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Romantic Sustainability - Endurance and the Natural World, 1780-1830 (Hardcover): Ben P. Robertson Romantic Sustainability - Endurance and the Natural World, 1780-1830 (Hardcover)
Ben P. Robertson; Contributions by Lauren Cameron, Kultej Dhariwal, Molly Hall, Madison Jones IV, …
R4,064 R2,861 Discovery Miles 28 610 Save R1,203 (30%) Ships in 12 - 19 working days

Romantic Sustainability is a collection of sixteen essays that examine the British Romantic era in ecocritical terms. Written by scholars from five continents, this international collection addresses the works of traditional Romantic writers such as John Keats, Percy Shelley, William Wordsworth, Lord Byron, and Samuel Coleridge but also delves into ecocritical topics related to authors added to the canon more recently, such as Elizabeth Inchbald and John Clare. The essays examine geological formations, clouds, and landscapes as well as the posthuman and the monstrous. The essays are grouped into rough categories that start with inspiration and the imagination before moving to the varied types of consumption associated with human interaction with the natural world. Subsequent essays in the volume focus on environmental destruction, monstrous creations, and apocalypse. The common theme is sustainability, as each contributor examines Romantic ideas that intersect with ecocriticism and relates literary works to questions about race, gender, religion, and identity.

Romantic Sustainability - Endurance and the Natural World, 1780-1830 (Paperback): Ben P. Robertson Romantic Sustainability - Endurance and the Natural World, 1780-1830 (Paperback)
Ben P. Robertson; Contributions by Lauren Cameron, Kultej Dhariwal, Molly Hall, Madison Jones IV, …
R1,376 Discovery Miles 13 760 Ships in 12 - 19 working days

Romantic Sustainability is a collection of sixteen essays that examine the British Romantic era in ecocritical terms. Written by scholars from five continents, this international collection addresses the works of traditional Romantic writers such as John Keats, Percy Shelley, William Wordsworth, Lord Byron, and Samuel Coleridge but also delves into ecocritical topics related to authors added to the canon more recently, such as Elizabeth Inchbald and John Clare. The essays examine geological formations, clouds, and landscapes as well as the posthuman and the monstrous. The essays are grouped into rough categories that start with inspiration and the imagination before moving to the varied types of consumption associated with human interaction with the natural world. Subsequent essays in the volume focus on environmental destruction, monstrous creations, and apocalypse. The common theme is sustainability, as each contributor examines Romantic ideas that intersect with ecocriticism and relates literary works to questions about race, gender, religion, and identity.

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