This edited volume brings transnational feminisms in conversation with intersectional and decolonial approaches. The conversation is pluriversal; it voices and reflects upon a plurality of geo- and corpopolitical as well as epistemic locations in specific Global South/East/North/West contexts. The aim is to explore analytical modes that encourage transgressing methodological nationalisms which sustain unequal global power relations, and which are still ingrained in the disciplinary perspectives that define much social science and humanities research. A main focus of the volume is methodological. It asks how an engagement with transnational, intersectional and decolonial feminisms can stimulate border-crossings. Boundaries in academic knowledge-building, shaped by the limitations imposed by methodological nationalisms, are challenged in the book. The same applies to boundaries of conventional – disembodied and ethically un-affected – academic writing modes. The transgressive methodological aims are also pursued through mixing genres and shifting boundaries between academic and creative writing. Pluriversal Conversations on Transnational Feminisms is intended for broad global audiences of researchers, teachers, professionals, students (from undergraduate to postgraduate levels), activists and NGOs, interested in questions about decoloniality, intersectionality, and transnational feminisms, as well as in methodologies for boundary transgressing knowledge-building.

Qabila’s marriage is falling apart – it has been for years. If she had not fallen pregnant she and Rashid might not have married in the first place. After all, he was seeing Thandi at the time. And now Qabila wonders if he ever stopped seeing her. Does that explain why Qabila has never felt the full measure of his love? At least he is not abusive, her mother would say, unlike Qabila’s father.

But with her mother’s passing, Qabila’s world is coming undone. She is dreaming of strange songs and making lists to stay sane. When she finds out Rashid is living a double life, she demands a divorce. Why does he still resist? Why not go to Thandi?

As she tries to pick up the pieces of her life, Qabila rails against the persistent legacy of discrimination in South Africa. Not least of which is the racism in her own community towards fellow black people. But she also rediscovers the joy of family, and her Muslim faith, and meets a group of musicians who might be the answer to her puzzling dreams.