Anton van Dalen: Community of Many chronicles the historic artist Anton van Dalen's lifelong visual investigation informed by the influences of war, religion and migration, his devotion to nature, and his dedication to documenting the technological and cultural evolutions within our society across a variety of mediums, from drawing and sculpture to collage and painting. Born in the Netherlands in 1938 to a conservative Calvinist family, Anton witnessed first-hand the terrors of both technological and human destruction during the Second World War. Since he immigrated to New York in 1966 and settled in the East Village, Anton has served as witness, storyteller and documentarian of the dramatic cultural shifts in the neighbourhood through his masterfully honed and singular iconography. Featuring critical essays by John Yau and Tiernan Morgan, this heavily illustrated publication is the first comprehensive monograph on Anton van Dalen's work that provides a language by which to discuss the consequences of human brutality towards nature and our entanglement with technology. Anton has been included in group exhibitions at notable institutions including the Whitney Museum of American Art, New York; New Museum, New York; Contemporary Art Center, Cincinnati; and the New-York Historical Society. He has also been the subject of solo exhibitions at Temple Contemporary, Tyler School of Art and Architecture, Temple University, Philadelphia; University Museum of Contemporary Art, University of Massachusetts, Amherst; and Exit Art, New York. His Avenue A Cut-Out Theatre has toured since 1995 both nationally and internationally and has been shown at numerous institutions including The Drawing Center, the Museum of Modern Art, and The New-York Historical Society.

"City of Refuge" is artist Krzysztof Wodiczko's ambitious proposal to create a literal memorial for the 9/11 attacks, fusing politics and passion and showing a unique commitment to resistance.
"City of Refuge: A 9/11 Memorial" is a fascinating insight into Krzysztof Wodiczko's practice, the political and personal concepts pushing his project forward, and the idea of social responsibility infused in his work. It is a proposal parallel to the World Trade Center Memorial but with the aim of provoking a more active and critical commemoration of the September 11 terrorist attacks, understood in their historical and political context, and in the light of their domestic and international fallout.
Drawing his main argument from the ethical philosophy of Emmanuel Levinas, Wodiczko imagines a memorial that is at once utopian and continuous with the concrete realities of the post-9/11 climate of fear permeating the Western world. It is a passionate attempt at readdressing the narratives of closure, hostility and terror, through a memorial that encourages open, critical and democratic discourse. The resulting "City of Refuge" is a memorial in action: on one hand an ongoing critique of a passive remembering of the attack and an investigation into the deeper causes of 'terror', and on the other a visionary and ambitious public art project in New York, reckoning with the catastrophe and its political implications in terms of a 'cosmopolitan democracy'.
New and unpublished hand-drawn sketches and digital montages animate the text, creating a vivid picture of memory at work. Wodiczko's project is complemented by a concentration on learning and proactive programs of engagement, encouraging new and informed practical initiatives, paving the way to a less unjust world. The book is supported by text from leading scholars in a variety of disciplines: Mark Jarzombek, Daniel Bertrand Monk, Lisa Saltzman, Kirk Savage, Andrew Shanken and Mechtild Widrich. Their contributions constitute a forum published alongside Wodiczko's text, ensuring an engaging and timely debate.

The fourth publication of Krzysztof Wodiczko with Black Dog Press, exploring the artist and writer's distinctive oeuvre. Transformative Avant-Garde and Other Writings is a comprehensive collection of Wodiczko's writing from the 1970s to the present day, providing a new perspective on this often controversial artist. An in-depth book which represents the many political, social and theoretical motivations and concerns of Wodiczko's work, this is a must for art and culture theorists and fans alike. This overarching publication highlights the equal merits of Wodiczko's writings in respect of his artistic practice, demonstrating the overlapping influences and considerations that run throughout his life. Wodiczko is famed for his large-scale, politically-charged video and slide projections, projected onto prominent architectural structures. Since the 1980s his work has been engaging marginalised residents of cities to make their voice and experience public. He is Professor in Residence at Harvard University, and was awarded the Hiroshima Prize in 1998 for his contribution as an artist to world peace.