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Old Fort (Hardcover)
Kim Clark
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R781
R653
Discovery Miles 6 530
Save R128 (16%)
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Ships in 10 - 15 working days
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Marion (Hardcover)
Kim Clark, McDowell House Project Advisory Committe
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R612
Discovery Miles 6 120
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Ships in 12 - 17 working days
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South Korea's triumphant development has catapulted the country's
economy to the eleventh largest in the world. Large family-owned
conglomerates, or chaebols, such as Samsung, Hyundai, and LG, have
become globally preeminent manufacturing brands. Yet Korea's highly
disciplined, technologically competent skilled workers who built
these brands have become known only for their successful
labor-union militancy, which in recent decades has been criticized
as collective "selfishness" that has allowed them to prosper at the
expense of other workers. Hyung-A Kim tells the story of Korea's
first generation of skilled workers in the heavy and chemical
industries sector, following their dramatic transition from
1970s-era "industrial warriors" to labor-union militant "Goliat
Warriors," and ultimately to a "labor aristocracy" with guaranteed
job security, superior wages, and even job inheritance for their
children. By contrast, millions of Korea's non-regular employees,
especially young people, struggle in precarious and insecure
employment. This richly documented account demonstrates that
industrial workers' most enduring goal has been their own economic
advancement, not a wider socialist revolution, and shows how these
individuals' paths embody the consequences of rapid development.
South Korea's triumphant development has catapulted the country's
economy to the eleventh largest in the world. Large family-owned
conglomerates, or chaebols, such as Samsung, Hyundai, and LG, have
become globally preeminent manufacturing brands. Yet Korea's highly
disciplined, technologically competent skilled workers who built
these brands have become known only for their successful
labor-union militancy, which in recent decades has been criticized
as collective "selfishness" that has allowed them to prosper at the
expense of other workers. Hyung-A Kim tells the story of Korea's
first generation of skilled workers in the heavy and chemical
industries sector, following their dramatic transition from
1970s-era "industrial warriors" to labor-union militant "Goliat
Warriors," and ultimately to a "labor aristocracy" with guaranteed
job security, superior wages, and even job inheritance for their
children. By contrast, millions of Korea's non-regular employees,
especially young people, struggle in precarious and insecure
employment. This richly documented account demonstrates that
industrial workers' most enduring goal has been their own economic
advancement, not a wider socialist revolution, and shows how these
individuals' paths embody the consequences of rapid development.
The social and economic rise of the chungin class ("middle people"
who ranked between the yangban aristocracy and commoners) during
the late Choson period (1700-1910) ushered in a world of
materialism and commodification of painting and other art objects.
Generally overlooked in art history, the chungin contributed to a
flourishing art market, especially for ch'aekkori, a new form of
still life painting that experimented with Western perspective and
illusionism, and a reimagined style of the traditional plum blossom
painting genre. Sunglim Kim examines chungin artists and patronage
of the visual arts, and their commercial transactions, artistic
exchange with China and Japan, and historical writings on art. She
also explores the key role of men of chungin background in
preserving Korean art heritage in the tumultuous twentieth century,
including the work of the modern Korean collector and historian O
Se-ch'ang, who memorialized many chungin painters and
calligraphers. Revealing a vivid picture of a complex art
world,Flowering Plums and Curio Cabinets presents a major
reconsideration of late Choson society and its material culture.
Lushly illustrated, it will appeal to scholars of Korea and East
Asia, art history, visual culture, and social history. A William
Sangki and Nanhee Min Hahn Book Art History Publication Initiative.
For more information, visit
http://arthistorypi.org/books/flowering-plums-and-curio-cabinets
The Republic of Korea achieved a double revolution in the second
half of the twentieth century. In just over three decades, South
Korea transformed itself from an underdeveloped, agrarian country
into an affluent, industrialized one. At the same time, democracy
replaced a long series of military authoritarian regimes. These
historic changes began under President Park Chung Hee, who seized
power through a military coup in 1961 and ruled South Korea until
his assassination on October 26, 1979. While the state's dominant
role in South Korea's rapid industrialization is widely accepted,
the degree to which Park was personally responsible for changing
the national character remains hotly debated. This book examines
the rationale and ideals behind Park's philosophy of national
development in order to evaluate the degree to which the national
character and moral values were reconstructed.
