Double bill of film fantasies. 'Stardust' (2007) is an adventure based on the bestselling graphic novel by Neil Gaiman and Charles Vess. When a young man, Tristan (Charlie Cox), tries to win the heart of his beautiful but cold object of his desire Victoria (Sienna Miller) by going on a quest to retrieve a fallen star, his journey takes him to a mysterious and forbidden land beyond the walls of his village. On his odyssey, Tristan finds the star, which has transformed into a striking girl called Yvaine (Claire Danes). However, Tristan is not the only one seeking the star. A king (Peter O'Toole)'s four sons - not to mention the ghosts of their three dead brothers - all need the star as they vie for the throne. Tristan must also overcome the evil witch, Lamia (Michelle Pfeiffer), who needs the star to make her young again. As Tristan battles to survive these threats, encountering a pirate named Captain Shakespeare (Robert De Niro) and a shady trader named Ferdy the Fence (Ricky Gervais) along the way, his quest changes. He must now win the heart of the star for himself as he discovers the meaning of true love. Neil Jordan directs the Irish drama 'Ondine' (2009). Syracuse (Colin Farrell) is a poor fisherman whose life is changed forever when he fishes a beautiful live woman (Alicja Bachleda) out of the sea. His young daughter, Annie (Alison Barry), is convinced that the mysterious beauty must be a mermaid. Theories abound about the girl's origins as she transforms the lives of Syracuse, Annie and the local townsfolk. Stephen Rea and Dervla Kirwan co-star.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

Unlike some other reproductions of classic texts (1) We have not used OCR(Optical Character Recognition), as this leads to bad quality books with introduced typos. (2) In books where there are images such as portraits, maps, sketches etc We have endeavoured to keep the quality of these images, so they represent accurately the original artefact. Although occasionally there may be certain imperfections with these old texts, we feel they deserve to be made available for future generations to enjoy.

The Futility of Philosophical Ethics puts forward a novel account of the grounds of moral feeling with fundamental implications for philosophical ethics. It examines the grounds of moral feeling by both the phenomenology of that feeling, and the facts of moral feeling in operation - particularly in forms such as moral luck, vicious virtues, and moral disgust - that appear paradoxical from the point of view of systematic ethics. Using an analytic approach, James Kirwan engages in the ongoing debates among contemporary philosophers within metaethics and normative ethics. Instead of trying to erase the variety of moral responses that exist in philosophical analysis under one totalizing system, Kirwan argues that such moral theorizing is futile. His analysis counters currently prevalent arguments that seek to render the origins of moral experience unproblematic by finding substitutes for realism in various forms of noncognitivism. In reasserting the problematic nature of moral experience, and offering a theory of the origins of that experience in unavoidable individual desires, Kirwan accounts for the diverse manifestations of moral feeling and demonstrates why so many arguments in metaethics and normative ethics are necessarily irresolvable.

The Arden Research Handbook of Shakespeare and Contemporary Performance is a wide-ranging, authoritative guide to research on Shakespeare and performance studies by an international team of leading scholars. It contains chapters on the key methods and questions surrounding the performance event, the audience, and the archive – the primary sources on which performance studies draws. It identifies the recurring trends and fruitful lines of inquiry that are generating the most urgent work in the field, but also contextualises these within the histories and methods on which researchers build. A central section of research-focused essays offers case studies of present areas of enquiry, from new approaches to space, bodies and language to work on the technologies of remediation and original practices, from consideration of fandoms and the cultural capital invested in Shakespeare and his contemporaries to political and ethical interventions in performance practice. A distinctive feature of the volume is a curated section focusing on practitioners, in which leading directors, writers, actors, producers, and other theatre professionals comment on Shakespeare in performance and what they see as the key areas, challenges and provocations for researchers to explore. In addition, the Handbook contains various sections that provide non-specialists with practical help: an A-Z of key terms and concepts, a guide to research methods and problems, a chronology of major publications and events, an introduction to resources for study of the field, and a substantial annotated bibliography. The Arden Research Handbook of Shakespeare and Contemporary Performance is a reference work aimed at advanced undergraduate and graduate students as well as scholars and libraries, a guide to beginning or developing research in the field, and an essential companion for all those interested in Shakespeare and performance.

It's 1829, and young Princess Victoria's life is full of constraints. Brought up hidden from the world and protected even from walking downstairs alone, the ten-year-old princess decides to write a secret diary about life at Kensington Palace. But little does she know that she is about to make a startling discovery. Closer to the throne than she ever imagined, My Story: Victoria spans a fascinating year in the life of a future queen. Experience history first-hand with My Story in this all-new look! Other titles in the My Story series include: My Story: Titanic My Story: The Trenches My Story: The Great Plague My Story: Berlin Olympics My Story: Blitz My Story: Mayflower My Story: Noor-un-Nissa Inayat Khan My Story: D-Day My Story: A Picture of Freedom My Story: Roman Invasion My Story: Ignatius Sancho

What does it mean to do theology and philosophy in our contemporary academia? What is the notion of good life in the 21st century university? One distinctive tradition of philosophical and theological investigation has been working since early modernity to offer answers to these questions, the Society of Jesus, founded in 1540 by Ignatius of Loyola. The engaging and original contributions in this volume examine topics such as faith, science and reason, secularism, naturalism, humanism and Ignatian spirituality. The opening text outlines the vision of Jesuit education and is followed by historical analyses of sources such as St Ignatius of Loyola and Mary Ward, to show the relevance of these methodologies for other texts and practices. The contributions explore the relationship between philosophy and theology, challenge the dominant perspectives such as naturalism and secularisation, and propose a new way of thinking. This livelydiscussion engages with contemporary issues in the sphere of interreligious dialogue, bioethics, citizenship and human rights.

For over twenty-five years, the authors of International Financial Reporting and Analysis have provided comprehensive insight into the intricacies of financial reporting. This ninth edition has been updated throughout with an increased focus on ethics, sustainability and corporate governance. Timely real-world illustrations and activities give students a truly international perspective to successfully interpret and use IFRS Standards in business. This title is available with MindTap, a flexible online learning solution that provides your students with all the tools they need to succeed, including an interactive eReader, engaging multimedia, practice questions, assessment materials, revision aids and analytics to help you track their progress.

"A very serious undertaking by a scholar who has an excellent knowledge of Kant's philosophy. Kant's aesthetics is a hot topic right now, so this book will be of considerable interest to those in the field." - Donald Crawford, University of Southern California at Santa Barbara. "An alternative account of aesthetic judgment which is rich, interesting and provocative. This is a book which will certainly provoke engagement and debate." - Rachel Jones, Dundee University. Kant's "Critique of Judgment" is widely considered to be the seminal work of modern aesthetics. In recent years it has been the focus of intense interest and debate not only in philosophy but also in literary theory and other disciplines in which the nature of the aesthetic is an issue. "The Aesthetic in Kant" offers a new reading of Kant's problematic text, drawing on the great volume of recent philosophical work on the text and on the context of eighteenth century aesthetics. Kant's text is used as a basis on which to construct a radical alternative solution to the antinomy of taste, the basic problem of the aesthetic. Immanent in Kant's account is a theory of the aesthetic that, far from establishing its 'disinterested' nature, instead makes it symptomatic of what Kant himself describes as the ineradicable human tendency to entertain 'fantastic desires'.