In the 1980s, Professor Kimberlé Crenshaw first coined the term ‘intersectionality’. Since then, the concept has spread across national and disciplinary boundaries, and has had a transformative impact on the way in which we understand identity and the experience of discrimination. But outside the US, the application of intersectional theory has largely been disconnected from any analysis of ‘Blackness’, despite intersectionality’s origins in critical race theory (CRT). Precisely how intersectionality is shaping articulations of and political advocacy around Blackness therefore remains to be examined. Curated by Crenshaw as well as several of the leading scholars of CRT, this collection bridges that gap, and is the first to apply both these concepts to contexts outside the US. Focusing on Blackness in Britain, the contributors examine how scholars and activists are employing intersectionality to foreground Black British experiences. By focusing intersectionality in this way, the collection seeks to recover intersectionality’s foundations within CRT, and to link intersectionality to Black diasporic experiences. Its essays encompass key issues such as gender and Black womanhood, issues of representation within contemporary British culture, and the position of Black Britons within institutions such as the family, education and health. The book also looks to the role intersectionality can play in shaping future political activism, and in forging links beyond ‘Blackness’ to other social movements.

Fill the void. Lift your voice. Say Her Name. Black women, girls, and femmes as young as seven and as old as ninety-three have been killed by the police, though we rarely hear their names or learn their stories. Breonna Taylor, Alberta Spruill, Rekia Boyd, Shantel Davis, Shelly Frey, Kayla Moore, Kyam Livingston, Miriam Carey, Michelle Cusseaux, and Tanisha Anderson are among the many lives that should have been.  #SayHerName provides an analytical framework for understanding Black women's susceptibility to police brutality and state-sanctioned violence, and it explains how—through black feminist storytelling and ritual—we can effectively mobilize various communities and empower them to advocate for racial justice. Centering Black women’s experiences in police violence and gender violence discourses sends the powerful message that, in fact, all Black lives matter and that the police cannot kill without consequence.  This is a powerful story of Black feminist practice, community-building, enablement, and Black feminist reckoning.

In the 1980s, Professor Kimberlé Crenshaw first coined the term ‘intersectionality’. Since then, the concept has spread across national and disciplinary boundaries, and has had a transformative impact on the way in which we understand identity and the experience of discrimination. But outside the US, the application of intersectional theory has largely been disconnected from any analysis of ‘Blackness’, despite intersectionality’s origins in critical race theory (CRT). Precisely how intersectionality is shaping articulations of and political advocacy around Blackness therefore remains to be examined. Curated by Crenshaw as well as several of the leading scholars of CRT, this collection bridges that gap, and is the first to apply both these concepts to contexts outside the US. Focusing on Blackness in Britain, the contributors examine how scholars and activists are employing intersectionality to foreground Black British experiences. By focusing intersectionality in this way, the collection seeks to recover intersectionality’s foundations within CRT, and to link intersectionality to Black diasporic experiences. Its essays encompass key issues such as gender and Black womanhood, issues of representation within contemporary British culture, and the position of Black Britons within institutions such as the family, education and health. The book also looks to the role intersectionality can play in shaping future political activism, and in forging links beyond ‘Blackness’ to other social movements.

Since the movement’s founding in 2014, #SayHerName has gained international attention and has served as both a rallying cry and organizing principle in the aftermath of police killings of Black women, including, most recently, the police killing of Breonna Taylor. Black women, girls, and femmes as young as seven and as old as ninety-three have been killed by the police, though we rarely hear their names or learn their stories. Breonna Taylor, Alberta Spruill, Rekia Boyd, Shantel Davis, Shelly Frey, Kayla Moore, Kyam Livingston, Miriam Carey, Michelle Cusseaux, and Tanisha Anderson are among the many lives that should have been. The #SayHerName campaign lifts up the stories of these women and girls in order to build a gender-inclusive framework for understanding, discussing, and combating police violence. Without this knowledge, we cannot have a full understanding of the wide-ranging circumstances that make Black bodies disproportionately subject to police violence, and we cannot understand the ways in which racialized policing and gendered violence intersect and produce lethal consequences. #SayHerName provides an analytical framework for understanding Black women's susceptibility to police brutality and state-sanctioned violence, and it explains how—through black feminist storytelling and ritual—we can effectively mobilize various communities and empower them to advocate for racial justice. Including Black women in police violence and gender violence discourses sends the powerful message that, in fact, all Black lives matter and that the police cannot kill without consequence.This is a powerful story of Black feminist practice, community-building, enablement, and Black feminist reckoning.