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First Published in 1998. Routledge is an imprint of Taylor &
Francis, an informa company.
During the 1950s and 1960s, Austro-German scholars made decisive
advances in developing concepts to account for "harmonic" processes
in late medieval music. Despite the considerable potential these
ideas hold for analysis and criticism of early music, they have
hitherto exerted little influence outside their countries of
origin. In order to render this valuable literature more
immediately accessible to English-speaking students and scholars,
this book presents translations of twelve seminal articles that
originally appeared during the years 1948-1967, along with a
comprehensive introductory chapter detailing the evolution of
competing theories and terminology.
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