drives, our two greatest themes. In this provocative and haunting collection of short stories, acclaimed writers probe the nature of, and connection between two of the most powerful, exhilarating and terrifying forces that define and shape the human experience: sex and death.

Edited by award winning novelist and short story writer Kevin Barry, this volume will once again mix established names with previously unpublished authors, and will seek to offer fresh renditions to the Irish story - new angles, new approaches, new modes of attack. Published in 2011, New Irish Short Stories, edited by Joseph O'Connor, has sold over 10,000 copies to date and featured Kevin Barry's 'Beer Trip to Llandudno' - winner of the 2012 Sunday Times EFG Short Story Prize - as well as stories by William Trevor, Dermot Bolger and Roddy Doyle which went on to be Afternoon Readings on BBC Radio 4.

WINNER OF THE GOLDSMITHS PRIZE SHORTLISTED FOR THE IRISH BOOK AWARDS "John is so many miles from love now and home. This is the story of his strangest trip." A novel of family, ghosts, love, music and the quest for truth, Beatlebone recounts a wild journey through the west of Ireland in 1978. At its helm is John, a maddened genius fleeing fame and seeking peace. With his deadpan Irish driver, Cornelius, at his side, John is hellbent on reaching the Island of Dorinish, an assignment he arranged ten years before. Lyrical, freewheeling, quixotic and fun, Beatlebone is a sad and beautiful comedy.

Made in Dublin winner of Photography category in the British Design and Production Awards 'A singular new vision and an original contribution to the development of street photography' Martin Parr Focused on D1, Dublin's city centre, Eamonn Doyle's three major bodies of work, 'i', 'On' and 'End' - with new and previously unpublished images brought together here for the first time - tell the tale of today's Dublin and, in doing so, tell a broader story of today's Ireland. Setting aside the nostalgia and cliche so often seen in 'stories of Ireland', Doyle's vernacular photography is a thrill to the system, revealing the extraordinary within the ordinary to paint a striking portrait of a modern and multicultural capital city. Vivified in colour, the commonplace is seen anew, the everyday made epic as the city's inhabitants appear in stark, graphic black and white going about their daily business. Far from pedestrian, Doyle's work is the archetype of good street photography: real life brought to life through the lens and voice of the street. Punctuating the photography with specially commissioned narratives is the distinctive voice of Kevin Barry, evoking the world beyond the frame: the sights, smells, sounds and sensations of a Dubliner's daily life. Designed by Doyle's longtime collaborator Niall Sweeney, fusing contemporary Irish word and contemporary Irish image, Made in Dublin is one of the most exciting and original books of street photography in recent years.

A collection of masterful short stories in Julio Cortazar's sophistocated, powerful and gripping style. 'Julio Cortazar is truly a sorcerer and the best of him is here, in these hilariously fraught and almost eerily affecting stories' Kevin Barry A grieving family home becomes the site of a terrifying invasion. A frustrated love triangle, brought together by a plundered Aztec idol, spills over into brutality. A lodger's inability to stop vomiting bunny rabbits inspires a personal confession. As dream melds into reality, and reality melts into nightmare, one constant remains throughout these thirty-five stories: the singular brilliance of Julio Cortazar's imagination. WITH A NEW INTRODUCTION BY KEVIN BARRY 'Anyone who doesn't read Cortazar is doomed' Pablo Neruda

These are the recollections seen through the eyes of a young Irish boy growing up in Notting Hill and Chelsea in the 1950s and 1960s with its trials and tribulations. However, great joy, poignancy, humour, and sadness that shines through from an era now long gone. It is a living testament to the love, courage, and fortitude of the human spirit which can always come shining through in any trial or, indeed, any tribulation.

In a letter to his brother in 1906, James Joyce confessed: 'Sometimes thinking of Ireland it seems to me that I have been unnecessarily harsh. I have not been just to its beauty'. One reason for the composition of The Dead in 1907 was to compensate for this injustice and to add a new and quite different conclusion to his collection of short stories, Dubliners. Why Joyce felt compelled to change his view of Ireland, and how his narrative technique evolved to accommodate this change, becomes one of the focal points for this illuminating study. Furthermore, why John Huston felt compelled to adapt The Dead, and how he did so, provides another enlightening context. Although eighty years separate Huston's film from Joyce's text, the presence of Joyce's story can be found earlier in European cinema, in Roberto Rossellini's Voyage in Italy (1953). Kevin Barry here explores the extraordinary relationships between these three works, and the radically different aesthetics of fidelity and infidelity practiced by these exemplary artists of the twentieth century.

Winner of the Sunday Times short story prize Winner of the Edge Hill short story prize A kiss that just won't happen. A disco at the end of the world. A teenage goth on a terror mission. And OAP kiddie-snatchers, and scouse real-ale enthusiasts, and occult weirdness in the backwoods... Dark Lies the Island is a collection of unpredictable stories about love and cruelty, crimes, desperation, and hope from the man Irvine Welsh has described as 'the most arresting and original writer to emerge from these islands in years'. Every page is shot through with the riotous humour, sympathy and blistering language that mark Kevin Barry as a pure entertainer and a unique teller of tales.

**Winner of the International IMPAC Dublin Literary Award** 'A electrifying masterpiece' Joseph O'Connor The once-great city of Bohane on the west coast of Ireland is on its knees, infested by vice and split along tribal lines. There are still some posh parts of town, but it is in the slums and backstreets of Smoketown, the tower blocks of the Northside Rises and the eerie bogs of Big Nothin' that the city really lives. For years, Bohane has been in the cool grip of Logan Hartnett, the dapper godfather of the Hartnett Fancy gang. But there's trouble in the air. But now they say his old nemesis is back in town; his trusted henchmen are getting ambitious; and there's trouble in the air... **One of the BBC's 100 Novels That Shaped Our World** Shortlisted for the Costa First Novel Award Winner of the Authors' Club Best First Novel Award

SHORTLISTED FOR THE EDGE HILL SHORT STORY PRIZE 'One of the best collections you'll read this year' Sunday Times 'Wild, witty stories . . . Exhilarating' Observer Since his landmark debut collection, There Are Little Kingdoms, and its award-winning sequel in 2012, Dark Lies the Island, Kevin Barry has been acclaimed as one of the world's most accomplished and gifted short story writers. Barry's lyric intensity, the vitality of his comedy and the darkness of his vision recall the work of masters of the genre like Flannery O'Connor and William Trevor, but he has forged a style which is patently his own. In this rapturous third collection, we encounter a ragbag of west of Ireland characters, many on the cusp between love and catastrophe, heartbreak and epiphany, resignation and hope. These stories show an Ireland in a condition of great flux but also as a place where older rhythms, and an older magic, somehow persist.