Dr. Greg Johnson is the editor of Counter-Currents Publishing and its journal North American New Right (www.counter-currents.com), which draw upon the ideas of the European New Right to promote a new approach to White Nationalist politics in North America. New Right vs. Old Right collects 32 essays in which Dr. Johnson sets out his vision of White Nationalist "metapolitics" and distinguishes it from Fascism and National Socialism (the "Old Right"), as well as conservatism and classical liberalism (the "Phony Right"). Dr. Johnson rejects the Old Right's party politics, totalitarianism, imperialism, and genocide in favor of the metapolitical project of constructing a hegemonic White Nationalist consciousness within a pluralistic society. He argues that White Nationalists are too dependent on the model of hierarchical organizations and need also to work on creating resilient lateral networks. He offers New Rightist answers to a number of disputed questions within the White Nationalist community, including white culpability for our decline, Hitler and National Socialism, the Jewish question, the holocaust, the role of women, Christianity vs. paganism, and the relationships of populism, elitism, and democracy. He sets out some basic principles for creating a growing, resilient, networked movement. Finally, he criticizes distractions and dead-ends like "mainstreaming," conservatism, "premature" populism, and political violence. Engagingly written and constructively critical, Greg Johnson's New Right vs. Old Right is an important contribution to the emerging North American New Right. Praise for New Right vs. Old Right "Greg Johnson's basic point is that we must work to create a metapolitics of explicit white identity-that is, a movement that will develop 'the intellectual and cultural foundations for effective White Nationalist politics in North America, so that we can ultimately create a white homeland or homelands on this continent.' Greg is one of the reasons why I think this is a feasible project. . . . Greg received his Ph.D. in philosophy, and it shows. His forte is the well-developed argument presented in a lucid, easily understood style. Nobody can complain about this book being filled with turgid prose. And I can't find any major disagreements." -Kevin MacDonald, from the Foreword "In New Right vs. Old Right, Greg Johnson lays out his vision for a pro-white movement more focused on ideas, education, and communication than on politics or thuggery. True to this vision, his writing is extremely accessible. Throughout this collection, Johnson breaks down complex philosophical concepts and challenging ideas into tight, efficient sentences and effective explanations. Johnson doesn't drone on trying to sound clever. Like an enthusiastic professor, he truly wants his readers to understand why he believes it is morally right for whites-and all peoples-to determine their own collective destinies." -Jack Donovan, author of The Way of Men "Dr. Greg Johnson's New Right vs. Old Right delineates the differences between two 'Rights, ' without repudiating the common philosophical origins of both in opposing egalitarianism and other passe ideologies that continue to dominate much of the world. The primary value of this collection of essays, however, is that Dr. Johnson asks the perennial question, from our side: "what is truth?" In doing so he lays the foundations for a morality of the New Right. This book is therefore unique in the English-speaking Rightist milieu that was, for much of the post-1945 era, poorly served in comparison to its counterparts in Europe. As such, Dr. Johnson's book will be of relevance to many beyond the North American New Right, of which he is a founding father." -Kerry Bolton, author of Artists of the Right

Disney animated comedy featuring the music of Elvis Presley. Young orphan Lilo is an Elvis fan who lives with her sister Nani in the beautiful surroundings of Hawaii. One day Lilo meets a strange alien who she decides to name Stitch and take home as her pet. Stitch at first causes trouble by destroying everything he can lay his hands on, but as time passes he becomes accustomed to the Hawaiian ways and is accepted as a regular part of the family. However, with representatives of Stitch's home planet following hot on his heels, it is unclear how long this happy situation can last.

