A breathtaking collection of work celebrating 125 years of San Francisco's legendary museum The de Young is San Francisco's oldest art museum, treasured in a unique verdant setting. Beginning as the Golden Gate Park Memorial Museum in 1895, the museum has been a valued center of world art and culture, serving the Bay Area and, increasingly, national and international visitors and scholars. A city museum since 1924, it joined the Legion of Honor in 1972 to become part of the Fine Arts Museums of San Francisco, together preserving and exhibiting the most widely inclusive art collections in the city. Over the years, the de Young buildings changed in telling ways, transforming to protect and present a continuously expanding array of objects and their histories. Published to mark the 125th anniversary of the de Young, this volume offers a new path to artworks from across its departmental disciplines: art from Africa, Oceania, and the Americas; American art; contemporary art and programming; costume and textiles; and works on paper. Poetic themes, curatorial insights, brief institutional histories, and an expanded historical timeline are accompanied by lavish new photography, presenting this beloved museum to audiences today. de Young 125 features a selection of 125 works from around the world that span more than two millennia and convey a shared human experience and creative achievement.

2019 NCIBA Golden Poppy Award Winner - Poetry *** San Francisco’s 7th poet laureate—a Native American and native San Franciscan—explores urban space and the natural world. Deer Trails is a strongly elegiac evocation of a San Francisco that lies buried under its contemporary urban landscape, but can still be found peeking through. Native American and native San Franciscan Kim Shuck is the city's seventh poet laureate, and in these poems she celebrates the enduring presence of indigenous San Francisco as a form of resistance to gentrification, urbanization, and the erasure of memory. Praise for Deer Trails and Kim Shuck "Kim Shuck's serpentine lyrics sing the streets, hills, trees, fog, and rain of San Francisco, as well as the city's deeper cartography of watersheds, village sites, shellmounds, trade paths, and deer trails. As you navigate this book, listen closely: the poems transform into maps, prayers, and medicine that offer healing, wonderment, and joy in our difficult times. 'Travel grateful,' the poet lovingly advises. 'Travel safe.'"––Craig Santos Perez "Deer Trails is a work of maturity and passion from one of Native America's best poets. Kim Shuck is a poet whose dedication to indigenous reality is unquestionable and admirable. The Tsalagi people live in a cherished memory of honor and peace. The poems in Deer Trails are a testament to these ends. I am proud to call her sister."––Lance Henson "Made of leaps of beginning after beginning of images that sound as well as visually show nature's humanity in a montage––naming en route to organic epiphanies––that's the idiomatic brilliance of Kim Shuck's actually quite sophisticated poems of simplicity."––Jack Hirschman "Shuck's poetry reminds us that you can believe in the blue note; our elders’ speeches that we dance near. Her poems seamlessly walk the aggregates of human presence and voice all of nature’s directions. Shuck reminds us of the omniscience of the people in this dictatorship of dimes; the omniscience of the people in all sketches about genocide. Hers is the only way to look at San Francisco. A prayer in the mind of a warrior."––Tongo Eisen-Martin

Fiction. Native American Studies. "What Kim Shuck is writing is vital and vibrant. She is blending tradition with modernity, history with humor and her own Indigenous perspective witheverything else. She is kind enough to invite us all into her mind, her life and her tribe through her writing and to smile at us when we realize that we are glad we came, glad we read this evocative book and glad that we met this powerful and significant poet."--Dr. Dawn Karima Pettigrew, author of The Marriage of Saints: A Novel (University of Oklahoma Press, 2006) and THE WAY WE MAKE SENSE (Aunt Lute Books, 2002)