Jung's Psychology as a Spiritual Practice and Way of Life considers the pioneering depth-psychologist Carl Gustav Jung, primarily as a sage of world-class stature. The authors focus on Jung as an archetypal wisdom teacher, in three important respects: (1) in the post-modern West, primarily in interaction with Friedrich Nietzsche and his Thus Spake Zarathustra and also with theologian Paul Tillich and Zen master Karlfried Graf Durckheim; (2) in his deep spiritual kinship with the timeless universality of Lao-tze and his classic The Tao Te Ching; and (3) in consideration of the future prospects of Jung's psychology in mind/body medicine, especially neuroscience, and in dialogue with quantum speculation. This book contends that Jung's psychology is not primarily a form of psychotherapy in the conventional sense but essentially a dynamic "religious philosophical system" constituting a spiritual practice and way of life. The dialogue format suggests not only Jung's own dialogue or "confrontation" with the Unconscious but also his generally unacknowledged spiritual affinity with the central Western philosophical tradition, a tradition stemming from Socrates and Plato and their devotion to the task of "living the questions."

Film has become such an underpinning of art and pop culture that its potential for inspiring serious thought is often overlooked. Our intellectual involvement with film has been minimized as more in the audience want to be merely amazed and entertained. Essays written by both established and cutting-edge philosophers of film concentrate in this work on the value of film in general and the value of certain films in particular for the study and teaching of ideas. The essays explore such topics as the significance of narrative unity for self knowledge in David Lynchs Lost Highway; and in Paul Schraders Affliction; ambiguity and responsibility in Akira Kurosawas Rashomon; consciousness and cognition in Orson Welless Citizen Kane; skepticism in Alfred Hitchcocks Suspicion and David Cronenbergs Naked Lunch; language and gender in Neil Jordans The Crying Game; platonic idealism in Chris Markers La Jete; race in Spike Lees Summer of Sam; the concept of the imagination in cognitive film theory; and the role of ideology in feminist film theory.