Ninth volume in the Double Exposure series draws upon photographs in the NMAAHC’s collection to explore the dynamic ways sports influence the social, political, and cultural life of African Americans.

This book, organized around key periods in the history of African American sports from the turn of the twentieth century to today, looks at the role of athletes and sports and their impact on American culture both on and off the field. While the major sports in which African Americans participate most frequently—football, basketball, baseball, and boxing—are prominently featured, the book also includes images of male and female athletes, amateur and professional, competing in gymnastics, track and field, skiing, golf, tennis, and other sports. Photographers include Ernest C. Withers, Roderick J. Lyons, Walter Iooss Jr., Maurice Sorrell, and Moneta Sleet Jr., among others.

Images of iconic moments in sports history—Jack Johnson vs. Jim Jeffries during the 1910 “Fight of the Century,” Jackie Robinson stealing home in 1952, and Colin Kaepernick taking a knee in 2016—are featured alongside photographs of more personal moments, including Larry Doby teaching his son how to hold a bat, Wilt Chamberlain in class at the University of Kansas, Wilma Rudolph standing outside her foundation, Muhammad Ali in conversation with Fannie Lou Hammer, and a young Venus Williams smiling after a practice session.

Yes, there is barbecue, but that's just one course of the meal. With Vinegar and Char the Southern Foodways Alliance celebrates twenty years of symposia by offering a collection of poems that are by turns as sophisticated and complex, as vivid and funny, and as buoyant and poignant as any SFA gathering. The roster of contributors includes Natasha Trethewey, Robert Morgan, Atsuro Riley, Adrienne Su, Richard Blanco, Ed Madden, Nikky Finney, Frank X Walker, Sheryl St. Germain, Molly McCully Brown, and forty-five more. These poets represent past, current, and future conversations about what it means to be southern. Throughout the anthology, region is layered with race, class, sexuality, and other shaping identities. With an introduction by Sandra Beasley, a thought-provoking foreword by W. Ralph Eubanks, and luminous original artwork by Julie Sola, this collection is an ideal gift. Meant to be savored slowly or devoured at once, these pages are a perfect way to spend the hour before supper, with a glass of iced tea?or the hour after, with a pour of bourbon?and a fitting celebration of the SFA's focus and community.

The latest installment of the yearly anthology of contemporary American poetry that has achieved brand-name status in the literary world.

For about as long as there has been a Texas there have been Texas mysteries, and many of them remain unsolved. What happened to the documents captured in the Alamo? Does a ghost actually haunt the state capitol in Austin? Did the U.S. Army secretly bury hundreds of guns in North Texas after WWII? Was John Wilkes Booth killed or did he escape and flee to Central Texas? The authors present the known facts and circumstances of these and other mysteries.

A literary landmark: the biggest, most ambitious anthology of black poetry ever published, gathering 250 poets from the colonial period to the present Only now, in the 21st century, can we fully grasp the breadth and range of African American poetry: a magnificent chorus of voices, some familiar, others recently rescued from neglect. Here, in this unprecedented anthology expertly selected by poet and scholar Kevin Young, this precious living heritage is revealed in all its power, beauty, and multiplicity. Discover, in these pages, how an enslaved person like Phillis Wheatley confronted her legal status in verse and how an antebellum activist like Frances Ellen Watkins Harper voiced her own passionate resistance to slavery. Read nuanced, provocative poetic meditations on identity and self-assertion stretching from Paul Laurence Dunbar to Amiri Baraka to Lucille Clifton and beyond. Experience the transformation of poetic modernism in the works of figures such as Langston Hughes, Fenton Johnson, and Jean Toomer. Understand the threads of poetic history--in movements such as the Harlem and Chicago Renaissances, Black Arts, Cave Canem, Dark Noise Collective--and the complex bonds of solidarity and dialogue among poets across time and place. See how these poets have celebrated their African heritage and have connected with other communities in the African Diaspora. Enjoy the varied but distinctly Black music of a tradition that draws deeply from jazz, hip hop, and the rhythms and cadences of the pulpit, the barbershop, and the street. And appreciate, in the anthology's concluding sections, why contemporary African American poetry, amply recognized in recent National Book Awards and Poet Laureates, is flourishing as never before. Taking the measure of the tradition in a single indispensable volume, African American Poetry: 250 Years of Struggle and Song sets a new standard for a genuinely deep engagement with Black poetry and its essential expression of American genius.

