Chris Rock writes, directs and stars in this contemporary comedy as Andre Allen, a struggling comic and film star who is desperate to breathe some new life into his career. Andre finds himself disenchanted by the prospect of his reality TV star fiancée (Gabrielle Union)'s plans to broadcast their wedding on her show. However, he is forced to spend some time with Chelsea Brown (Rosario Dawson), a journalist reporting on his latest movie, and the more Andre realises he is disappointed with where his career and personal life are headed, the more he tries to change things...

Steve Pink directs this romantic comedy, based on David Marmet's play 'Sexual Perversity in Chicago', starring Kevin Hart, Michael Ealy, Regina Hall and Joy Bryant. Bernie Jackson (Hart) and his friend Danny Martin (Ealy) consider themselves successful womanisers. However, when they become involved with two roommates, Joan Derrickson (Hall) and Debbie Sullivan (Bryant), Bernie and Danny find that life becomes a lot more complicated. The two couples go through numerous ups and downs, with the difficulties and successes of each relationship having a knock-on effect on the other. Can romance and friendship survive such close proximity?

Religious poetry has often been regarded as minor poetry and dismissed in large part because poetry is taken to require direct experience; whereas religious poetry is taken to be based on faith, that is, on second or third hand experience. The best methods of thinking about "experience" are given to us by phenomenology. Poetry and Revelation is the first study of religious poetry through a phenomenological lens, one that works with the distinction between manifestation (in which everything is made manifest) and revelation (in which the mystery is re-veiled as well as revealed). Providing a phenomenological investigation of a wide range of "religious poems", some medieval, some modern; some written in English, others written in European languages; some from America, some from Britain, and some from Australia, Kevin Hart provides a unique new way of thinking about religious poetry and the nature of revelation itself.

This book represents the most comprehensive attempt to date to explore and test Derrida's contribution and influence on the study of theology, biblical studies, and the philosophy of religion. Over the course of the last decade, the writings of Derrida and the key concepts that emerge from his work such as the gift, apocalypse, hospitality, and messianism have wrought far-reaching and irresistible changes in the way that scholars approach biblical texts, comparative religious studies, and religious violence, for instance, as well as the way they understand basic religious themes as myth, creation, forgiveness, one-ness, and multiplicity. In addition to original contributions from over twenty highly-regarded scholars including John Caputo, Daniel Boyarin, Edith Wyschogrod, Tim Beal, and Gil Anidjar, the volume opens with a lengthy interview with Derrida.

An original and profound exploration of contemplation from philosopher, theologian, and poet Kevin Hart.   In Lands of Likeness, Kevin Hart develops a new hermeneutics of contemplation through a meditation on Christian thought and secular philosophy. Drawing on Kant, Schopenhauer, Coleridge, and Husserl, Hart first charts the emergence of contemplation in and beyond the Romantic era. Next, Hart shows this hermeneutic at work in poetry by Gerard Manley Hopkins, Marianne Moore, Wallace Stevens, and others. Delivered in its original form as the prestigious Gifford Lectures, Lands of Likeness is a revelatory meditation on contemplation for the modern world.

Kevin Hart and Josh Gad star in this comedy written and directed by Jeremy Garelick. When Doug Harris (Gad) proposes to his girlfriend Gretchen (Kaley Cuoco-Sweeting) he comes to realise that he has everything he could ever wish for... except a best man. After he is referred to Best Man Inc., a company that specialises in supplying fake groomsmen for grooms with no friends, Doug meets Jimmy Callahan (Hart), the most successful fake best man in the business. As Doug sets about making Jimmy, or Bic Mitchum as he renames him, believable as his new best friend, chaos ensues including a disastrous family meal that results in Gretchen's grandmother catching fire. The cast also includes Alan Ritchson, Mimi Rogers, Cloris Leachman and Jorge Garcia.

