Through an examination of 1980s America cultural texts and media, Kevin L. Ferguson examines how new types of individuals were created in order to manage otherwise hidden cultural anxieties during the American 1980s. Exploring a variety of strategies for fashioning self-knowledge in the decade, this book illuminates the hidden lives of surrogate mothers, crack babies, persons with AIDS, yuppies, and brat packers. These seemingly simple stereotypes in fact concealed deeper cultural changes in issues relating to race, class, and gender. Through a range of texts, Eighties People shows how the commonplace reading of the 1980s as a superficial period of little importance disguises the decade's real imperative: a struggle for self-definition outside of the limited set of options given by postmodern theorizing.

Popular culture in the 1990s often primarily reflected millennial catastrophic anxieties. The world was tightening, speeding up, and becoming more dangerous and dangerously connected. Surely it was only a matter of time before it all came crashing down. Pop Goes the Decade: The Nineties explains the American 1990s for all readers. The book strives to be widely representative of 1990s culture, including the more obvious nostalgic versions of the decade as well as focused discussions of representations of minority populations during the decade that are often overlooked. This book covers a wide variety of topics to show the decade in its richness: music, television, film, literature, sports, technology, and more. It includes an introductory timeline and background section, followed by a lengthy "Exploring Popular Culture" section, and concludes with a brief series of essays further contextualizing the controversial and influential aspects of the decade. This organization allows readers both a wide exposure to the variety of experiences from the decade as well as a more focused approach to aspects of the 1990s that are still resonant today.