This ground-breaking work is a critical edition of chapter XI (The Resurrection of Lazarus) of Nonnus of Panopolis' Paraphrasis of the Gospel of St John, written in the mid-fifth century in elegant hexameters. Made available for the first time in Anglophone literature, the volume consists of an introduction discussing cultural (theological and philosophical affiliations, dialogue with contemporary art), literary (character-sketching, narrative, interaction with the Dionysiaca), and technical (paraphrastic technique, transmission, metre) aspects and places the work in its immediate and broader context. The Introduction includes an edition of chapter XI from the so-called Athous paraphrase of Nonnus' Paraphrasis. An exhaustive line-by-line commentary covers a wide range of issues arising from Nonnus' spiritualizing rendition. Konstantinos Spanoudakis identifies literary models and intertextual links with earlier traditions: epic (mainly Homer, Apollonius Rhodius, Oppian), mystic (Orphic literature, Chaldean Oracles), and philosophical (Neoplatonists, Gnostics). Dr Spanoudakis illustrates Nonnus' interaction with early Christian poetry and literature, his debt to Cyril of Alexandria's Commentary on the Gospel of John, his familiarity with Syriac exegesis (John Chrysostom and Theodore of Mopsuestia), and the homiletic and apocryphal tradition on Lazarus. The book features a short Appendix discussing a curse against the Jews embedded as an interpolated verse in ms V.

Nonnus of Panopolis (fifth century CE) composed two poems once thought to be incompatible: the Dionysiaca, a mythological long epic with a marked interest in astrology, the occult, the paradox and not least the beauty of the female body, and a pious and sublime Paraphrase of the Gospel of St John. Little is known about the man, to whom sundry identities have been attached. The longer work has been misrepresented as a degenerate poem or as a mythological handbook. The Christian poem has been neglected or undervalued. Yet, Nonnus accomplished an ambitious plan, in two parts, aiming at representing world-history. This volume consists mainly of the Proceedings of the First International Conference on Nonnus held in Rethymno, Crete in May 2011. With twentyfour essays, an international team of specialists place Nonnus firmly in his time's context. After an authoritative Introduction by Pierre Chuvin, chapters on Nonnus and the literary past, the visual arts, Late Antique paideia, Christianity and his immediate and long-range afterlife (to modern times) offer a wide-ranging and innovative insight into the man and his world. The volume moves on beyond stereotypes to inaugurate a new era of research for Nonnus and Late Antique poetics on the whole.