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This volume considers the numerous philosophical ideas and
arguments found in and inspired by the critically acclaimed series
Breaking Bad. This show garnered both critical and popular
attention for its portrayal of a cancer-stricken, middle-aged,
middle-class, high school chemistry teacher's drift into the dark
world of selling methamphetamine to support his family. Its
characters, situations, and aesthetic raise serious and familiar
philosophical issues, especially related to ethics and morality.
The show provokes a bevy of rich questions and discussion points,
such as: What are the ethical issues surrounding drugs? What
lessons about existentialism and fatalism does the show present?
How does the show grapple with the concept of the end 'justifying'
the means? Is Walt really free not to 'break bad'? Can he be
redeemed? What is the definition and nature of badness (or evil)
itself? Contributors address these and other questions as they
dissect the legacy of the show and discuss its contributions to
philosophical conversations.
As a director, writer, and producer, Christopher Nolan has
substantially impacted contemporary cinema through avant garde
films, such as Following and Memento, and his contribution to wider
pop culture with his Dark Knight trilogy. His latest film,
Interstellar, delivered the same visual qualities and complex,
thought-provoking plotlines his audience anticipates. The
Philosophy of Christopher Nolan collects sixteen essays, written by
professional philosophers and film theorists, discussing themes
such as self-identity and self-destruction, moral choice and moral
doubt, the nature of truth and its value, whether we can trust our
perceptions of what's "real," the political psychology of heroes
and villains, and what it means to be a "viewer" of Nolan's films.
Whether his protagonists are squashing themselves like a bug,
struggling to create an identity and moral purpose for themselves,
suffering from their own duplicitous plots, donning a mask that
both strikes fear and reveals their true nature, or having to weigh
the lives of those they love against the greater good, there are no
simple solutions to the questions Nolan's films provoke; exploring
these questions yields its own reward.
Take a trip on the Starship Enterprise before the "Star Trek" film
teleports itself into cinemas. The spirit of exploration that
characterizes "Star Trek"'s various television and cinematic
incarnations is also the driving force behind philosophical inquiry
throughout human history. "Star Trek and Philosophy" share the
mission of testing ideas from our past and present that can
progressively improve our future.This volume gathers together
twenty-one professional philosophers who recognize, as most other
Trekkies have over the past 40 years, that "Star Trek" isn't merely
escapist entertainment. Rather, "Star Trek" calls viewers back
again and again to consider questions not only about the scientific
prospects of interstellar travel, but also the inward journey to
examine the human condition. The essays in this volume follow "Star
Trek"'s inspiration to reach out to the farthest frontiers the mind
may reach, while also delving deep into the human essence.Among the
questions dealt with in this volume is how it's possible for
persons from different cultural backgrounds to communicate with
each other; whether there's value in the Stoic temperament of
emotional detachment exhibited by Vulcans, and how difficult it may
be to live such a logical life. These books teach philosophical
wisdom by looking closely at entertainment icons. In each volume of
this best-selling series, a team of sharp philosophical brains puts
one pop culture icon (movie, TV show, or other topic) under the
microscope, exposing its hidden philosophical implications in an
instantly readable way.
The Star Wars films continue to revolutionize science fiction,
creating new standards for cinematographic excellence, and
permeating popular culture around the world. The films feature many
complex themes ranging from good versus evil and moral development
and corruption to religious faith and pragmatism, forgiveness and
redemption, and many others. The essays in this volume tackle the
philosophical questions from these blockbuster films including: Was
Anakin predestined to fall to the Dark Side? Are the Jedi truly
role models of moral virtue? Why would the citizens and protectors
of a democratic Republic allow it to descend into a tyrannical
empire? Is Yoda a peaceful Zen master or a great warrior, or both?
Why is there both a light and a dark side of the Force? Star Wars
and Philosophy ponders the depths of these subjects and asks what
it truly means to be mindful of the "living force."
