Bring the 'passion' narrative alive with 'Parish Passion Play', which is suitable for production by anyone with little or no acting experience. Ideally suited for use in a parish church, the play is based upon the chronology presented by Professor Colin J. Humphreys in his book 'The Mystery of the Last Supper'.

Bring the 'passion' narrative alive with 'Parish Passion Play', which is suitable for production by anyone with little or no acting experience. Ideally suited for use in a parish church, the play is based upon the chronology presented by Professor Colin J. Humphreys in his book 'The Mystery of the Last Supper'.

The tranquil development of the Perpetuan movement is disrupted by Gregg, a former US Secret Service operative and charismatic sex maniac. He subverts Perpetua's message in a series of aggressive emails, pushing the movement's non-combative leadership to breaking point. After a series of bizarre and spectacular appearances, Gregg discredits himself and the movement, but is reconciled through the direct intervention of Perpetua. Can the movement survive the ordeal? The Third Testament ends with Damian's apocalyptic vision and a new liturgy. Unity is the third and final book in The Third Testament for the Third Millennium, a bold re-telling of the New Testament in a 21st Century context, asking Christians to question what they believe and why. Incorporating a dazzling array of artistic styles, convention-breaking use of language and sharply drawn characters, the series draws on its author's experience of journalism, broadcasting and politics, and on his work as a lay minister in the Church of England. It is profound and funny, moving and edgy, setting out how we might better live together with more self-restraint and less regulation.

Anyone who finds solace in the words of the Book of Common Prayer will welcome this companion to its Collects, Epistles, and Gospels, to be used at the Ministration of the Holy Communion, throughout the Year.

Written for both the lay and ordained, this thought provoking commentary gives the words of Cranmer and his colleagues renewed meaning in our own time by providing historical context for their composition and reflection on their broader message. This book provides an excellent starting point for sermons or personal contemplation on the readings and prayers that comprise the liturgical year.

Carey s exposition of the biblical readings and Prayer Book collects is careful, thorough, and informed by a well-populated theological and cultural hinterland ... I wholeheartedly commend it and recommend it to every thoughtful Christian. - The Very Reverend Michael Sadgrove, Dean of Durham (from the foreword)

Kevin Carey is the Chairman of RNIB, the UK's leading blindness charity, and a Reader in his parish church. He has been a Member of General Synod, and is a chorister, published poet, and classical music critic.

Following the inexplicable murder and reappearance of Perpetua, her followers spread a gospel of unconditional love. Whilst struggling to deal with issues of freedom and uniformity, power and love, tension mounts. Set in two quintessentially British settings, they quickly discover that each follower is called to pay a price, from tedium to martyrdom. With the death of one of Perpetua's most loyal supporters moments after uttering a revelatory accusation, they learn that obstacles come not only from outside their number, but from within. Spirit is the second of three books in The Third Testament for the Third Millennium, a bold re-telling of the New Testament in a 21st Century context, asking Christians to question what they believe and why. Incorporating a dazzling array of artistic styles, convention-breaking use of language and sharply drawn characters, the series draws on its author's experience of journalism, broadcasting and politics, and on his work as a lay minister in the Church of England. It is profound and funny, moving and edgy, setting out how we might better live together with more self-restraint and less regulation.

Perpetua, a 19 year old girl from South London, says that she is God. She gathers a motley collection of followers and begins her travels, performing miracles and spreading her gospel of unconditional love along the way.

Her message provokes a strong and ultimately lethal reaction from Christianity's warring factions, politicians and journalists bent on profit instead of the truth. Her story is told by four people: Jack, a tabloid journalist; Claire, a social worker; Beth, a media student; and Damian, a theology graduate and Church House intern.

Perpetua is the first of three novels in The Third Testament for the Third Millennium, a bold re-telling of the New Testament in a 21st Century context, asking Christians to question what they believe and why.

Incorporating a dazzling array of artistic styles, convention-breaking use of language and sharply drawn characters, the series draws on its author's experience of journalism, broadcasting and politics, and on his work as a lay minister in the Church of England. It is profound and funny, moving and edgy, setting out how we might better live together with more self-restraint and less regulation.

Countries regularly track gross domestic product (GDP) as an indicator of their economic progress, but not wealth - the assets such as infrastructure, forests, minerals, and human capital that produce GDP. In contrast, corporations routinely report on both their income and assets to assess their economic health and prospects for the future. Wealth accounts allow countries to take stock of their assets to monitor the sustainability of development, an urgent concern today for all countries. The Changing Wealth of Nations 2018: Building a Sustainable Future covers national wealth for 141 countries over 20 years (1995-2014) as the sum of produced capital, 19 types of natural capital, net foreign assets, and human capital overall as well as by gender and type of employment. Great progress has been made in estimating wealth since the fi rst volume, Where Is the Wealth of Nations? Measuring Capital for the 21st Century, was published in 2006. New data substantially improve estimates of natural capital, and, for the first time, human capital is measured by using household surveys to estimate lifetime earnings. The Changing Wealth of Nations 2018 begins with a review of global and regional trends in wealth over the past two decades and provides examples of how wealth accounts can be used for the analysis of development patterns. Several chapters discuss the new work on human capital and its application in development policy. The book then tackles elements of natural capital that are not yet fully incorporated in the wealth accounts: air pollution, marine fisheries, and ecosystems. This book targets policy makers but will engage anyone committed to building a sustainable future for the planet.

In Set in Stone, Kevin Carey's poems tell stories as dreams, as memories, as rituals, or ceremonies. Carey writes poetry for the everyperson, poetry that deals with memory, loss, and nostalgia in an accessible and honest way. These poems tell stories about growing up and growing older, about loss and victory, giving praise to the moments that pass through our lives and the imprint they leave behind. Carey embraces the mystery of nostalgia, the haunted memories, worn and cemented by time, that string a life together. These are poems of places and of people, both real and imagined. These are poems about summer ponds and barroom nights, basketball and superheroes--poems that remind us of our humanness. These are poems, set in stone, to be chipped away at carefully, revealing the truths hidden underneath.

Poetry that takes us from an urban beachfront in the shadow of the Boston skyline to the halls of a private prep school, from the corner drugstore to the playground basketball court.
"Carey's universe may be set in blue-collar New England, but out of that backdrop, we find a man very much like ourselves trying to hold on to what everyone loses eventually--his children as they grow up, his parents, long-time friends, perhaps, most important of all, his sense of where he thought he was going to be when he was young and what life is for him now."- Maria Mazziotti Gillan - from the Foreword