Ibn Shalaby, like many Egyptians, is looking for a job. Yet, unlike most of his fellow citizens, he is prone to sudden dislocations in time. Armed with his trusty briefcase and his Islamic-calendar wristwatch, he bounces uncontrollably through Egypt's rich and varied past, with occasional return visits to the 1990s. Through his wild and whimsical adventures, he meets, befriends, and falls out with sultans, poets, and an assortment of celebrities - from Naguib Mahfouz to the founder of the city of Cairo. Khairy Shalaby's nimble storytelling brings this witty odyssey to life.

Tucked away in a rundown quarter, just out of sight of downtown Cairo, a group of intellectuals gather regularly to smoke hashish in Hakeem's den. The den is the center of their lives, both a refuge and a stimulus, and at the center of the den is the remarkable man who keeps their hashish bowls topped up-Rowdy Salih. While his former life is a mystery to his loyal clientele of writers, painters, film directors, and even window dressers, each sees himself reflected in Salih; but without his humor, humility, or insight, or his occasional passions fueled by hootch. And when the nation has to face its own demons during the peace initiative of the 1970s, it is Rowdy Salih who speaks for them all. This is a comic novel with a broken heart, very like Salih himself, whose warm rough voice calls out long after we have recovered from the novel's painful conclusion.

A young man's dreams for a better future as a student in the Teachers' Institute are shattered after he assaults one of his instructors for discriminating against him. From then on, he begins his descent into the underworld. Penniless, he seeks refuge in Wikalat 'Atiya, a historic but now completely run-down caravanserai that has become the home of the town's marginal and underprivileged characters. This award-winning novel takes on epic dimensions as the narrator escorts us on a journey to this underworld, portraying as he sinks further into its intricate relationships the many characters that inhabit it. Through a labyrinth of tales, reminiscent of the popular Arab tradition of storytelling, we are introduced to these denizens, whose lives oscillate between the real and the fantastic, the contemporary and the timeless. And while the narrator starts out as a spectator of these characters' lives, he soon becomes an integral part of the lodging house's community of rogues.