New essays providing critical views of Coetzee's major works for the scholar and the general reader. J. M. Coetzee is perhaps the most critically acclaimed bestselling author of imaginative fiction writing in English today. He received the Nobel Prize for Literature in 2003 and is the first writer to have been awarded two BookerPrizes. The present volume makes critical views of this important writer accessible to the general reader as well as the scholar, discussing Coetzee's main works in chronological order and introducing the dominant themes in the academic discussion of his oeuvre. The volume highlights Coetzee's exceptionally nuanced approach to writing as both an exacting craft and a challenging moral-ethical undertaking. It discusses Coetzee's complex relation to apartheid and post-apartheid South Africa, the land of his birth, and evaluates his complicated responses to the literary canon. Coetzee emerges as both a modernist and a highly self-aware postmodernist - a champion of the truths of aliterary enterprise conducted unrelentingly in the mode of self-confession. Contributors: Chris Ackerley, Derek Attridge, Carrol Clarkson, Simone Drichel, Johan Geertsema, David James, Michelle Kelly, Sue Kossew, MikeMarais, James Meffan, Tim Mehigan, Chris Prentice, Engelhard Weigl, Kim L. Worthington. Tim Mehigan is Professor of Languages in the Department of Languages and Cultures at the University of Otago, New Zealand and Honorary Professor in the Department of Languages and Comparative Cultural Studies at the University of Queensland, Australia.

Remembrance and self-reflection are narrative acts in which we create, rather than simply retrieve, our personal pasts and hence our conceptions of who we are. Self as Narrative considers the human capacity to evaluate, modify, and utilize the discursive codes and conventions of a plurality of communal contexts in the creation of meaningful narratives of selfhood. This book represents a genuinely original extension of an important area of theoretical debate and includes relevant applications of the ideas developed to some works of contemporary fiction, arguing for the importance of contemporary fiction as an arena of moral debate. The author emphasizes the intersubjective nature and creative possibilities of communicative praxis, and invites reconsideration of concepts such as authorship, the self, and moral responsibility in the wake of the postmodern 'dissolution of the subject'. The author offers a possible point of contact between postmodernists and communitarians, one which has significance for the current multicultural and post-colonialism debates relevant to the analysis of the three writers discussed in the second part of this book: Atwood, Banville, and Coetzee.