A classic text on alchemy by the leading scholar of Jewish mysticism, Gershom Scholem, is presented here for the first time in English translation. Scholem looks critically at the century-old connections between alchemy, the Jewish Kabbalah; its Christianized varieties, such as the gold- and rosicrucian mysticisms, and the myth-based psychology of C. G. Jung, and uncovers forgotten alchemical roots of embedded in the Kabbalah.

This collection, spanning two decades of artistic activity, features selections of writings tracing the intellectual influences and development of one of the more formidable and productive minds in the contemporary art world. The writings of Enrique Martinez Celaya comprise public lectures; essays; interviews; correspondence with artists, critics, and scholars; artist statements; blog posts; and journal entries. This selection of writings includes the six public lectures Martinez Celaya delivered during his three-year appointment as the second Visiting Presidential Professor at the University of Nebraska. Marked by an encyclopedic curiosity and considerable knowledge about the world, these lectures explore the nature of photography and painting, the role of the artist as prophet, the relationship of art to the university and the museum, as well as reflections on his own work. Enrique Martinez Celaya: Collected Writings and Interviews, 1990-2010 features seventy-nine photographs from Martinez Celaya's collection; an introduction by Klaus Ottmann, who teaches art history at the School of Visual Arts in New York and is the Robert Lehman Curator for The Parrish Art Museum in Southampton, New York; and a foreword by James B. Milliken, president of the University of Nebraska.

Honor Titus (born 1989) is an American artist who lives and works in Los Angeles. A self-taught painter, Titus is deeply influenced by his creative past as a musician and poet. Titus’s paintings, often suffused with a sense of romance, are embedded with nostalgic references to a simpler time and feature dark, luminous jewel tones. His works often depict faceless figures in minimal urban landscapes, reflecting the isolation that stems from metropolitan anonymity. Titus’s simplified compositions and striking patches of colour are inspired by Les Nabis while his flat, decorative surfaces echo the graphic hyperrealism of artists inspired by American advertising, such as Alex Katz. This, the artist’s first trade monograph, presents new and recent works, including a body of work presented in his 2022–3 solo exhibition at Timothy Taylor, London, Bourgeoisie in Bloom. Here Titus expands on the themes of ritual, class and nostalgia that have characterised previous work, incorporating debutante balls in which young adults are presented to society. Favouring bright panels of colour, Titus evokes traditions of cultural formality, using precise brushwork to delineate details of old-world glamour such as the tilt of a bow tie and the line of a ballgown. A foreword by artist Henry Taylor considers his first encounters with Titus’s work and their continuing friendship. Taylor describes the biographical factors that inform the subjects Titus paints, including music, referencing the first solo show of the artist’s work held at Henry Taylor Gallery in Chinatown, 2020. A text by Durga Chew-Bose brings the themes of nostalgia and memory into the field of discussion. Anecdotes relayed to Chew-Bose bring forward real experiences in relation with his work. The artist’s own words illuminate filmic, musical, photographic and romantic influences on the paintings, while dwelling, lastly, upon his studio space. Klaus Ottmann’s text reflects philosophically and sociologically on Titus’s oeuvre, bringing key art historical reference points into the discussion. Ottmann’s contribution draws connections to key works of literature and criticism that contextualise his work. Published following the exhibition Honor Titus: Bourgeoisie in Bloom at Timothy Taylor, London, 17 November 2022 – 14 January 2023, the publication has been edited by Chloe Waddington, designed by Joe Gilmore, and co-published in 2023 by Timothy Taylor and Anomie Publishing, London. Honor Titus (b. 1989, Brooklyn, NY) is a self-taught American artist who lives and works in Los Angeles, California. Recent solo exhibitions include Honor Titus: Bourgeoisie in Bloom, Timothy Taylor, London, United Kingdom (2022–3); Spotlight: Honor Titus, The FLAG Art Foundation, New York, NY (2022); Honor Titus: For Heaven’s Sake, Timothy Taylor, New York, NY (2021) and Honor Titus: Goodness Gracious, Studio Henry Taylor, Los Angeles, CA (2020). His work has been part of numerous group exhibitions, including IRL (In Real Life), Timothy Taylor, London, United Kingdom (2021); Parallel Worlds, Nassima Landau, Tel Aviv, Israel (2021); and I will wear you in my heart of heart, The FLAG Art Foundation, New York, NY (2021); and (Nothing but) Flowers, Karma, New York, NY (2020), among others. His work is represented in the collections of the Dallas Museum of Art, Dallas, Texas; Nasher Museum of Art, Durham, North Carolina; Rennie Collection, Vancouver, Canada; The Bunker Artspace, Palm Beach, Florida; and the Longlati Foundation, Shanghai, China. Titus has been featured in publications including Art in America, Artnet, Frieze, GQ, Interview Magazine, The New York Times, and Town & Country.

This volume offers a compelling examination of the surprising conceptual and visual correspondences between the works of these two pivotal artists known for their innovative practices. Klein (1928-1962) was a major figure in postwar art who opened up new possibilities for material, conceptual and performative expression, often touching on the metaphysical. Hammons (born 1943) is a conceptual artist whose works in performance, installation, sculpture, printmaking and other media confront contemporary realities with an often hard-hitting wit. This publication aims not to draw out any notion of influence or direct correlation between these bodies of work, but rather to elucidate a resonance between two artists who both engage transformative processes to invest the humblest of everyday materials with deep aesthetic significance.

This is the first complete collection of the writings of the visonary French conceptual artist Yves Klein (1928-1962) to be published in English translation. Klein was an artist with a keen philosophical mind, yet deeply spiritual. Inspired by his study of the Japanese Kata (the abstract movements in Judo), Rosicrucian cosmogony, alchemy, and the phenomenological and psychological philosophies that emerged during his lifetime (particularly the writings of Gaston Bachelard), he constructed his vision of a future art that would purify the soul and society from the ashes of painting.>

The Human Argument is the first publication of Agnes Denes's Collected writings. Denes--an early pioneer of both the environmental art movement and conceptual art--has investigated the physical and social sciences, philosophy, linguistics, psychology, art history, poetry and music and transformed her explorations into unique works of visual art. Her work involves ecological, cultural, and social issues, and are often monumental in scale. She is perhaps best known for Wheatfield -- A Confrontation (1982), a two-acre wheat field she planted and harvested in down-town Manhattan, a work that addresses human values and misplaced priorities.

This is the first translation into English of an important early work of the German idealist philosopher F.W.J. Schelling. "Philosophy and Religion "(1804) is considered a precursor to his major work on freedom, his "Philosophical Inquiries into the Nature of Human Freedom "(1809). In "Philosophy and Religion," Schelling raises the question of how philosophy can come to terms with the failure of approaching the highest principle of being, the Absolute (or God), rationally. He argues that the only possibility of recognizing the Absolute lies in intellectual intuition, which goes beyond presentiment or religious intuition. For Schelling, it is the task of philosophy to lead the soul towards the intuition of the Infinite: "All philosophy begins . . . with an animated idea of the Absolute." In recent years, Schelling's philosophical ideas have been adopted by contemporary thinkers such as the Slovenian philosopher and psychoanalytic theorist Slavoj Zižek and the French theorist of "Non- Philosophy," Francois Laruelle.