Movements, Motions, Moments shows how African Americans have negotiated their participation and engagement in religious spaces. The book is divided into three sections—Movements, Motions, and Moments. Images of figures including Rev. Henry Highland Garnett, Noble Drew Ali, Father Divine, Prophet Elijah Muhammad, Rev. Dr. Martin Luther King Jr., Rev. Pauli Murray, Bishop Myokei Cain-Barrett, and others are depicted next to photographs of religious celebrations, ritual practices, and individual moments of faith and spirituality. Photographers include Lola Flash, Chester Higgins, Jason Miccolo Johnson, Jeanne Moutoussamy-Ashe, Kenneth Royster, James Van Der Zee, Milton Williams, Lloyd W. Yearwood, and others. Photographs in this volume range from the nineteenth, twentieth, and twenty-first centuries and include religious traditions such as Christianity, Islam, Judaism, African indigenous, non-secular, and other religious traditions (Humanism, Atheism, Spiritualism, and others). It also includes photography capturing contemporary events and movements including Black Lives Matter and the global pandemic.

Ever since its first flowering in the 1920s, jazz has had a powerful influence on American poetry, and this anthology offers a treasury of poems as varied and vital as the music that inspired them. From the Harlem Renaissance to the Beat Movement, from the poets of the New York School to the contemporary poetry scene, the jazz aesthetic has been a compelling literary force. We hear it the poems of Langston Hughes, e.e. cummings, William Carlos Williams, Frank O'Hara and Gwendolyn Brooks, and in those of Yusef Komunyaka, Charles Simic, Rita Dove, Ntozake Shange, Mark Doty and C.D. Wright. Here are poems that pay tribute to jazz's great voices, and also poems that themselves throb with the vivid rhythm and energy of the jazz tradition, ranging in tone from mournful elegy to sheer celebration.

Now in paperback, a haunting chorus of voices that tells the story of the captivity, education, language, hopes, dreams, and fight for freedom, of the African Americans abducted in the "Amistad" rebellion.
Based on the 1840 mutiny on board the slave ship "Amistad, Ardency" begins with "Buzzard," a sequence of poems told in the voice of the interpreter for the captive rebels, who were jailed in New Haven. In "Correspondence," we encounter the remarkable letters to John Quincy Adams and others that the captives wrote from jail. The book culminates in "Witness," a libretto chanted by Cinque, the rebel leader, who yearns for his family and freedom while eloquently evoking the Amistads' conversion and life in America. As Young conjures this array of characters, interweaving the liberation cry of Negro spirituals and the indoctrinating wordplay of American primers, he delivers his signature songlike immediacy at the service of an epic built on the ironies, violence, and virtues of American history.

Delivered in Young's classic bluesy tone, this powerful collection of poems about the American family, smoky Southern food, and the losses that time inevitably brings "bristles with life, nerve and, best of all, wit" ("San Francisco Chronicle).
"

