This volume of studies in honor of Stephen G. Nichols by colleagues, friends, and students is called Revealing New Perspectives because that is what his career exemplifies. As both the verb and adjective forms suggest, Steve has undeniably changed the course of medieval studies in ways which have had a global impact that continues to be profound. He has always been committed to not only contextualizing the intellectual and artistic production of the past in which a work was created, but to considering it also according to the current theoretical optics of our time, since each age has its own set of aesthetic and cultural realities and expectations. The contributions to this volume by sixteen distinguished medievalists are divided into the five sections of "Visuals," "Lyric," "Philology," "Alterity," and "Rewritings." While it can, of course, be argued that each essay partakes of more than one of these categories, they have been globally organized into the category that predominates in their articulation. *** "The breadth of topic and learning in this celebratory volume are a fitting tribute to the remarkable Stephen Nichols. It would be difficult to imagine a more distinguished international array of colleagues, all writing in warm admiration of Nichols’s pioneering influence in manuscript studies, the visual arts, narrative, drama, and lyric in Italian, Iberian, German, Byzantine Greek, and Middle English as well as French. Kevin Brownlee and Marina S. Brownlee have assembled a vital testament to the ‘pathos and passion of philology’ in its most contemporary and medieval senses." —Ardis Butterfield, John M. Schiff Professor of English; Professor of French and of Music, Yale University *** "Revealing New Perspectives is a fitting tribute to the pioneering scholarship and ongoing innovation of Stephen Nichols. A volume that includes the fruit of long-standing reflections by some of today’s most eminent medievalists and exciting new work by a number of Nichols’ former students, Revealing New Perspectives offers rich reading for established scholars, and accessible pathways for students to some of medieval studies’ most compelling current issues, including the opportunities for investigation opened up by new technologies and the insights to be gained from engaging with the specificity and complex situatedness of each medieval work." —Daisy Delogu, Professor of French, University of Chicago *** "The first thing one notices upon perusing this book is the extraordinary list of contributors, a line-up that befits a celebration of Stephen G. Nichols’s impact on medieval studies. These engaging essays reflect the innovativeness and interdisciplinarity of their honoree’s approach, and, in keeping with the spirit of Nichols’s own work, open up intriguing possibilities for further exploration." —Geri L. Smith, Professor of French and Chair, Department of Modern Languages and Literatures, University of Central Florida *** "To honor medievalist and comparatist Stephen G. Nichols, this beautifully illustrated book assembles a roll call of skilled literary critics and historians from across the globe. In five sections, sixteen essays probe texts and topics in English, French, German, Iberian, Italian, and Occitan, from the Middle Ages through the mid-twentieth century. The striking breadth and depth—methodological, linguistic, and chronological—pay fitting tribute to Nichols, whose long and distinguished career has stretched the study of medieval poetry through the creation and application of (just for example) material and digital philology." —Jan M. Ziolkowski, Arthur Kingsley Porter Professor of Medieval Latin, Harvard University

The Romance of the Rose has been a controversial text since it was written in the thirteenth century. There is evidence for radically different readings as as early as the first half of the fourteenth century. The text provided inspiration for both courtly and didactic poets. Some read it as a celebration of human love; others as an erudite philosophical work; still others as a satirical representation of social and sexual follies. On one hand it was praised as an edifying treatise, on the other condemned as lascivious and misogynistic. Kevin Brownlee and Sylvia Huot and the contributors to this volume-Pierre-Yves Badel, Emmanuele Baumgartner, John V. Fleming, Robert Pogue Harrison, David F. Hult, Stephen G. Nichols, Lee Patterson, Daniel Poirion, Karl D. Uitti, Dieuwke E. van der Poel, and Lori Walters-represent all the major areas of current work on the Romance of the Rose, both in American and in Europe. The volume will be of value to students and scholars of medieval literature, intellectual history, and art history.

This Norton Critical Edition presents selections from eighteen of Christine s major works in fresh, contemporary translations. Each text is fully annotated and is accompanied by an introduction placing it in the context of Christine s oeuvre and tracing the literary developments and the historical situation of the period. The Book of Fortune s Transformation and The Book of the City of Ladies include manuscript illuminations. "Criticism" collects seven important interpretations of the literary and historical aspects of Christine s work, by Jacqueline Cerquiglini, Beatrice Gottlieb, Renate Blumenfeld-Kosinski, Sheila Delany, Patricia A. Phillippy, Joel Blanchard, and Kevin Brownlee. A Selected Bibliography is included."

"This is a substantial and readable volume, and it is supplied with a rich array of documentation in the notes and bibliography. It deals with a question of critical importance for current research on medieval 'literature': namely, the relationship between this literature and us... This is an important collection, and one may congratulate the editors of their ambitious undertaking." -- Paul Zumthor, "Speculum."

This distinctive collection explores the construction of genealogies--in both the biological sense of procreation and the metaphorical sense of heritage and cultural patrimony. Focusing specifically on the discourses that inform such genealogies, "Generation and Degeneration" moves from Greco-Roman times to the recent past to retrace generational fantasies and discords in a variety of related contexts, from the medical to the theological, and from the literary to the historical.
The discourses on reproduction, biology, degeneration, legacy, and lineage that this book broaches not only bring to the forefront concepts of sexual identity and gender politics but also show how they were culturally constructed and reconstructed through the centuries by medicine, philosophy, the visual arts, law, religion, and literature. The contributors reflect on a wide range of topics--from what makes men "manly" to the identity of Christ's father, from what kinds of erotic practices went on among women in sixteenth-century seraglios to how men's hemorrhoids can be variously labeled. Essays scrutinize stories of menstruating males and early writings on the presumed inferiority of female bodily functions. Others investigate a psychomorphology of the clitoris that challenges Freud's account of lesbianism as an infantile stage of sexual development and such topics as the geographical origins of medicine and the materialization of genealogy in the presence of Renaissance theatrical ghosts.
This collection will engage those in English, comparative, Italian, Spanish, and French studies, as well as in history, history of medicine, and ancient and early modern religious studies.

"Contributors." Kevin Brownlee, Marina Scordilis Brownlee, Elizabeth Clark, Valeria Finucci, Dale Martin, Gianna Pomata, Maureen Quilligan, Nancy Siraisi, Peter Stallybrass, Valerie Traub