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This book is a history of the Mixtec Indians of southern Mexico, who in their own language call themselves Tay Nudzahui, "people of the rain place." These people were among the most populous cultural and language groups of Mesoamerica at the time of the Spanish conquest. This study focuses on several dozen Mixtec communities in the region of Oaxaca during the period from about 1540 to 1750. The work is largely based on an extraordinary collection of primary sources, translated and analyzed by the author, that were written by Mixtecs in the roman alphabet from the mid-sixteenth to the early nineteenth centuries. To complement this native-language corpus, the author has examined preconquest and early colonial pictorial writings, Spanish-language civil and trial records, and Nahuatl (Aztec) texts. The book addresses many interrelated topics, including writing, language, sociopolitical organization, local government, social and gender relations, land tenure, trade, rebellion, religion, ethnicity, and historical memory. Throughout, the author emphasizes the internal, indigenous perspective instead of relying on Spanish sources and points of view. In its focus on indigenous concepts, the book introduces a new terminology and new categories of analysis in colonial Mexican history. The conclusion makes detailed comparisons with recent findings on the Nahuas of central Mexico and the Maya of Yucatan, and revisits the question of cultural change among indigenous peoples under colonial rule.
This book is a history of the Mixtec Indians of southern Mexico,
who in their own language call themselves Tay Nudzahui, "people of
the rain place." These people were among the most populous cultural
and language groups of Mesoamerica at the time of the Spanish
conquest. This study focuses on several dozen Mixtec communities in
the region of Oaxaca during the period from about 1540 to 1750.
One of the earliest texts written in a Native American language, the Codex Sierra is a sixteenth-century book of accounts from Santa Catalina Texupan, a community in the Mixteca region of the modern state of Oaxaca. Kevin Terraciano's transcription and translation, the first in more than a half century, combine with his deeply informed analysis to make this the most accurate, complete, and comprehensive English-language edition of this rare manuscript. The sixty-two-page manuscript, organized in parallel columns of Nahuatl alphabetic writing and hand-painted images, documents the expenditures and income of Texupan from 1550 to 1564. With the alphabetic column as a Rosetta stone for deciphering the phonetic glyphs, a picture emerges of indigenous pueblos taking part in the burgeoning Mexican silk industry - only to be buffeted by the opening of trade with China and the devastations of the great epidemics of the late 1500s. Terraciano uses a wide range of archival sources from the period to demonstrate how the community innovated and adapted to the challenges of the time, and how they were ultimately undermined by the actions and policies of colonial officials. The first known record of an indigenous population's integration into the transatlantic economy, and of the impact of the transpacific trade on a lucrative industry in the region, the Codex Sierra provides a unique window on the world of the Mixteca less than a generation after the conquest - a view rendered all the more precise, clear, and coherent by this new translation and commentary.
A century ago, all art was evaluated through the lens of European classicism and its tradition. This volume explores and questions the foundations of the European canon, offers a critical rethinking of ancient and classical art and interrogates the canons of cultures and regions that have often been left at the margins of art history. It underscores the historical and geographical diversity of canons and the local values underlying them. Twelve international scholars consider how canons are constructed and contested, focusing on the relationship between canonical objects and the value systems that shape their hierarchies. Deploying an array of methodologies-including archaeological investigations, visual analysis and literary critique-the authors examine canon formation throughout the world, including Africa, India, East Asia, Mesoamerica, South America, ancient Egypt, classical Greece and Europe. Global studies of art, which are dismantling the traditionally Eurocentric canon, promise to make art history more inclusive. To this end, this volume raises new questions about the importance of canons-including those from outside Europe-for the wider discipline of art history.
Mesoamerican Voices, first published in 2006, presents a collection of indigenous-language writings from the colonial period, translated into English. The texts were written from the sixteenth through the eighteenth centuries by Nahuas from central Mexico, Mixtecs from Oaxaca, Maya from Yucatan, and other groups from Mexico and Guatemala. The volume gives college teachers and students access to important new sources for the history of Latin America and Native Americans. It is the first collection to present the translated writings of so many native groups and to address such a variety of topics, including conquest, government, land, household, society, gender, religion, writing, law, crime, and morality.
Mesoamerican Voices, first published in 2006, presents a collection of indigenous-language writings from the colonial period, translated into English. The texts were written from the sixteenth through the eighteenth centuries by Nahuas from central Mexico, Mixtecs from Oaxaca, Maya from Yucatan, and other groups from Mexico and Guatemala. The volume gives college teachers and students access to important new sources for the history of Latin America and Native Americans. It is the first collection to present the translated writings of so many native groups and to address such a variety of topics, including conquest, government, land, household, society, gender, religion, writing, law, crime, and morality.
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