Maurice Blanchot is a towering yet enigmatic figure in twentieth-century French thought. A lifelong friend of Levinas, he had a major influence on Foucault, Derrida, Nancy, and many others. Both his fiction and his criticism played a determining role in how postwar French philosophy was written, especially in its intense concern with the question of writing as such. Never an academic, he published most of his critical work in periodicals and led a highly private life. Yet his writing included an often underestimated public and political dimension. This posthumously published volume collects his political writings from 1953 to 1993, from the French-Algerian War and the mass movements of May 1968 to postwar debates about the Shoah and beyond. A large number of the essays, letters, and fragments it contains were written anonymously and signed collectively, often in response to current events. The extensive editorial work done for the original French edition makes a major contribution to our understanding of Blanchot's work. The political stances Blanchot adopts are always complicated by the possibility that political thought remains forever to be discovered. He reminds us throughout his writings both how facile and how hard it is to refuse established forms of authority. The topics he addresses range from the right to insubordination in the French-Algerian War to the construction of the Berlin Wall and repression in Eastern Europe; from the mass movements of 1968 to personal responses to revelations about Heidegger, Levinas, and Robert Antelme, among others. When read together, these pieces form a testament to what political writing could be: not merely writing about the political or politicizing the written word, but unalterably transforming the singular authority of the writer and his signature. Cet ouvrage, publie dans le cadre d'un programme d'aide a la publication beneficie du soutien financier du ministere des Affaires etranges et du Service culturel de l'ambassade de France aux Etats-Unis, ainsi que de l'appui de FACE (French American Cultural Exchange). This work, published as part of a program providing publication assistance, received financial support from the Cultural Services of the French Embassy in the United States and FACE (French American Cultural Exchange).

This book represents the most comprehensive attempt to date to explore and test Derrida's contribution and influence on the study of theology, biblical studies, and the philosophy of religion. Over the course of the last decade, the writings of Derrida and the key concepts that emerge from his work such as the gift, apocalypse, hospitality, and messianism have wrought far-reaching and irresistible changes in the way that scholars approach biblical texts, comparative religious studies, and religious violence, for instance, as well as the way they understand basic religious themes as myth, creation, forgiveness, one-ness, and multiplicity. In addition to original contributions from over twenty highly-regarded scholars including John Caputo, Daniel Boyarin, Edith Wyschogrod, Tim Beal, and Gil Anidjar, the volume opens with a lengthy interview with Derrida.

Kevin Hart traces the vast literary legacy and reputation of Samuel Johnson. Through detailed analyses of the biographers, critics and epigones who carefully crafted and preserved Johnson's life for posterity, Hart explores the emergence of what came to be called 'The Age of Johnson'. Hart shows how late seventeenth- and early eighteenth-century Britain experienced the emergence and consolidation of a rich and diverse culture of property. In dedicating himself to Johnson's death, Hart argues, James Boswell turned his friend into a monument, a piece of public property. Through subtle analyses of copyright, forgery and heritage in eighteenth-century life, this study traces the emergence of competing forms of cultural property: a Hanoverian politics of property engages a Jacobite politics of land. Kevin Hart places Samuel Johnson within this rich cultural context, demonstrating how Johnson came to occupy a place at the heart of the English literary canon.

Maurice Blanchot is among the most important twentieth-century French thinkers. Figures such as Bataille, Deleuze, Derrida, and Levinas all draw deeply on his novels and writings on literature and philosophy. In "The Dark Gaze," Kevin Hart argues that Blanchot has given us the most persuasive account of what we must give up--whether it be continuity, selfhood, absolute truth, totality, or unity--if God is, indeed, dead. Looking at Blanchot's oeuvre as a whole, Hart shows that this erstwhile atheist paradoxically had an abiding fascination with mystical experiences and the notion of the sacred.
The result is not a mere introduction to Blanchot but rather a profound reconsideration of how his work figures theologically in some of the major currents of twentieth-century thought. Hart reveals Blanchot to be a thinker devoted to the possibilities of a spiritual life; an atheist who knew both the Old and New Testaments, especially the Hebrew Bible; and a philosopher keenly interested in the relation between art and religion, the nature of mystical experience, the link between writing and the sacred, and the possibilities of leading an ethical life in the absence of God.

Maurice Blanchot is a towering yet enigmatic figure in twentieth-century French thought. A lifelong friend of Levinas, he had a major influence on Foucault, Derrida, Nancy, and many others. Both his fiction and his criticism played a determining role in how postwar French philosophy was written, especially in its intense concern with the question of writing as such. Never an academic, he published most of his critical work in periodicals and led a highly private life. Yet his writing included an often underestimated public and political dimension. This posthumously published volume collects his political writings from 1953 to 1993, from the French-Algerian War and the mass movements of May 1968 to postwar debates about the Shoah and beyond. A large number of the essays, letters, and fragments it contains were written anonymously and signed collectively, often in response to current events. The extensive editorial work done for the original French edition makes a major contribution to our understanding of Blanchot's work. The political stances Blanchot adopts are always complicated by the possibility that political thought remains forever to be discovered. He reminds us throughout his writings both how facile and how hard it is to refuse established forms of authority. The topics he addresses range from the right to insubordination in the French-Algerian War to the construction of the Berlin Wall and repression in Eastern Europe; from the mass movements of 1968 to personal responses to revelations about Heidegger, Levinas, and Robert Antelme, among others. When read together, these pieces form a testament to what political writing could be: not merely writing about the political or politicizing the written word, but unalterably transforming the singular authority of the writer and his signature. Cet ouvrage, publie dans le cadre d'un programme d'aide a la publication beneficie du soutien financier du ministere des Affaires etranges et du Service culturel de l'ambassade de France aux Etats-Unis, ainsi que de l'appui de FACE (French American Cultural Exchange). This work, published as part of a program providing publication assistance, received financial support from the Cultural Services of the French Embassy in the United States and FACE (French American Cultural Exchange).

