In her first book-length collection of poems to appear in the US, Lesley Harrison looks North to the sea, with the heat of the land at her back, to bring us meditations on whale hunts and lost children, Manhattan sky towers, and the sound of the gamelan in the Gulf of Bothnia. A poetry of spareness in multilayered depths, of textural silence and aural place, Kitchen Music plunges deep through the strata of language where “weather is body” and an Iceland poppy is “as delicate as birch.” In poems and sequences of poems, Harrison spins folktales into threads of family and gender, engages with the work of the artists Roni Horn and Marina Rees, transcribes John Cage and Johannes Kepler into song and litany, pens a hymnal of bees, and turns to storms, glaciers, and the lapwing life in a field of young barley. As the novelist Kirsty Gunn writes in the foreword, Harrison has “taken up the old white whale of the fixed and masculine narratives and made of its seas and weathers her own Moby Dick, a female poetry ‘in praises / repeated, repeating.’”

The classic poem, Goblin Market (1862) by Christina Rossetti, tells the story of Lizzie and Laura, who are tempted by the fruit sold by the goblin merchants. In this fully illustrated and beautiful volume, illustrator Georgie McAusland brings the words and story to life.Breathing new life into the Victorian tradition of illustrated poems, this book reads like a picture story book. The stunning illustrations illuminate and drive the narrative forward as in all good story books. It tells the tale of the two sisters drifting apart as Laura succumbs to the forbidden fruit sold by the goblins, but the bonds of sisterhood prove strong. The poem has fascinated for generations and been the subject of various interpretations. This illustrated version brings the words and story alive for a new generation.Christina Rossetti is considered the foremost female poet of her time, and her poetry still resonates with women's lives today, as she entwines themes of sexuality, sisterhood, love and temptation in her work. All of these themes are encapsulated in Goblin Market. The book includes an introduction to the poem by novelist Kirsty Gunn, so all readers - for pleasure or study - can understand its riches.

A beautiful collection of poems to nourish, inspire and change the women who read them. This transformative collection of poems by female poets through the ages sing to us across the centuries. These poems span the worlds of desire, love and friendship, of responsibility, hardship and care, of family and friends and lovers. Their words empower us with strength and courage, fill us with verve and spirit, and inspire creativity and imagination. Contemporary voices of Fiona Benson and Jane Yeh join the evocative imagery of Christina Rossetti, Anna Akhmatova and Emily Dickinson. Even the haunting voices of ancient Sappho, Venmaniputti and Li Qingzhao touch today's generation. Here are poems written by women, with women's lives in mind. As Gertrude Stein writes, 'such a sweet singing' is in the poetry that comes to us clear and lovely from out of the dark. Read these poems aloud. Remember them. Share them.

Caroline's Bikini is the tale of a classic love affair; a swirling cocktail of obsession and imagination.

The moment that Evan Gordonstone - a successful middle-aged financier - meets Caroline Beresford - a glamorous housewife, hostess and landlady - he falls into unrequited love, a story as old as Western literature itself. Evan recounts the tale of his infatuation to his friend Emily, and thus begins a hypnotic series of conversations set against the backdrop of West London bars, fuelled in intensity by endless G&Ts. From the depths of midwinter to July's hot swelter, Evan's retelling of his passion for Caroline will take him to the brink of his own destruction.

This new collection of stories offers a candid peek at infidelity in all its guises. These are tales of lust, deceit, resentment and regret - and of the secrets and lies that can chip away at human relationships. In a series of interwoven dramas, we find mothers yearning for adventure, for the exhilaration of the open road or the anonymity of the forest; fathers absent in body or mind; husbands who look the other way; complacency turned to spite and apathy turned to betrayal. At the same time Gunn pursues the glorious rush of a snap decision, the liberty of answering that siren call of a better life elsewhere. Written with Gunn's trademark attention to nuances of behaviour, motive and even landscape, Infidelity is a temptingly beautiful work that asks 'What if?' and dares to find out.

'The hills only come back the same: I don't mind . . .' begins Kirsty Gunn's The Big Music, a novel that takes us to a new understanding of how fiction can affect us. Presented as a collection of found papers, appendices and notes, The Big Music tells the story of John Sutherland of 'The Grey House', who is dying and creating in the last days of his life a musical composition that will define it. Yet he has little idea of how his tune will echo or play out into the world - and as the book moves inevitably through its themes of death and birth, change and stasis, the sound of his solitary story comes to merge and connect with those around him. In this work of fiction, Kirsty Gunn has created something as real as music or as a dream. Not so much a novel as a place the reader comes to inhabit and to know, The Big Music is a literary work of undeniable originality and power.

In her first Carcanet collection, Lesley Harrison looks North to the sea, with the heat of the land at her back. In her striking inventive arrangements of sound and page, Harrison bring us meditations on whale hunts and lost children, on cities seen and remembered, and the sound of the gamelan in the Gulf of Bothnia. A poetry which negotiates, line by line and page by page, with white space and silence, Kitchen Music plunges deep through the strata of language where "weather is body" and an Iceland poppy is "as delicate as birch." Drawing on folktales, she threads together images of family and gender, transcribes John Cage and Johannes Kepler into song and litany, pens a hymnal of bees, and turns to storms, glaciers, and the lapwing life in a field of young barley. As the novelist Kirsty Gunn writes in the foreword, Harrison has "taken up the old white whale of the fixed and masculine narratives and made of its seas and weathers her own Moby Dick, a female poetry 'in praises / repeated, repeating.'"

A new work by a highly acclaimed author - The Big Music(2012) was described as 'One of the finest novels of the past decade' by the TLS The essay will appeal to all fans of Katherine Mansfield A profound meditation on the nature of home and artistic influence When Kirsty Gunn received a Randell Fellowship from the British Academy and Carnegie Foundation in 2009 she returned to spend the winter in Wellington, near the childhood home of Katherine Mansfield, the writer to whom she'd always felt most connected.

Exploring a host of female parts, rites of passage, love, loss, danger, revelations, strange relationships, the pleasures and pains of growing up female, a fantastic collection of short stories from some of the best women writers today dealing with all aspects of female life from youth to old age. Includes stories from: Hilary Bailey, Sally Cameron, Betzy Dinesen, Souad Faress, Chrissie Gittins, Bonnie Greer, Vicky Grut, Kirsty Gunn, Brigid Howarth, Mizzy Hussain, Geraldine Kaye, Carolyn Patrick, Ellen Phethean, Kate Pullinger, Stella Rafferty, Ravinder Randhawa, Maire Ni Reagain, Michele Roberts, Daphne Rock, Elisa Segrave, Kirsty Seymour-Ure, Susanna Steele & Karen Whiteson.

Kirsty Gunn's spellbinding third novel is a portrait of the small town of Featherstone and the interior lives of its inhabitants. Over the course of one weekend, years after the beautiful and spirited Francie Johanssen fled town, rumors of her return stir memories that threaten to disrupt the community.
Gunn reveals how Francie's absence continues to shape the subconscious longings, hopes, and dreams of those she left behind, including Margaret, the local hotel's promiscuous bartender; Mary Susan, a troubled and rebellious teenager who wants to get out of town as soon as she can; Francie's elderly uncle Sonny; Harland, the faithless minister; and Kate, his despondent wife. Affected most of all, perhaps, is Ray, Francie's old high school boyfriend who has never been able to let go of her. As tension mounts in Featherstone, Gunn elegantly crafts a story that is "richly layered and rewarding" (Scotland on Sunday).