"Race-ing Art History" is the first comprehensive anthology to place issues of racial representation squarely on the canvas. Within these pages are representations of Nubians in ancient art, the great tradition of Western masters such as Manet and Picasso, and contemporary work by lesser known artists of color.
Assembled chronologically, these essays draw upon multiculturalism, postcolonialism, and critical race theory to confront the longstanding tradition of art as a means of looking at "the other." The essays address important questions about racial visibility and racial politics, asking whether modern concepts of race can be imposed upon ancient art, whether there is a link between pictorial realism and Orientalism, and how today's artists and critics can engage our visual culture's inherent racialized dimension.
Richly illustrated, this pioneering volume lays the groundwork for a better understanding of the complex and shifting category of race and its significance in our visual culture and everyday lives. Unmatched in historical scope and presentation, "Race-ing Art History" will be the essential guide to the opportunities and challenges involved in integrating race into the study of art. A discussion guide is available at www.routledge-ny.com/pinderguide. Also includes an 8-page color insert.

Race-ing Art History is the first comprehensive anthology to place issues of racial representation squarely on the canvas. Within these pages are representations of Nubians in ancient art, the great tradition of Westernmasters such as Manet and Picasso and contemporary work by lesser known artists of colour.
Assembled chronologically, these essays draw upon multiculturalism, postcolonialism and critical race theory to confront the longstanding tradition of art as a means of looking at 'the other'. The essays address important questions about racial visibility and racial be imposed upon ancient art, whether there is a link between pictorial realism and Orientalism, and how today's artists and critics can engage our visual culture's inherent racialized dimension.
Richly illustrated, this pioneering volume lays the groundwork for a better understanding of the complex and shifting category of race and its significance in our visual culture and everyday lives.

Related link: www.routledge-ny.com/pinderguide

Studies on the influence of the middle ages, and in particular the Arthurian legends, on the culture of North America. Fifteen essays trace North America's enthusiastic engagement with the middle ages from the Revolution to Disney. There are eight studies of the American reception of Arthur: in art (Abbey, Rosenthal), literature (Canadian writers,John Ciardi), scholarship (R.S. Loomis), politics (JFK), and popular culture (Arthurian youth groups, Disneyland, the Excalibur Casino). Other topics include Tom Paine, Elbertus Hubbard, Edgar Rice Burroughs, C.B. DeMille, popular treatments of Villon, the roots of the New Mexican cuento, and the rhetoric of the Gulf War. Contributors: ROGER WOOD, KYMBERLEY N. PINDER, ERICA E. HIRSHLER, ALAN LUPACK, CHARLOTTE OBERG, RAYMOND H. THOMPSON,STAN GALLOWAY, ROBIN BLAETZ, ROBERT D. PECKHAM, JEFF RIDER, KLAUS P. JANKOFSKY, MARY MORSE, PAMELA S. MORGAN, SUSAN ARONSTEIN, NANCY COINER, JONATHAN M. ELUKIN

Innovative and lavishly illustrated, Painting the Gospel offers an indispensable contribution to conversations about African American art, theology, politics, and identity in Chicago. Kymberly N. Pinder escorts readers on an eye-opening odyssey to the murals, stained glass, and sculptures dotting the city's African American churches and neighborhoods. Moving from Chicago's oldest black Christ figure to contemporary religious street art, Pinder explores ideas like blackness in public, art for black communities, and the relationship of Afrocentric art to Black Liberation Theology. She also focuses attention on art excluded from scholarship due to racial or religious particularity. Throughout, she reflects on the myriad ways private black identities assert public and political goals through imagery. Painting the Gospel includes maps and tour itineraries that allow readers to make conceptual, historical, and geographical connections among the works.

Innovative and lavishly illustrated, Painting the Gospel offers an indispensable contribution to conversations about African American art, theology, politics, and identity in Chicago. Kymberly N. Pinder escorts readers on an eye-opening odyssey to the murals, stained glass, and sculptures dotting the city's African American churches and neighborhoods. Moving from Chicago's oldest black Christ figure to contemporary religious street art, Pinder explores ideas like blackness in public, art for black communities, and the relationship of Afrocentric art to Black Liberation Theology. She also focuses attention on art excluded from scholarship due to racial or religious particularity. Throughout, she reflects on the myriad ways private black identities assert public and political goals through imagery.   Painting the Gospel includes maps and tour itineraries that allow readers to make conceptual, historical, and geographical connections among the works.