The career of architect Sergei Tchoban, born 1962 and educated in St. Petersburg, follows multiple yet closely linked trajectories in his native Russia and in Germany. He is a founding partner with the Moscow-based firm SPEECH as well as with Tchoban Voss Architekten, with offices in Hamburg, Berlin and Dresden. His designs reflect a deep interest in local and historical contexts of a project rather than an aim to create singular iconic structures. His design process is deeply rooted in sketching and drawing by hand. In 2009 he established the Tchoban Foundation and in 2013 opened the Museum for Architectural Drawing in Berlin as a home to his vast collection comprising ancient and modern masterpieces from around the world. In four conversations with Kristin Feireiss, Tchoban offers very personal insights into his design process, his understanding of architecture, and his engagement as a collector and museum founder. An essay by the British writer and broadcaster Deyan Sudjic as well as some 130 illustrations round out this beautiful volume.

Berlin's Aedes Architecture Forum is one of the best-known centres for architecture and architectural culture in the world. Founded in 1980 by Kristin Feireiss und Helga Retzer, Aedes has since put on 500 important exhibitions on current themes, featuring many of the world's most eminent architects. After Helga Retzer's unexpected death in 1994, Aedes has been run by Feireiss, together with Hans-Jurgen Commerell and a large, committed team of collaborators. Faces & Spaces: 40 Years Aedes Architecture Forum looks back at four decades of the gallery's lively and multifaceted history. It does so in an engaging and accessible way by showing photos of the 500 protagonists who have spoken at Aedes or put on an exhibition there. Arranged by decade, this results in a captivating and amusing Who's Who of the international architecture scene from the post-modern era until today. Included are also images that document key exhibitions as well as the various spaces in Berlin which Aedes has used as a venue, along with a complete list of all shows staged between 1980 and 2020. Text in English and German.

Seit jeher beschaftigt die Menschheit sich mit der Natur als Vorbild, als Ziel und Herausforderung in ihrer Vollkommenheit. Die Natur ist in vielerlei Hinsicht ein Fundus fur den schaffenden Menschen - aber auch ein Kontrapunkt in der eigenen Arbeit. Sowohl die energetisch und konstruktiv optimierten Formen sind Vorbild, als auch die Anpassungsfahigkeit und Vielseitigkeit. Naturwissenschaftler, Ingenieure, Architekten und Kunstler schoepfen aus dem reichen Fundus der Natur, lernen daraus und lassen sich inspirieren. Das Buch zeigt, wie sich der Mensch mit der Natur auseinandergesetzt hat und bietet einen Ausblick auf weitere moegliche Lektionen. Die zweite Auflage enthalt unter anderem ein bisher unveroeffentlichtes Interview mit Frei Otto, das Ende 2014 gefuhrt wurde.

Architecture and freehand drawing are inextricably linked. Even in the Gothic period, the principle applied: what you can't build, you at least draw. The same applies to the sketches of Wolf dPrix, co-founder and CEO of Coop Himmelb(l)au. Over the 53 years of their creation, Prix's sketches formed the first stage of every design - despite rapid developments in digital architecture. Whereas his freehand drawings were proxies for completed projects in the 1960s and 1970s, today they serve as strategic guides to the firm's complex buildings. From 2,800 archival drawings, 1,300 examples were selected for publication to represent developmental dynamics in an archive-like format. As invaluable documents of architectural history, they illustrate some 320 selected projects.