Hyung-A Kim is associate professor of Korean politics at the
Australian National University, and author of "Korea's Development
under Park Chung Hee: Rapid Industrialization, 1961-1979." Clark W.
Sorensen is director of the Center for Korean Studies, University
of Washington, and author of "Over the Mountains Are Mountains:
Korean Peasant Households and Their Adaptations to Rapid
Industrialization." The other contributors are Myung-Koo Kang,
Young-Jak Kim, Tadashi Kimiya, Hagen Koo, Gaven McCormack,
Nak-Ch'ong Paik, James B. Palais, and Seok-Man Yoon.
Kim Clark believes that before multiple sclerosis began its
insidious infiltration, there was no writing in her. That somehow
the damaging changes that shut down certain functions in her brain
also opened up other unused areas that housed a secret love affair
with language and all its possibilities, its delicious sights and
sounds and intimations.
The poems in "Sit You Waiting" are not about disease, but about
everyday occurrences that have allowed Clark the luxury of
contemplation through compulsory inertia and altered perceptions.
They vary in form and texture while maintaining a musicality, a
sense of playfulness within the words that carries you from BC's
beaches to Australia's Nullarbor Plain, from the neighbourhood pub
to the cemetery, from pot roast country to the passport
office--places where "breakfast/ doesn't matter/ any more/ than the
notion/ of romance."
Light and darkness can be found here. They are woven through the
rhythm and rhyme of the erotic "lips abandoned," the humourous
"self-propelled breasts," the thought-provoking "murmuration of
starlings," and the distressing "edge of pale comatose."
Come in. Sit down. Wet your whistle.
Imagine you're given the startling news that your body is only
capable of having six more orgasms. "It's either buck up or fuck
up," decides Mel in "Six Degrees of Altered Sensation," adding this
new restraint to the perplexity of single life with progressive
Multiple Sclerosis. In "Flickering," Francis becomes a pyromaniac
in order to give her grown sons the opportunity to become heroes.
Mundane directions for propane use parallel a brief sizzling affair
in "Dick & Jane & the Barbecue and No, It's Not a Love
Story."
Altered and twisted realities make the impossible possible for
Clark's characters. Lillian, an arthritic senior in "Solitaire,"
discovers the rejuvenating properties of the bones of her lively,
young new neighbour. Looming dementia is replaced by ravenous
desire. In "Split Ends" a woman finds a book that contains her own
memories, but it is written by a stranger with the same name; in
"No U's," a woman slips away through the mail slot to escape her
stagnant life.
Ranging from micro-fiction to near maxi-fiction, the stories in
"Attemptations" are peopled by women, often physically challenged
women--darkly humorous, feisty, sexy, manic, persevering,
observant, contemplative women. These characters will snag you and
hold you there 'til they're good and done.
The Republic of Korea achieved a double revolution in the second
half of the twentieth century. In just over three decades, South
Korea transformed itself from an underdeveloped, agrarian country
into an affluent, industrialized one. At the same time, democracy
replaced a long series of military authoritarian regimes. These
historic changes began under President Park Chung Hee, who seized
power through a military coup in 1961 and ruled South Korea until
his assassination on October 26, 1979. While the state's dominant
role in South Korea's rapid industrialization is widely accepted,
the degree to which Park was personally responsible for changing
the national character remains hotly debated. This book examines
the rationale and ideals behind Park's philosophy of national
development in order to evaluate the degree to which the national
character and moral values were reconstructed.
"Highland Indians and the State in Modern Ecuador" chronicles
the changing forms of indigenous engagement with the Ecuadorian
state since the early nineteenth century that, by the beginning of
the twenty-first century, had facilitated the growth of the
strongest unified indigenous movement in Latin America.
Built around nine case studies from nineteenth- and
twentieth-century Ecuador, "Highland Indians and the State in
Modern Ecuador" presents state formation as an uneven process,
characterized by tensions and contradictions, in which Indians and
other subalterns actively participated. It examines how indigenous
peoples have attempted, sometimes successfully, to claim control
over state formation in order to improve their relative position in
society. The book concludes with four comparative essays that place
indigenous organizational strategies in highland Ecuador within a
larger Latin American historical context.
"Highland Indians and the State in Modern Ecuador" offers an
interdisciplinary approach to the study of state formation that
will be of interest to a broad range of scholars who study how
subordinate groups participate in and contest state
formation.
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