Fully updated and expanded throughout, this second edition of Film Theory: The Basics provides an accessible introduction to the key theorists, concepts, and debates that have shaped the study of moving images. The book examines film theory from its emergence in the early twentieth century to its study in the present day, and explores why film has drawn special attention as a medium, as a form of representation, and as a focal point in the rise of modern visual culture. It also emphasizes how film theory has developed as a historically contingent discourse, one that has evolved and changed in conjunction with different social, political, and intellectual factors. This second edition offers a detailed account of new theoretical directions at the forefront of film studies in the twenty-first century, and draws additional attention to how theory engages with today's most pressing questions about digital technologies, the environment, and racial justice. Complete with questions for discussion and a glossary of both key terms and key theorists, this book in an invaluable resource for those new to film theory and for anyone else interested in the history and significance of critical thinking in relation to the moving image.

What can the analysis of violence and terror tell us about the modern world? Why is violence often used to achieve religious, cultural or political goals? Can we understand the search for the extreme that increasingly shapes violence today?
From 1960s student movements to today's global jihad, this text explores the factors and debates shaping violence and terrorism in our contemporary society. Each chapter confronts examples of disturbing terrorist acts and events of mass violence from recent history and uses these to examine key questions, theories and concepts surrounding this sensitive and controversial topic. In particular, the book:
- identifies core tools for the analysis of public violence
- explores the processes that mutate social movements into violent groups
- describes the cultural, embodied, experiential and imagined dimensions of violence
- highlights different periods and varying forms of terrorist violence
- examines the role of globalization, media, technology and the visual in violence and terror today.
"Our Violent World" shows how the social sciences can contribute to an understanding of violence and responses to terror, as well as the construction of a social world less dominated by fear of the other. It is a must-read for students and citizens.

This text explores the origins, development and present situation of African domestic animals. The book presents an interdisciplinary overview of the origins of livestock, and provides a synthesis of what archaeozoology and archaeology can tell us about the prehistory of domestic animals in Africa. Information is provided on livestock distributions over time, including significant information on the development of specific cattle size classes or "breeds" in prehistory. Data on DNA and physical characterization of African livestock, as well as ethnographic and linguistic data complete a biological and cultural view of African domestic animals.

This book explores the relationship between new experiences of selfhood and new patterns of social life. It does so through an encounter with young people who confront urgent social and cultural transformations, whose experience of selfhood is unclear, often shaped by social forces that while powerful, appear difficult, if not impossible to name. These young people live in a world where institutions are weakening and identities fragmenting, where socialization into roles is being replaced by new imperatives of communication and self-esteem. Their world is shaped by new forms of freedom, but also by new forms of social polarization and conflict. More than other social groups, young people confront the imperative of locating a sense of self and subjectivity, and this book is an account of this struggle in a context of profound social and cultural change. The author draws on the experience of a diverse group of young people-graffiti artists, sufferers of anorexia, the unemployed-all from a broad range of educational and cultural backgrounds. This book renews hands-on fieldwork in the Chicago School tradition; it is one where we meet real people confronting real social situations, while its research agenda is posited within the new French "sociology of experience." Struggles for Subjectivity is not only about young people-it explores forms of crisis and struggle increasingly evident in advanced societies.

Fully updated and expanded throughout, this second edition of Film Theory: The Basics provides an accessible introduction to the key theorists, concepts, and debates that have shaped the study of moving images. The book examines film theory from its emergence in the early twentieth century to its study in the present day, and explores why film has drawn special attention as a medium, as a form of representation, and as a focal point in the rise of modern visual culture. It also emphasizes how film theory has developed as a historically contingent discourse, one that has evolved and changed in conjunction with different social, political, and intellectual factors. This second edition offers a detailed account of new theoretical directions at the forefront of film studies in the twenty-first century, and draws additional attention to how theory engages with today's most pressing questions about digital technologies, the environment, and racial justice. Complete with questions for discussion and a glossary of both key terms and key theorists, this book in an invaluable resource for those new to film theory and for anyone else interested in the history and significance of critical thinking in relation to the moving image.

