Focuses on a range of Jewish and non-Jewish writers to examine the intersection of Kabbalah, the Jewish mystical tradition, and secular Jewish literatures. Kabbalah and Literature shows how the Jewish mystical tradition contributes to the renewal of literature in a modern, global, and increasingly disconnected age. Kitty Millet explores Kabbalah’s conceptual underpinnings, aesthetic principles, tenets, and signifiers to demonstrate how literature’s absorption of kabbalistic material has altered its ontology, function, and the tasks it sets for itself. Reading writers from Europe and the Americas, Kitty Millet maps how the kabbalist’s desire to "recover Eden" transforms into a latent messianic drive only intuitable through text. Thus it charts a journey of sorts, a migration of Jewish mystical material embedded surreptitiously within text in order to shift ever so slightly at times the range of the literary to encompass an aesthetic vision not easily reducible to the literal, the known, the allegorical, or even the philosophical. In this way, Kabbalah and Literature proposes a novel, intuitive approach, shifting focus away from the Jewish text’s epistemological elements to embrace its "secrets."

This book provides a sophisticated investigation into the experience of being exterminated, as felt by victims of the Holocaust, and compares and contrasts this analysis with the experiences of people who have been colonized or enslaved. Using numerous victim accounts and a wide range of primary sources, the book moves away from the 'continuity thesis', with its insistence on colonial intent as the reason for victimization in relation to other historical examples of mass political violence, to look at the victim experience on its own terms. By affording each constituent case study its own distinctive aspects, The Victims of Slavery, Colonization and the Holocaust allows for a more enriching comparison of victim experience to be made that respects each group of victims in their uniqueness. It is an important, innovative volume for all students of the Holocaust, genocide and the history of mass political violence.

This state of the art collection offers fresh perspectives on why intersections between literature, religion, and ethics can address the fault lines of modernity and are not necessarily the cause of modernity's 'faults.' From a diverse cohort of scholars from around the world, with appointments in comparative literature and other disciplines, the essays suggest that the imagined hegemony of a Judeo-Christian Western project is neither exclusively true nor productive. However, the essays also suggest that elements of the Western religious traditions are important vectors for understanding modernity's complicated relationship to the past.

This state of the art collection offers fresh perspectives on why intersections between literature, religion, and ethics can address the fault lines of modernity and are not necessarily the cause of modernity's 'faults.' From a diverse cohort of scholars from around the world, with appointments in comparative literature and other disciplines, the essays suggest that the imagined hegemony of a Judeo-Christian Western project is neither exclusively true nor productive. However, the essays also suggest that elements of the Western religious traditions are important vectors for understanding modernity's complicated relationship to the past.

On Jean Amery provides a comprehensive discussion of one of the most challenging and complex post-Holocaust thinkers, Jean Amery (1912-1978), a Jewish-Austrian-Belgian essayist, journalist and literary author. In the English-speaking world Amery is known for his poignant publication, At the Mind's Limits, a narrative of exile, dispossession, torture, and Auschwitz. In recent years, there has been a renewed interest in Amery's writings on victimization and resentment, partly attributable to a modern fascination with tolerance, historical injustice, and reconciliatory ambitions. Many aspects of Amery's writing have remained largely unexplored outside the realm of European scholarship, and his legacy in English-language scholarship limited to discussions of victimization and memory. This volume offers the first English language collection of academic essays on the post-Holocaust thought of Jean Amery. Comprehensive in scope and multi-disciplinary in orientation, contributors explore central aspects of Amery's philosophical and ethical position, including dignity, responsibility, resentment, and forgiveness. What emerges from the pages of this book is an image of Amery as a difficult and perplexing-yet exceptionally engaging-thinker, whose writings address some of the central paradoxes of survivorship and witnessing. The intellectual and ethical questions of Amery's philosophies are equally pertinent today as they were half-century ago: How one can reconcile with the irreconcilable? How can one account for the unaccountable? And, how can one live after catastrophe?

This book provides a sophisticated investigation into the experience of being exterminated, as felt by victims of the Holocaust, and compares and contrasts this analysis with the experiences of people who have been colonized or enslaved. Using numerous victim accounts and a wide range of primary sources, the book moves away from the 'continuity thesis', with its insistence on colonial intent as the reason for victimization in relation to other historical examples of mass political violence, to look at the victim experience on its own terms. By affording each constituent case study its own distinctive aspects, The Victims of Slavery, Colonization and the Holocaust allows for a more enriching comparison of victim experience to be made that respects each group of victims in their uniqueness. It is an important, innovative volume for all students of the Holocaust, genocide and the history of mass political violence.