In this fully updated and revised new edition of his landmark study of violence in and around contemporary sport, Kevin Young offers a comprehensive sociological analysis of an issue of central importance within sport studies. The book explores organised and spontaneous violence, both on the field and off, and calls for a much broader definition of 'sports-related violence', to include issues as diverse as criminal behaviour by players, abuse within sport and exploitative labour practices. Offering a sophisticated theoretical framework for understanding violence in a sporting context and including new case studies and updated empirical data - from professional soccer in Europe to ice hockey in North America - the book establishes a benchmark for the study of violence within sport and wider society. Through close examination of often contradictory trends, from anti-violence initiatives in professional sports leagues to the role of the media in encouraging hyper-aggression, the book throws new light on our understanding of the socially-embedded character of sport and its fundamental ties to history, culture, politics, social class, gender and the law. This new edition also recognises burgeoning new literatures, such as research examining concussion and the link between sport and mental illness and includes student-friendly pedagogical aids, such as critical thinking questions at the end of each chapter. Sport, Violence and Society is a vital read for anyone studying or working in the areas of the Sociology of Sport, Sport Psychology, Ethics and Philosophy of Sport, Sport and Politics, Sports History, and Sport and the Media.

"The Art of Losing "is the first anthology of its kind, delivering poetry with a purpose. Editor Kevin Young has introduced and selected 150 devastatingly beautiful poems that embrace the pain and heartbreak of mourning. Divided into five sections (Reckoning, Remembrance, Rituals, Recovery, and Redemption), with poems by some of our most beloved poets as well as the best of the current generation of poets, "The Art of Losing" is the ideal gift for a loved one in a time of need and for use by therapists, ministers, rabbis, and palliative care workers who tend to those who are experiencing loss. Among the poets included: Elizabeth Alexander, W. H. Auden, Amy Clampitt, Billy Collins, Emily Dickinson, Louise Gluck, Ted Hughes, Galway Kinnell, Kenneth Koch, Philip Larkin, Li-Young Lee, Philip Levine, Marianne Moore, Sharon Olds, Mary Oliver, Robert Pinsky, Adrienne Rich, Theodore Roethke, Anne Sexton, Wallace Stevens, Dylan Thomas, Derek Walcott, and James Wright.

In this fully updated and revised new edition of his landmark study of violence in and around contemporary sport, Kevin Young offers a comprehensive sociological analysis of an issue of central importance within sport studies. The book explores organised and spontaneous violence, both on the field and off, and calls for a much broader definition of 'sports-related violence', to include issues as diverse as criminal behaviour by players, abuse within sport and exploitative labour practices. Offering a sophisticated theoretical framework for understanding violence in a sporting context and including new case studies and updated empirical data - from professional soccer in Europe to ice hockey in North America - the book establishes a benchmark for the study of violence within sport and wider society. Through close examination of often contradictory trends, from anti-violence initiatives in professional sports leagues to the role of the media in encouraging hyper-aggression, the book throws new light on our understanding of the socially-embedded character of sport and its fundamental ties to history, culture, politics, social class, gender and the law. This new edition also recognises burgeoning new literatures, such as research examining concussion and the link between sport and mental illness and includes student-friendly pedagogical aids, such as critical thinking questions at the end of each chapter. Sport, Violence and Society is a vital read for anyone studying or working in the areas of the Sociology of Sport, Sport Psychology, Ethics and Philosophy of Sport, Sport and Politics, Sports History, and Sport and the Media.

Winner of the 2013 Hurston/Wright Legacy Award for Poetry

""The Collected Poems of Lucille Clifton 1965-2010" may be the most important book of poetry to appear in years."--"Publishers Weekly"

"All poetry readers will want to own this book; almost everything is in it."--"Publishers Weekly"

"If you only read one poetry book in 2012, "The Collected Poems of Lucille Clifton" ought to be it."--NPR

"The 'Collected Clifton' is a gift, not just for her fans...but for all of us."--"The Washington Post"

"The love readers feel for Lucille Clifton--both the woman and her poetry--is constant and deeply felt. The lines that surface most frequently in praise of her work and her person are moving declarations of racial pride, courage, steadfastness."--Toni Morrison, from the Foreword

"The Collected Poems of Lucille Clifton 1965-2010" combines all eleven of Lucille Clifton's published collections with more than fifty previously unpublished poems. The unpublished poems feature early poems from 1965-1969, a collection-in-progress titled "the book of days" (2008), and a poignant selection of final poems. An insightful foreword by Nobel Prize-winning author Toni Morrison and comprehensive afterword by noted poet Kevin Young frames Clifton's lifetime body of work, providing the definitive statement about this major America poet's career.

