As a director, writer, and producer, Christopher Nolan has substantially impacted contemporary cinema through avant garde films, such as Following and Memento, and his contribution to wider pop culture with his Dark Knight trilogy. His latest film, Interstellar, delivered the same visual qualities and complex, thought-provoking plotlines his audience anticipates. The Philosophy of Christopher Nolan collects sixteen essays, written by professional philosophers and film theorists, discussing themes such as self-identity and self-destruction, moral choice and moral doubt, the nature of truth and its value, whether we can trust our perceptions of what's "real," the political psychology of heroes and villains, and what it means to be a "viewer" of Nolan's films. Whether his protagonists are squashing themselves like a bug, struggling to create an identity and moral purpose for themselves, suffering from their own duplicitous plots, donning a mask that both strikes fear and reveals their true nature, or having to weigh the lives of those they love against the greater good, there are no simple solutions to the questions Nolan's films provoke; exploring these questions yields its own reward.

This volume considers the numerous philosophical ideas and arguments found in and inspired by the critically acclaimed series Breaking Bad. This show garnered both critical and popular attention for its portrayal of a cancer-stricken, middle-aged, middle-class, high school chemistry teacher's drift into the dark world of selling methamphetamine to support his family. Its characters, situations, and aesthetic raise serious and familiar philosophical issues, especially related to ethics and morality. The show provokes a bevy of rich questions and discussion points, such as: What are the ethical issues surrounding drugs? What lessons about existentialism and fatalism does the show present? How does the show grapple with the concept of the end 'justifying' the means? Is Walt really free not to 'break bad'? Can he be redeemed? What is the definition and nature of badness (or evil) itself? Contributors address these and other questions as they dissect the legacy of the show and discuss its contributions to philosophical conversations.

Take a trip on the Starship Enterprise before the "Star Trek" film teleports itself into cinemas. The spirit of exploration that characterizes "Star Trek"'s various television and cinematic incarnations is also the driving force behind philosophical inquiry throughout human history. "Star Trek and Philosophy" share the mission of testing ideas from our past and present that can progressively improve our future.This volume gathers together twenty-one professional philosophers who recognize, as most other Trekkies have over the past 40 years, that "Star Trek" isn't merely escapist entertainment. Rather, "Star Trek" calls viewers back again and again to consider questions not only about the scientific prospects of interstellar travel, but also the inward journey to examine the human condition. The essays in this volume follow "Star Trek"'s inspiration to reach out to the farthest frontiers the mind may reach, while also delving deep into the human essence.Among the questions dealt with in this volume is how it's possible for persons from different cultural backgrounds to communicate with each other; whether there's value in the Stoic temperament of emotional detachment exhibited by Vulcans, and how difficult it may be to live such a logical life. These books teach philosophical wisdom by looking closely at entertainment icons. In each volume of this best-selling series, a team of sharp philosophical brains puts one pop culture icon (movie, TV show, or other topic) under the microscope, exposing its hidden philosophical implications in an instantly readable way.

The Star Wars films continue to revolutionize science fiction, creating new standards for cinematographic excellence, and permeating popular culture around the world. The films feature many complex themes ranging from good versus evil and moral development and corruption to religious faith and pragmatism, forgiveness and redemption, and many others. The essays in this volume tackle the philosophical questions from these blockbuster films including: Was Anakin predestined to fall to the Dark Side? Are the Jedi truly role models of moral virtue? Why would the citizens and protectors of a democratic Republic allow it to descend into a tyrannical empire? Is Yoda a peaceful Zen master or a great warrior, or both? Why is there both a light and a dark side of the Force? Star Wars and Philosophy ponders the depths of these subjects and asks what it truly means to be mindful of the "living force."

Should droids be free? Should clone troopers? What political and ethical ideas ground resistance and rebellion? What's wrong with the way women are portrayed in Star Wars? Does Han Solo have a philosophical worldview? Was Galen Erso responsible for the destruction of Alderaan? Should you eat Baby Yoda? "This is the Way." In Star Wars and Philosophy Strikes Back, the Way wends through entirely new adventures in the Star Wars galaxy far, far away: not only the films of the Skywalker saga, but also Rebels, The Bad Batch, Rogue One, Solo, and The Mandalorian. Like the creators of these films and television series, the authors in this book harness the magical mix of humor, action, empathy, characterization, adventure, and fan service that constitutes Star Wars. In addition to thorny metaphysical questions about the nature of time and free will, this volume highlights the staggering cultural impact of George Lucas's universe. The newest Star Wars narratives tackle ethnicity on alien worlds and how love and sex with a droid like L3-37 would work ("It works"). The connections between the Separatist Freedom Movement and the struggle for social justice in the USA in the 21st century are brought to light. And philosophical second looks at Rian Johnson's The Last Jedi prove there is much more to this controversial entry in the Skywalker saga. Thirty-six philosophers, both sages and scoundrels among them, examine the full range of deep questions throughout the Star Wars chronology--from The Phantom Menace to The Rise of Skywalker and beyond. "They have spoken."

Alien and Philosophy: I Infest, Therefore I Am presents a philosophical exploration of the world of Alien, the simultaneously horrifying and thought-provoking sci-fi horror masterpiece, and the film franchise it spawned. * The first book dedicated to exploring the philosophy raised by one of the most successful and influential sci-fi franchises of modern times * Features contributions from an acclaimed team of scholars of philosophy and pop culture, led by highly experienced volume editors * Explores a huge range of topics that include the philosophy of fear, Just Wars, bio-weaponry, feminism and matriarchs, perfect killers, contagion, violation, employee rights and Artificial Intelligence * Includes coverage of H.R. Giger s aesthetics, the literary influences of H.P. Lovecraft, sci-fi and the legacy of Vietnam, and much more!

This volume considers the numerous philosophical ideas and arguments found in and inspired by the critically acclaimed series Breaking Bad. This show garnered both critical and popular attention for its portrayal of a cancer-stricken, middle-aged, middle-class, high school chemistry teacher's drift into the dark world of selling methamphetamine to support his family. Its characters, situations, and aesthetic raise serious and familiar philosophical issues, especially related to ethics and morality. The show provokes a bevy of rich questions and discussion points, such as: What are the ethical issues surrounding drugs? What lessons about existentialism and fatalism does the show present? How does the show grapple with the concept of the end 'justifying' the means? Is Walt really free not to 'break bad'? Can he be redeemed? What is the definition and nature of badness (or evil) itself? Contributors address these and other questions as they dissect the legacy of the show and discuss its contributions to philosophical conversations.

When you have been wandering the cosmos from one end of eternity to another for nearly a thousand years, what's your philosophy of life, the universe, and everything? Doctor Who is 50 years' old in 2013. Through its long life on television and beyond it has inspired much debate due to the richness and complexity of the metaphysical and moral issues that it poses. This is the first in-depth philosophical investigation of Doctor Who in popular culture. From 1963's An Unearthly Child through the latest series, it considers continuity and change in the pictures that the programme paints of the nature of truth and knowledge, science and religion, space and time, good and evil, including the uncanny, the problem of evil, the Doctor's complex ethical motivations, questions of persisting personal identity in the Time Lord processes of regeneration, the nature of time travel through 'wibbley-wobbley, timey-wimey stuff, how quantum theory affects our understanding of time; and the nature of the mysterious and irrational in the Doctor's universe.