Should droids be free? Should clone troopers? What political and
ethical ideas ground resistance and rebellion? What's wrong with
the way women are portrayed in Star Wars? Does Han Solo have a
philosophical worldview? Was Galen Erso responsible for the
destruction of Alderaan? Should you eat Baby Yoda? "This is the
Way." In Star Wars and Philosophy Strikes Back, the Way wends
through entirely new adventures in the Star Wars galaxy far, far
away: not only the films of the Skywalker saga, but also Rebels,
The Bad Batch, Rogue One, Solo, and The Mandalorian. Like the
creators of these films and television series, the authors in this
book harness the magical mix of humor, action, empathy,
characterization, adventure, and fan service that constitutes Star
Wars. In addition to thorny metaphysical questions about the nature
of time and free will, this volume highlights the staggering
cultural impact of George Lucas's universe. The newest Star Wars
narratives tackle ethnicity on alien worlds and how love and sex
with a droid like L3-37 would work ("It works"). The connections
between the Separatist Freedom Movement and the struggle for social
justice in the USA in the 21st century are brought to light. And
philosophical second looks at Rian Johnson's The Last Jedi prove
there is much more to this controversial entry in the Skywalker
saga. Thirty-six philosophers, both sages and scoundrels among
them, examine the full range of deep questions throughout the Star
Wars chronology--from The Phantom Menace to The Rise of Skywalker
and beyond. "They have spoken."
Alien and Philosophy: I Infest, Therefore I Am presents a
philosophical exploration of the world of Alien, the simultaneously
horrifying and thought-provoking sci-fi horror masterpiece, and the
film franchise it spawned. * The first book dedicated to exploring
the philosophy raised by one of the most successful and influential
sci-fi franchises of modern times * Features contributions from an
acclaimed team of scholars of philosophy and pop culture, led by
highly experienced volume editors * Explores a huge range of topics
that include the philosophy of fear, Just Wars, bio-weaponry,
feminism and matriarchs, perfect killers, contagion, violation,
employee rights and Artificial Intelligence * Includes coverage of
H.R. Giger s aesthetics, the literary influences of H.P. Lovecraft,
sci-fi and the legacy of Vietnam, and much more!
This volume considers the numerous philosophical ideas and
arguments found in and inspired by the critically acclaimed series
Breaking Bad. This show garnered both critical and popular
attention for its portrayal of a cancer-stricken, middle-aged,
middle-class, high school chemistry teacher's drift into the dark
world of selling methamphetamine to support his family. Its
characters, situations, and aesthetic raise serious and familiar
philosophical issues, especially related to ethics and morality.
The show provokes a bevy of rich questions and discussion points,
such as: What are the ethical issues surrounding drugs? What
lessons about existentialism and fatalism does the show present?
How does the show grapple with the concept of the end 'justifying'
the means? Is Walt really free not to 'break bad'? Can he be
redeemed? What is the definition and nature of badness (or evil)
itself? Contributors address these and other questions as they
dissect the legacy of the show and discuss its contributions to
philosophical conversations.
When you have been wandering the cosmos from one end of eternity to
another for nearly a thousand years, what's your philosophy of
life, the universe, and everything? Doctor Who is 50 years' old in
2013. Through its long life on television and beyond it has
inspired much debate due to the richness and complexity of the
metaphysical and moral issues that it poses. This is the first
in-depth philosophical investigation of Doctor Who in popular
culture. From 1963's An Unearthly Child through the latest series,
it considers continuity and change in the pictures that the
programme paints of the nature of truth and knowledge, science and
religion, space and time, good and evil, including the uncanny, the
problem of evil, the Doctor's complex ethical motivations,
questions of persisting personal identity in the Time Lord
processes of regeneration, the nature of time travel through
'wibbley-wobbley, timey-wimey stuff, how quantum theory affects our
understanding of time; and the nature of the mysterious and
irrational in the Doctor's universe.
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