Hermann Nitsch produced his first "poured" paintings around 1960. In this form of action painting, the artist is primarily concerned with the substance of the paint, which he investigates from one Painting Action to the next. This catalog illustrates the development of his painterly works from the early 1960s to the present day. The main focus of the content lies in the characteristics of the various work cycles. In addition to the first "splatter" paintings it shows floor "splatter" paintings from the Red Cycle (1995), works from the Six-Day Play (1989) or the yellow Resurrection Cycle (2002). While one colour dominates in the monochrome works, in others a real explosion of colours takes place. The paint is splattered or sprayed; it may be applied in liquid form or impasto. The artist may use a paintbrush or smear the paint with his hands. The focal point is the exploration of the state of the paint, which varies between liquid and solid.

The Jablonka Collection is regarded as one of the highest-profile repositories of American and German art of the 1980s. In this catalogue the art dealer, gallerist and curator Rafael Jablonka (*1951) provides for the first time an insight into his wide-ranging collection, which is dedicated primarily to artists of his own generation. Rafael Jablonka has collected art for decades according to the basic principle of assembling multiple works from the different creative phases of artists. With some 120 works -paintings, works on paper, sculpture and installations -the catalogue introduces the oeuvres in question and shows a representative cross-section of the extensive Jablonka Collection, which was presented to the Albertina on permanent loan in 2019.

Amedeo Modigliani (1884-1920) moved to Paris as a 22-year-old art student and is regarded as probably the last true bohemien in Montmartre. The exhibition catalogue to mark the 100th anniversary of his death shows him for the first time as a leading member of the avant-garde who carried the revolution of Primitivism well into the 20th century. Modigliani's famous nudes, unusual portraits and unique sculptures are contrasted with works by Pablo Picasso, Constantin Brancusi and Andre Derain as well as artefacts from so-called "primitive" cultures. In doing so the volume focuses in particular on Modigliani's lifelong study of the art of Primitivism, which also interested the artist friends who influenced his work. Some 100 works are on view, including numerous main works by Modigliani from the great museums and most important private collections from America to Asia.

The wall was his passion. If we look at urban walls with the eyes of Burhan Dogancay, a completely different world opens up: half - ripped posters on rough brickwork, covered in graffiti, scribblings, messages, signs, stickers. From this rich stock of struct ures, signs and symbols the artist created his wall fragments, his "Urban Walls". Dogancay (1929 - 2013) was born in Istanbul and settled in New York in 1964, where he moved within the art scene around Robert Rauschenberg und Jasper Johns. His subject is the visual perception of texture, place and memory, which he researches in serial wor ks. For his "Urban Walls" he records house walls and facades all over the world in a variety of media, using a wide range of materials and techniques such as photography, collage and painting. His works are archives of past decades which capture the spirit of the times. From the 1970s and 1980s he progresses from these works to develop his "Ribbons" - calligraphic paintings of poetic charm.