Sir Philip Harclay returns to England after the Crusades, anxious to see his friend Lord Arthur Lovel. But to his dismay, when he arrives at Lovel Castle, he finds his friend is long since dead. However, in a young peasant named Edmund, Sir Philip believes he sees a close resemblance to the late baron. As events unfold, a haunted chamber, a suit of armour, an apparition, and a duel to the death will reveal Edmund's true origin and Lord Lovel's mysterious fate

The second major Gothic novel, following Horace Walpole's "The Castle of Otranto" (1764), and the first written by a woman, "The Old English Baron" was extremely popular upon its initial publication and has rarely been out of print. This new edition includes the unabridged text of the original 1778 edition, along with reproductions of its title page and frontispiece, and features a new introduction and notes by Kit Kincade. Also included in this edition is the complete text of John Broster's scarce 1799 dramatic adaptation of the novel, "Edmond, Orphan of the Castle," never before republished.

Jane Austen and Masculinity is an eclectic collection of contemporary scholarship addressing the representation of men and masculinity in the fiction and popular adaptations of Austen. This anthology includes work by a variety of esteemed and emergent Austen scholars from around the world who engage in a dialogue on critical questions surrounding her fictional treatment of men and masculinity, such as historical (post-French Revolutionary) changes in social expectations for men and women, brothers and fathers, male lovers, soldiers and the military, queer and alternative sexualities, violence, and male devotees of Austen. The collection addresses Austen's fiction, including her juvenilia, as well as the ongoing popular appeal of her work and the enduring Austen vogue. The work in this anthology builds on established critical discourses in Austen scholarship as well as important conversations in Masculinity Studies.