On February 13, 2010, the poetry world lost one of its most distinguished members with the passing of Lucille Clifton. In the last year of her life, she was named the first African American woman to receive the $100,000 Ruth Lilly Poetry Prize honoring a US poet whose "lifetime accomplishments warrant extraordinary recognition," and was posthumously awarded the Robert Frost Medal for lifetime achievement from the Poetry Society of America.

"mother-tongue: to man-kind" (from the unpublished "the book of days"):

"all that I am asking is
that you see me as something
more than a common occurrence,
more than a woman in her ordinary skin."

Ever since its first flowering, jazz has had a powerful influence on American poetry; this scintillating anthology offers a treasury of poems that are as varied and as vital as the music that inspired them.
From the Harlem Renaissance to the beat movement, from the poets of the New York school to the contemporary poetry scene, the jazz aesthetic has been a compelling literary force--one that "Jazz Poems "makes palpable. We hear it in the poems of Langston Hughes, E. E. cummings, William Carlos Williams, Frank O'Hara, and Gwendolyn Brooks, and in those of Yusef Komunyakaa, Charles Simic, Rita Dove, Ntozake Shange, Mark Doty, William Matthews, and C. D. Wright. Here are poems that pay tribute to jazz's great voices, and poems that throb with the vivid rhythm and energy of the jazz tradition, ranging in tone from mournful elegy to sheer celebration.

In this jaunty and intimate collection, Kevin Young invents a language as shimmying and comic, as low-down and high-hearted, as the music from which he draws inspiration. With titles such as "Stride Piano," "Gutbucket," and "Can-Can," these poems have the sharp completeness of vocalized songs and follow a classic blues trajectory: praising and professing undying devotion ("To watch you walk / cross the room in your black / corduroys is to see / civilization start"), only to end up lamenting the loss of love ("No use driving / like rain, past / where you at"). As Young conquers the sorrow left on his doorstep, the poems broaden to embrace not just the wisdom that comes with heartbreak but the bittersweet wonder of triumphing over adversity at all.
Sexy and tart, playfully blending an African American idiom with traditional lyric diction, Young's voice is pure American: joyous in its individualism and singing of the self at its strongest.

"From the Hardcover edition."

A groundbreaking collection of abolitionist writing from throughout the history of American slavery From the beginning of the transatlantic slave trade to the ambiguity of the reconstruction era, resistance and protest writing were a central part of slavery in America, and - ultimately - played a crucial role in its abolition. Placing well-known abolitionist writing alongside less celebrated and little-known accounts of everyday lives and activism, Unsung makes the case for focusing on the histories of black people as agents and architects of their own struggle and ultimate liberation.

**SHORTLISTED FOR THE T.S. ELIOT PRIZE 2021** A book of loss, looking back, and what binds us to life, by a towering poetic talent, 'one of the poetry stars of his generation' (Los Angeles Times). 'We sleep long, / if not sound,' Kevin Young writes early on in this exquisite gathering of poems, 'Till the end / we sing / into the wind.' In scenes and settings that circle family and the generations in the American South - one poem, 'Kith', exploring that strange bedfellow of 'kin' - the speaker and his young son wander among the stones of their ancestors. 'Like heat he seeks them, / my son, thirsting / to learn those / he don't know / are his dead.' Whether it's the fireflies of a Louisiana summer caught in a mason jar (doomed by their collection), or his grandmother, Mama Annie, who latches the screen door when someone steps out for just a moment, all that makes up our flickering, precarious joy, all that we want to protect, is lifted into the light in this moving book. Stones becomes an ode to Young's home places and his dear departed, and to what of them - of us - poetry can save.