South Korea's triumphant development has catapulted the country's economy to the eleventh largest in the world. Large family-owned conglomerates, or chaebols, such as Samsung, Hyundai, and LG, have become globally preeminent manufacturing brands. Yet Korea's highly disciplined, technologically competent skilled workers who built these brands have become known only for their successful labor-union militancy, which in recent decades has been criticized as collective "selfishness" that has allowed them to prosper at the expense of other workers. Hyung-A Kim tells the story of Korea's first generation of skilled workers in the heavy and chemical industries sector, following their dramatic transition from 1970s-era "industrial warriors" to labor-union militant "Goliat Warriors," and ultimately to a "labor aristocracy" with guaranteed job security, superior wages, and even job inheritance for their children. By contrast, millions of Korea's non-regular employees, especially young people, struggle in precarious and insecure employment. This richly documented account demonstrates that industrial workers' most enduring goal has been their own economic advancement, not a wider socialist revolution, and shows how these individuals' paths embody the consequences of rapid development.

The social and economic rise of the chungin class ("middle people" who ranked between the yangban aristocracy and commoners) during the late Choson period (1700-1910) ushered in a world of materialism and commodification of painting and other art objects. Generally overlooked in art history, the chungin contributed to a flourishing art market, especially for ch'aekkori, a new form of still life painting that experimented with Western perspective and illusionism, and a reimagined style of the traditional plum blossom painting genre. Sunglim Kim examines chungin artists and patronage of the visual arts, and their commercial transactions, artistic exchange with China and Japan, and historical writings on art. She also explores the key role of men of chungin background in preserving Korean art heritage in the tumultuous twentieth century, including the work of the modern Korean collector and historian O Se-ch'ang, who memorialized many chungin painters and calligraphers. Revealing a vivid picture of a complex art world,Flowering Plums and Curio Cabinets presents a major reconsideration of late Choson society and its material culture. Lushly illustrated, it will appeal to scholars of Korea and East Asia, art history, visual culture, and social history. A William Sangki and Nanhee Min Hahn Book Art History Publication Initiative. For more information, visit http://arthistorypi.org/books/flowering-plums-and-curio-cabinets

South Korea's triumphant development has catapulted the country's economy to the eleventh largest in the world. Large family-owned conglomerates, or chaebols, such as Samsung, Hyundai, and LG, have become globally preeminent manufacturing brands. Yet Korea's highly disciplined, technologically competent skilled workers who built these brands have become known only for their successful labor-union militancy, which in recent decades has been criticized as collective "selfishness" that has allowed them to prosper at the expense of other workers. Hyung-A Kim tells the story of Korea's first generation of skilled workers in the heavy and chemical industries sector, following their dramatic transition from 1970s-era "industrial warriors" to labor-union militant "Goliat Warriors," and ultimately to a "labor aristocracy" with guaranteed job security, superior wages, and even job inheritance for their children. By contrast, millions of Korea's non-regular employees, especially young people, struggle in precarious and insecure employment. This richly documented account demonstrates that industrial workers' most enduring goal has been their own economic advancement, not a wider socialist revolution, and shows how these individuals' paths embody the consequences of rapid development.

The Republic of Korea achieved a double revolution in the second half of the twentieth century. In just over three decades, South Korea transformed itself from an underdeveloped, agrarian country into an affluent, industrialized one. At the same time, democracy replaced a long series of military authoritarian regimes. These historic changes began under President Park Chung Hee, who seized power through a military coup in 1961 and ruled South Korea until his assassination on October 26, 1979. While the state's dominant role in South Korea's rapid industrialization is widely accepted, the degree to which Park was personally responsible for changing the national character remains hotly debated. This book examines the rationale and ideals behind Park's philosophy of national development in order to evaluate the degree to which the national character and moral values were reconstructed.

Hyung-A Kim is associate professor of Korean politics at the Australian National University, and author of "Korea's Development under Park Chung Hee: Rapid Industrialization, 1961-1979." Clark W. Sorensen is director of the Center for Korean Studies, University of Washington, and author of "Over the Mountains Are Mountains: Korean Peasant Households and Their Adaptations to Rapid Industrialization." The other contributors are Myung-Koo Kang, Young-Jak Kim, Tadashi Kimiya, Hagen Koo, Gaven McCormack, Nak-Ch'ong Paik, James B. Palais, and Seok-Man Yoon.