This book presents an interdisciplinary overview of the origins of African livestock, placing Africa as one of the world centres for animal domestication. With sections on archaeology, genetics, linguistics and ethnography, this collection contains over twenty contributions from the field's foremost experts and provides fully illustrated, never before published data, and extensive bibliographies.

Netflix is the definitive media company of the 21st century. It was among the first to parlay new Internet technologies into a successful business model, and in the process it changed how consumers access film and television. It is now one of the leading providers of digitally delivered media content and is continually expanding access across a host of platforms and mobile devices. Despite its transformative role, however, Netflix has drawn very little critical attention-far less than competitors such as YouTube, Apple, Amazon, Comcast, and HBO. This collection addresses this gap, as the essays are designed to critically explore the breadth and diversity of Netflix's effect from a variety of different scholarly perspectives, a necessary approach considering the hybrid nature of Netflix, its inextricable links to new models of media production, distribution, viewer engagement and consumer behavior, its relationship to existing media conglomerates and consumer electronics, its capabilities as a web-based service provider and data network, and its reliance on a broader technological infrastructure.

Learn how to change your attitude about the way you clean or don?

A Hungarian Jew who lived and worked in half a dozen European countries before arriving in Britain in 1935, Pressburger's reputation rests on the series of strikingly original films he made in collaboration with Michael Powell under the banner of The Archers. The Red Shoes, A Matter of Life and Death, Black Narcissus and The Life and Death of Colonel Blimp all bear the unique credit 'Written, Produced and Directed by Michael Powell and Emeric Pressburger'. Frequently controversial, always experimental, The Archers suffered a long period of neglect before being rediscovered by such prominent admirers as Martin Scorsese, Derek Jarman and Francis Ford Coppola. Written by his grandson, and containing extracts from private diaries and correspondence, this biography defends the notion of film as a collaborative art and illuminates the adventurous life and work of the film-maker who brought continental grace, with and style to British cinema.

Disney triple bill following the adventures of young orphan Lilo (voice of Daveigh Chase) and her alien friend, Stitch (Chris Sanders). In 'Lilo and Stitch' (2002) Lilo lives with her sister, Nani (Tia Carrere), in the beautiful surroundings of Hawaii. One day Lilo meets a strange alien who she decides to name Stitch and take home as her pet. Stitch at first causes trouble by destroying everything he can lay his hands on, but as time passes he becomes accustomed to the Hawaiian ways and is accepted as a regular part of the family. However, with representatives of Stitch's home planet following hot on his heels, it is unclear how long this happy situation can last. In 'Lilo and Stitch 2' (2005) Stitch is helping Lilo (Dakota Fanning) prepare for the big island hula contest. However, when Stitch, who was a result of one of Dr. Jumba Jookiba (David Odgen Stiers)'s experiments, gets a glitch, their perfect world goes haywire. Now it's going to take Lilo, Nani, Jumba and a whole lot of 'Ohana' for them to save their funny little friend. In 'Stitch! The Movie' (2003) Jumba's other experiments come to Earth and Lilo (Chase) and Stitch have to try and prevent the evil Dr. Hamsterviel (Jeff Bennett) from getting his hands on them.

Oscar-winning drama starring Forest Whitaker. When a naive young Scottish doctor, Nicholas Garrigan (James McAvoy), arrives in 1970s Uganda hoping for fun, sun and to lend a helping hand, he finds himself instead on a shocking ride into the darkest realm on earth. Befriended by the charismatic new leader, Idi Amin (Whitaker), and appointed as his personal physician, Nicholas is originally blinded by his larger-than-life and charming persona. But when the terrible truth of his despotic rule is revealed, he must fight for both his life and soul against one of the cruelest leaders in history.

Award winning Canadian TV comedy series from 1988. 'The Kids In The Hall' was the collective name for a troupe of comedians who performed a sketch show featuring an increasingly bizarre range of characters. Often highlighting the mundanities and absurdities of suburbia, the group would then develop them, stretching out the comic possibilities to the extreme.