Richard Meier, Architect: Volume 8 comprehensively documents Meier s work since 2017. This extensively illustrated presentation vividly conveys the purity and power of Meier s unique and celebrated vision. Thirty residential, commercial, and civic projects are featured in a dazzling variety of scales and locales, including Manhattan, Los Angeles, the Hamptons, Las Vegas, Mexico City, Tel Aviv, Rio de Janeiro, and Tokyo, among many other venues. The development and significance of Meier s work is discussed in authoritative essays by the distinguished architectural historian and curator Kurt W. Forster and world-renowned architect Alberto Campo Baeza. The architect himself contributes a preface that offers firsthand insight into his thought processes and working methods. A biographical chronology and selected bibliography complete this exhaustive and lavish monograph on a modern American master.

The 19th-century German architect and artist, Karl Friedrich Schinkel, was among the great personalities in the world of architecture. Classicism and Romanticism moved towards Modern Architecture in his buildings; his Collection of Architectural Designs led the way to our contemporary understanding of the work of the architect; and as a state master building he shaped the architectural culture of his time. A universal scholar and versatile artist, Schinkel led an intensive, if not boundless exchange with the society and the developments of the 19th century. The (equally) ingenious portrayal by one of the most renowned art and architectural historians of our time displays in richly illustrated thematic chapters the dialogue between Schinkel as a person, his oeuvre and his cultural world.

There is no doubt at all that Gehry's Guggenheim Museum in Bilbao is one of the most spectacular buildings of recent years. As the central element in Bilbao's comprehensive urban renewal programme the building raised high expectations from the outset. Its site between river, railway, bridge and new town makes it a symbol of the Basque metropolis that can be seen from a considerable distance. It is both the heart of the city and a test bed for the arts, representing both public presence and artistic change. The process by which it was created demonstrates the most recent advances in computer aided design and in material manufacture. For a long time design and building were broken down into a large number of individual components, Gehry's museum unifies this process and is thus able to create fluent links between architectural detail and urban impact. But the innovations do not stop at technology, they also extend to the way in which the interior spaces are shaped. These are extremely varied in form, as the museum is not so much designed to house a permanent exhibition of the collection, but to enable artists to create installations. In contrast with the usual neutral gallery spaces, Gehry offers a whole variety of stages for artistic presentation. His artist friends have risen to the challenge of his architecture and are experimenting very successfully with this new way of showing their work to the public.

The London architectural firm Wilkinson Eyre Architects, founded in 1983, has been drawing attention since the 1990s with its wealth of innovative and imaginative designs - notably its spectacular and structurally ambitious bridges. The best-known and most highly acclaimed are the Gateshead Millennium Bridge (2001) and the Floral Street Bridge (2003). The firm has won many prizes, including the RIBA Stirling Prize twice. It has also demonstrated the increasingly international scope of its activities by entering the competitions for the Guangzhou West Tower in China and the Tensegrity Bridge in Washington DC, USA.

This book offers detailed documentation of some 15 structures and projects, with special attention paid to the context of each design. The projects presented include the Stirling Prize-winning Magna Centre in Rotherham, UK; the National Waterfront Museum in Swansea, UK; the Guangzhou West Tower in China; and the Gatwick Airbridge, UK, among others.

Fascinating profiles of the leading architects of the 1930s during a crucial period in the evolution of modernism Architect, designer, and architectural critic, George Nelson (1908-1986) was a young and impressionable architect when he wrote a series of articles in 1935 and 1936 that eloquently introduced astonishing buildings and fascinating personalities from across the Atlantic to wider American audiences. Building a New Europe presents this important collection of writings together for the first time. The subjects of Nelson's essays include figures both major (Mies van Der Rohe and Le Corbusier) and minor (Helweg-Moeller and Ivar Tengbom). All of these architects would soon be affected by World War II-they would be put out of work or seek new careers abroad. Nelson's essays spark fascinating questions about the canon of modernism: how would circumstances in the pre-war years cause some architects to rise and others to fall? Accompanied by a comprehensive introduction and a wide selection of archival photographs, many never before published, this unique study is a significant contribution to the history of modern architecture. Published in association with the Yale University School of Architecture