Kim Clark believes that before multiple sclerosis began its insidious infiltration, there was no writing in her. That somehow the damaging changes that shut down certain functions in her brain also opened up other unused areas that housed a secret love affair with language and all its possibilities, its delicious sights and sounds and intimations.
The poems in "Sit You Waiting" are not about disease, but about everyday occurrences that have allowed Clark the luxury of contemplation through compulsory inertia and altered perceptions.
They vary in form and texture while maintaining a musicality, a sense of playfulness within the words that carries you from BC's beaches to Australia's Nullarbor Plain, from the neighbourhood pub to the cemetery, from pot roast country to the passport office--places where "breakfast/ doesn't matter/ any more/ than the notion/ of romance."
Light and darkness can be found here. They are woven through the rhythm and rhyme of the erotic "lips abandoned," the humourous "self-propelled breasts," the thought-provoking "murmuration of starlings," and the distressing "edge of pale comatose."
Come in. Sit down. Wet your whistle.

"Highland Indians and the State in Modern Ecuador" chronicles the changing forms of indigenous engagement with the Ecuadorian state since the early nineteenth century that, by the beginning of the twenty-first century, had facilitated the growth of the strongest unified indigenous movement in Latin America.
Built around nine case studies from nineteenth- and twentieth-century Ecuador, "Highland Indians and the State in Modern Ecuador" presents state formation as an uneven process, characterized by tensions and contradictions, in which Indians and other subalterns actively participated. It examines how indigenous peoples have attempted, sometimes successfully, to claim control over state formation in order to improve their relative position in society. The book concludes with four comparative essays that place indigenous organizational strategies in highland Ecuador within a larger Latin American historical context.
"Highland Indians and the State in Modern Ecuador" offers an interdisciplinary approach to the study of state formation that will be of interest to a broad range of scholars who study how subordinate groups participate in and contest state formation.

Imagine you're given the startling news that your body is only capable of having six more orgasms. "It's either buck up or fuck up," decides Mel in "Six Degrees of Altered Sensation," adding this new restraint to the perplexity of single life with progressive Multiple Sclerosis. In "Flickering," Francis becomes a pyromaniac in order to give her grown sons the opportunity to become heroes. Mundane directions for propane use parallel a brief sizzling affair in "Dick & Jane & the Barbecue and No, It's Not a Love Story."
Altered and twisted realities make the impossible possible for Clark's characters. Lillian, an arthritic senior in "Solitaire," discovers the rejuvenating properties of the bones of her lively, young new neighbour. Looming dementia is replaced by ravenous desire. In "Split Ends" a woman finds a book that contains her own memories, but it is written by a stranger with the same name; in "No U's," a woman slips away through the mail slot to escape her stagnant life.
Ranging from micro-fiction to near maxi-fiction, the stories in "Attemptations" are peopled by women, often physically challenged women--darkly humorous, feisty, sexy, manic, persevering, observant, contemplative women. These characters will snag you and hold you there 'til they're good and done.

The true story of a legend of Canadian pop culture broadcasting and the way he got his start in the 1970s: working as a fur trader for the Hudson's Bay Company in the Northwest Territories and then moving on to DJing in disco-era Vancouver. A true story of an adventurous pop-loving teenager who, in the early 1970s, went from London's discotheques to the Canadian sub-arctic to work for the Hudson's Bay Company. His job? Buying furs and helping run the trading post in the settlement of Arviat (then known as Eskimo Point), Northwest Territories (population: 750). That young man is Kim Clarke Champniss, who would later become a VJ on MuchMusic. His extraordinary adventures unfolded in a chain of On the Road experiences across Canada. His mind-boggling journey, from London to the far Canadian North and then to the spotlight, is the stuff of music and TV legends. Kim brings his incredible knowledge of music, pop culture, and the history of disco music, weaving them into this wild story of his exciting and uniquely crazy 1970s.

The Republic of Korea achieved a double revolution in the second half of the twentieth century. In just over three decades, South Korea transformed itself from an underdeveloped, agrarian country into an affluent, industrialized one. At the same time, democracy replaced a long series of military authoritarian regimes. These historic changes began under President Park Chung Hee, who seized power through a military coup in 1961 and ruled South Korea until his assassination on October 26, 1979. While the state's dominant role in South Korea's rapid industrialization is widely accepted, the degree to which Park was personally responsible for changing the national character remains hotly debated. This book examines the rationale and ideals behind Park's philosophy of national development in order to evaluate the degree to which the national character and moral values were reconstructed.