The first four seasons of the high-calibre US comedy series set in the offices of an American TV network.

Liz Lemon (Tina Fey) is head scriptwriter for comedy sketch show 'The Girlie Show', who has to use all her political skills to keep her eccentric new star, Tracy Jordan (Tracy Morgan), and arrogant, new-ideas boss, Jack Donaghy (Alec Baldwin), in check, while she tries to keep the ship from sinking.

All 22 episodes from the fifth season of the high-calibre US comedy series set in the offices of an American TV network. Liz Lemon (Tina Fey) is head scriptwriter for comedy sketch show 'The Girlie Show', who has to use all her political skills to keep her eccentric star, Tracy Jordan (Tracy Morgan), and arrogant, new-ideas boss, Jack Donaghy (Alec Baldwin), in check, while she tries to keep the ship from sinking. Episodes comprise: 'The Fabian Strategy', 'When It Rains, It Pours', 'Let's Stay Together', 'Live Show', 'Reaganing', 'Gentleman's Intermission', 'Brooklyn Without Limits', 'College', 'Chain Reaction of Mental Anguish', 'Christmas Attack Zone', 'Mrs. Donaghy', 'Operation Righteous Cowboy Lightning', 'I Qué Sorpresa!', 'Double-Edged Sword', 'It's Never Too Late for Now', 'TGS Hates Women', 'Queen of Jordan', 'Plan B', 'I Heart Connecticut', '100', 'Everything Sunny All the Time Always' and 'Respawn'.

Penicillin has affected the lives of everyone, and has exerted a powerful hold on the popular imagination since its first use in 1941. The story of its development from a chance observation in 1928 by Alexander Fleming to a life-saving drug is compelling and exciting. It revolutionized healthcare and turned the modest, self-effacing Fleming into a world hero. This book tells the story of the man and his discovery set against a background of the transformation of medical research from nineteenth-century individualism through to teamwork and modern-day international big business (pharmaceutical companies like Fisors, Distillers, or Beecham (Smith Kline)). Now, sixty years after the antibiotic revolution, when there are fears that the days of antibiotics are numbered it has never been more timely to look at the beginnings.

Most ethnographers don't achieve what Kevin Brown did while conducting their research: in his two years spent at a karaoke bar near Denver, Colorado, he went from barely able to carry a tune to someone whom other karaoke patrons requested to sing. Along the way, he learned everything you might ever want to know about karaoke and the people who enjoy it. The result is Karaoke Idols, a close ethnography of life at a karaoke bar that reveals just what we are doing when we take up the mic - and how we shape our identities, especially in terms of gender, ethnicity, and class, through performances in everyday life. Marrying a comprehensive introduction to the history of public singing and karaoke with a rich analysis of karaoke performers and the community that their shared performances generate, Karaoke Idols is a book for both the casual reader and the scholar: a fascinating exploration of our urge to perform and the intersection of technology and culture that makes it so seductively easy to do so.