Queer Theory: Law, Culture, Empire uses queer theory to examine the complex interactions of law, culture, and empire. Building on recent work on empire, and taking contextual, socio-legal, comparative, and interdisciplinary approaches, it studies how activists and scholars engaged in queer theory projects can unwittingly advance imperial projects and how queer theory can itself show imperial ambitions. The authors - from five continents - delve into examples drawn from Bollywood cinema to California's 2008 marriage referendum. The chapters view a wide range of texts - from cultural productions to laws and judgments - as regulatory forces requiring scrutiny from outside Western, heterosexual privilege. This innovative collection goes beyond earlier queer legal work, engaging with recent developments, featuring case studies from India, South Africa, the US, Australasia, Eastern Europe, and embracing the frames offered by different disciplinary lenses. Queer Theory: Law, Culture, Empire will be of particular interest to students and researchers in the fields of socio-legal studies, comparative law, law and gender/sexuality, and law and culture.

Queer Theory: Law, Culture, Empire uses queer theory to examine the complex interactions of law, culture, and empire. Building on recent work on empire, and taking contextual, socio-legal, comparative, and interdisciplinary approaches, it studies how activists and scholars engaged in queer theory projects can unwittingly advance imperial projects and how queer theory can itself show imperial ambitions. The authors - from five continents - delve into examples drawn from Bollywood cinema to California's 2008 marriage referendum. The chapters view a wide range of texts - from cultural productions to laws and judgments - as regulatory forces requiring scrutiny from outside Western, heterosexual privilege. This innovative collection goes beyond earlier queer legal work, engaging with recent developments, featuring case studies from India, South Africa, the US, Australasia, Eastern Europe, and embracing the frames offered by different disciplinary lenses.

Queer Theory: Law, Culture, Empire will be of particular interest to students and researchers in the fields of socio-legal studies, comparative law, law and gender/sexuality, and law and culture.

This volume takes a critical look at the gender inequality of tax policy around the world. The book's contributors - based in eight different countries - examine the profound effects that gender norms and practices have had in shaping tax law and policy, and how taxation in turn impacts the possibilities for equality along the lines of gender, race, class, sexuality, and other. The chapters explore: how the gendered fiscal state might be theorized * how structural choices about rates and bases in tax policy are designed to contribute to gender inequality * how tax policy affects family configurations and perceptions of what constitutes a family * how fiscal systems impact savings and wealth accumulation by women and men * the role of different policy making processes and institutions in occluding and sometimes challenging these patterns. Most significantly, the book explores these questions in an international frame, traversing countries and continents. The book's conclusion is that fiscal policy has deep-rooted, long-standing gender implications that affect virtually every aspect of individual's social, political, and economic lives. (Series: Onati International Series in Law and Society)

It is the summer of 1941 and Abe Auer, a Russian immigrant and small-town junkyard owner, has become disenchanted with his life. So when his friend Max Hoffman, a local rabbi with a dark past, asks Abe to take in a European refugee, he agrees, unaware that the woman coming to live with him is a volatile and alluring actress named Ana Beidler. Ana regales the Auer family with tales of her lost stardom and charms and mystifies Abe with her glamour and unabashed sexuality, forcing him to confront his own desire as well as the ghost of his dead brother. As news filters out of Europe, American Jews struggle to make sense of the atrocities. Some want to bury their heads in the sand while others want to create a Jewish army that would fight Hitler and promote bold, wide-spread rescue initiatives. And when a popular Manhattan synagogue is burned to the ground, our characters begin to feel the drumbeat of war is marching ever closer to home. Set on the eve of America's involvement in World War II, The Houseguest examines a little-known aspect of the war and highlights the network of organizations seeking to help Jews abroad, just as masses of people seeking to escape Europe are turned away from American shores. It moves seamlessly from the Yiddish theaters of Second Avenue to the junkyards of Utica to the covert world of political activists, Jewish immigrants, and the stars and discontents of New York's Yiddish stage. Ultimately, The Houseguest is a moving story about identity, family, and the decisions that define who we will become.

An anthology of stories and poems by the members of the Write Together Group of South Shields. Variations from thought provoking to smile making on themes as varied as possible. Something for everyone to enjoy.

One cool spring morning, Kim Brooks made a split-second decision to leave her four-year-old son in the car while she ran into a store. What happened would consume the next several years of her life and ultimately motivated her to begin writing about the broader subject of parenthood and fear. In Small Animals, Brooks asks, Of all the emotions inherent in parenting, is there any more universal or profound than fear? To be a parent is to be afraid. And yet, the objects and intensity of our fear vary based on culture, temperament, and the historical moment in which we live. In the signature style - by turns funny, penetrating, and always illuminating - that has dazzled millions of fans of the essays she publishes in New York Magazine, LennyLetter, Salon, and Buzzfeed, Brooks blends personal memoir, investigative reporting and sociological critique to ask: Why have our notions of what it means to be a good parent changed so radically in the course of a generation? In what ways do these changes impact the lives of parents, children, and the structure of society at large? And what, in the end, does the rise of fearful parenting tell us about our children, our communities, and ourselves? By telling her own story and probing our culture at large, Brooks offers a provocative, compelling portrait of parenthood in American and calls us to examine what we most value in our relationships with our children and one another.

Bertha Wilson's appointment to the Supreme Court of Canada in 1982 capped off a career of firsts. Wilson had been the first woman lawyer and partner at a prominent Toronto law firm and the first woman appointed to the Ontario Court of Appeal. Her career and passing in 2007 have provoked reflection on her contributions to Canadian society and the question, what difference do women judges make? Justice Bertha Wilson examines Wilson's career through three distinct frames - foundations, controversy, and reflections - and a wide range of feminist perspectives. Taken together, these provocative essays paint a nuanced portrait of a complex, controversial woman who made a deep impression on the Canadian legal landscape.

Kim Brooks is an associate professor and the H. Heward Stikeman Chair in the Law of Taxation in the Faculty of Law at McGill University.

Contributors: Elizabeth AdjinTettey, Beverley Baines, Marie-Claire Belleau, Janine Benedet, Susan B. Boyd, Kim Brooks, Melina Buckley, Rosemary Cairns Way, Gillian Calder, T. Brettel Dawson, Angela Fernandez, Isabel Grant, Rebecca Johnson, Larissa Katz, Claire L'HeureuxDub, Moira L. McConnell, Mary Jane Mossman, Shannon O'Byrne, Debra Parkes, Janis Sarra, Beatrice Tice, Lorna Turnbull, Christina Vinters.

Bertha Wilson's appointment to the Supreme Court of Canada in 1982 capped off a career of firsts. Wilson had been the first woman lawyer and partner at a prominent Toronto law firm and the first woman appointed to the Ontario Court of Appeal. Her career and passing in 2007 provoked reflection on her contributions to Canadian society and raised the question, what difference do women judges make? Justice Bertha Wilson examines Wilson's career through three distinct frames – foundations, controversy, and reflections – and a wide range of feminist perspectives. Taken together, these provocative essays paint an intriguing portrait of a complex, controversial woman who made a deep impression on the Canadian legal landscape.