Superstar comedian and Hollywood box office star Kevin Hart turns his immense talent to the written word by writing some words. Some of those words include: the, a, for, above, and even even. Put them together and you have the funniest, most heartfelt, and most inspirational memoir on survival, success, and the importance of believing in yourself since Old Yeller. It begins in North Philadelphia. He was born an accident, unwanted by his parents. His father was a drug addict who was in and out of jail. His brother was a crack dealer and petty thief. And his mother was overwhelmingly strict, beating him with belts, frying pans, and his own toys. The odds, in short, were stacked against our young hero, just like the odds that are stacked against the release of a new book in this era of social media (where Hart has a following of over 100 million, by the way). But Kevin Hart, like Ernest Hemingway, JK Rowling, and Chocolate Droppa before him, was able to defy the odds and turn it around. In his literary debut, he takes the reader on a journey through what his life was, what it is now, and how he's overcome each challenge to become the man he is today. And that man happens to be the biggest comedian in the world, with tours that sell out football stadiums and films that have collectively grossed over $3.5 billion. He achieved this not just through hard work, determination, and talent: It was through his unique way of looking at the world. Because just like a book has chapters, Hart sees life as a collection of chapters that each person gets to write for himself or herself. "Not only do you get to choose how you interpret each chapter, but your interpretation writes the next chapter," he says. "So why not choose the interpretation that serves your life the best?" Candid, wickedly funny, and unforgettable, I Can't Make This Up is more than a memoir. It is a training manual designed to teach you a positive, drama-free outlook on life and code of conduct that will serve you, serve others, and serve your biggest, boldest dreams.

Kevin Hart traces the vast literary legacy and reputation of Samuel Johnson. Through detailed analyses of the biographers, critics and epigones who carefully crafted and preserved Johnson's life for posterity, Hart explores the emergence of what came to be called 'The Age of Johnson'. Hart shows how late seventeenth- and early eighteenth-century Britain experienced the emergence and consolidation of a rich and diverse culture of property. In dedicating himself to Johnson's death, Hart argues, James Boswell turned his friend into a monument, a piece of public property. Through subtle analyses of copyright, forgery and heritage in eighteenth-century life, this study traces the emergence of competing forms of cultural property: a Hanoverian politics of property engages a Jacobite politics of land. Kevin Hart places Samuel Johnson within this rich cultural context, demonstrating how Johnson came to occupy a place at the heart of the English literary canon.

The book provides a series of approaches to the ancient question of whether and how God is a matter of aexperience, a or, alternately, to what extent the notion of experience can be true to itself if it does not include God. On the one hand, it seems impossible to experience God: the deity does not offer Himself to sense experience. On the other hand, there have been mystics who have claimed to have encountered God. The essays in this collection seek to explore the topic again, drawing insights from phenomenology, theology, literature, and feminism. Throughout, this stimulating collection maintains a strong connection with concrete rather than abstract approaches to God.The contributors: Michael F. Andrews, Jeffrey Bloechl, John D. Caputo, Kristine Culp, Kevin Hart, Kevin L. Hughes, Jean-Yves Lacoste, Crystal Lucky, Renee McKenzie, Kim Paffenroth, Michael Purcell, Michael J. Scanlon, O.S.A., James K. A. Smith. Kevin Hart is Notre Dame Professor of English and Concurrent Professor of Philosophy at the University of Notre Dame; among his many books are The Trespass of the Sign: Deconstruction, Theology, and Philosophy (Fordham), and The Dark Gaze: Maurice Blanchot and the Sacred. His most recent collection of poems is Flame Tree: Selected Poems. Barbara Wall is Special Assistant to the President for Mission Effectiveness and Associate Professor of Philosophy at Villanova University. She is co-editor of The Journal of Catholic Social Thought and The Journal of Peace and Justice Studies.

The book provides a series of approaches to the ancient question of whether and how God is a matter of aexperience, a or, alternately, to what extent the notion of experience can be true to itself if it does not include God. On the one hand, it seems impossible to experience God: the deity does not offer Himself to sense experience. On the other hand, there have been mystics who have claimed to have encountered God. The essays in this collection seek to explore the topic again, drawing insights from phenomenology, theology, literature, and feminism. Throughout, this stimulating collection maintains a strong connection with concrete rather than abstract approaches to God.The contributors: Michael F. Andrews, Jeffrey Bloechl, John D. Caputo, Kristine Culp, Kevin Hart, Kevin L. Hughes, Jean-Yves Lacoste, Crystal Lucky, Renee McKenzie, Kim Paffenroth, Michael Purcell, Michael J. Scanlon, O.S.A., James K. A. Smith. Kevin Hart is Notre Dame Professor of English and Concurrent Professor of Philosophy at the University of Notre Dame; among his many books are The Trespass of the Sign: Deconstruction, Theology, and Philosophy (Fordham), and The Dark Gaze: Maurice Blanchot and the Sacred. His most recent collection of poems is Flame Tree: Selected Poems. Barbara Wall is Special Assistant to the President for Mission Effectiveness and Associate Professor of Philosophy at Villanova University. She is co-editor of The Journal of Catholic Social Thought and The Journal of Peace and Justice Studies.

Jean-Luc Marion: The Essential Writings is the first anthology of this major contemporary philosopher’s writings. It spans his entire career as a historian of philosophy, as a theologian, and as a theoretician of “saturated phenomena.� The editor’s long general Introduction situates Marion in the history of modern philosophy, especially phenomenology, and shorter introductions preface each section of the anthology. The entire volume will enable professors to teach Marion by assigning a single book, and the editor’s introductions will make it possible for students to learn enough about phenomenology to read Marion without having to take preliminary courses in Husserl and Heidegger.

We are exorbitant, and rightly so, when we cut any link we may have to cosmological powers. Levinas invites us to be exorbitant by distancing ourselves from visions of metaphysics, epistemology, and theology. We begin to listen well to Levinas when we hear him inviting us to break completely with the pagan world in which the gods are simply the highest beings in the cosmos and learn to practice an adult religion in which God is outside cosmology and ontology. God comes to mind neither in our attempts to think him as the creator of the cosmos nor in moments of ecstasy but in acts of genuine holiness, such as sharing a piece of bread with someone in a time of desperate need. Levinas, in short, enjoins us to be exorbitant in our dealings with one another. This book asks how the "between" of Levinas's thinking facilitates a dialogue between Jews and Christians. In one sense, Levinas stands exactly between Jews and Christians: ethics, as he conceives it, is a space in which religious traditions can meet. At the same time, his position seems profoundly ambivalent. No one can read a page of his writings without hearing a Jewish voice as well a a philosophical one. Yet his talk of substitution seems to resonate with Christological themes. On occasion, Levinas himself sharply distinguishes Judaism from Christianity--but to what extent can his thinking become the basis for a dialogue between Christians and Jews? This book, with a stellar cast of contributors, explores these questions, thereby providing a snapshot of the current state of Jewish-Christian dialogue.

Maurice Blanchot is perhaps best known as a major French intellectual of the twentieth century: the man who countered Sartre's views on literature, who affirmed the work of Sade and Lautreamont, who gave eloquent voice to the generation of '68, and whose philosophical and literary work influenced the writing of, among others, Jacques Derrida, Gilles Deleuze, and Michel Foucault. He is also regarded as one of the most acute narrative writers in France since Marcel Proust. In Clandestine Encounters, Kevin Hart has gathered together major literary critics in Britain, France, and the United States to engage with Blanchot's immense, fascinating, and difficult body of creative work. Hart's substantial introduction usefully places Blanchot as a significant contributor to the tradition of the French philosophical novel, beginning with Voltaire's Candide in 1759, and best known through the works of Sartre. Clandestine Encounters considers a selection of Blanchot's narrative writings over the course of almost sixty years, from stories written in the mid-1930s to L'instant de ma mort (1994). Collectively, the contributors' close readings of Blanchot's novels, recits, and stories illuminate the close relationship between philosophy and narrative in his work while underscoring the variety and complexity of these narratives. Contributors: Christophe Bident, Arthur Cools, Thomas S. Davis, Christopher Fynsk, Rodolphe Gasche, Kevin Hart, Leslie Hill, Michael Holland, Stephen E. Lewis, Vivian Liska, Caroline Sheaffer-Jones, Christopher A. Strathman, Alain Toumayan

The Trespass of the Sign offers a clear and thorough account of the relations between deconstruction and theology. Kevin Hart argues that, contrary to popular thought on the topic, deconstruction does not have an antitheological agenda. Rather, deconstruction seeks to question the metaphysics of any theology. Hart pays particular attention to mystical theology as nonmetaphysical theology.