Although many believe that archaeological knowledge consists simply of empirical findings, this notion is false; data are generated with the guidance of theory, or some sense-making system acting in its place whether researchers recognize this or not. Failure to understand the relationship between theory and the empirical world has led to the many debates and frustrations of contemporary archaeology.

Despite years of trying, the atheoretical, empiricist foundations of archaeology have left us little but a history of storytelling and unsatisfying generalizations about historical change and human diversity. The present work offers promising directions for building theoretically defensible results by providing well-designed case studies that can be used as guides or exemplars. Evolutionary theory, in at least some form, is the foundation for a scientific archaeology that will yield scientific explanations for historical change.

"Considered as a whole, this collection offers a basis for generalisations and specialised inquiry that will support both teaching and further research on the role of women in world history."--"Itinerario"

"The book deserves credit for stimulating such questions, which have broad appeal among scholars of colonialism, including those who do not work on gender. Its broad coverage and accessible language give it access to a wider audience than many academic anthologies, thereby advancing the interests of all those who value the study of colonial history."--"Journal of Colonialism and Colonial History"

Women and the Colonial Gaze is the first collection to present a broad chronological and geographical examination of the ways in which images and stereotypes of women have been used to define relationships between colonial powers and subject peoples.

In essays ranging from ancient Rome to twentieth-century Asia and Africa, the contributions suggest that the use of gender as a tool in the imperialist context is much older and more comprehensive than previously suggested. Contributors look particularly at the ways in which colonizers constructed a national identity by creating a contrast with the colonial "other," in contexts ranging from Christian views of Islam women in medieval Spain to French beliefs about Native American women. They also examine the ways in which images of gender as constructed by colonial powers impacted the lives of native women from colonial-era India to Korea to Swaziland.

Comparative in its approach, the volume will appeal to students and historians of women's studies, colonialism, and the development of national identity.

For Hayek, spontaneous order - the emergence of complex order as the unintended consequence of individual actions that have no such end in view - is both the origin of the Great Society and its underlying principle. These sometimes critical essays assess Hayek's position and argue that his work can inform contemporary social and political dilemmas.

Late Georgian England was a period of great social and political change, yet whether this was for good or for ill was by no means clear to many Britons. In such an era of innovation and revolution, Britons faced the task of deciding which ideals, goals and attitudes most closely fitted their own conception of the nation for which they struggled and fought; the controversies of the era thus forced ordinary people to define an identity that they believed embodied the ideal of 'Britishness' to which they could adhere in this period of uncertainty. Defining John Bull demonstrates that caricature played a vital role in this redefinition of what it meant to be British. During the reign of George III, the public's increasing interest in political controversies meant that satirists turned their attention to the individuals and issues involved. Since this long reign was marked by political crises, both foreign and domestic, caricaturists responded with an outpouring of work that led the era to be called the 'golden age' of caricature. Thus, many and varied prints, produced in response to public demands and sensitive to public attitudes, provide more than simply a record of what interested Britons during the late Georgian era. In the face of domestic and foreign challenges that threatened to shake the very foundations of existing social and political structures, the public struggled to identify those ideals, qualities and characteristics that seemed to form the basis of British society and culture, and that were the bedrock upon which the British polity rested. During the course of this debate, the iconography used to depict it in graphic satire changed to reflect shifts in or the redefinition of existing ideals. Thus, caricature produced during the reign of George III came to visually express new concepts of Britishness.

Anarchy, State, and Utopia: An Advanced Guide presents a comprehensive and accessible introduction to the ideas expressed in Robert Nozick s highly influential 1974 work on free-market libertarianism considered one of the most important and influential works of political philosophy published in the latter half of the 20th-century. * Makes accessible all the major ideas and arguments presented in Nozick s complex masterpiece * Explains, as well as critiques, Robert Nozick s theory of free market libertarianism * Enables a new generation of readers to draw their own conclusions about the wealth of timely ideas on individualism and libertarian philosophy * Indicates where Nozick s theory has explanatory power, where it is implausible, and where there are loose ends with further work to be done

"Considered as a whole, this collection offers a basis for generalisations and specialised inquiry that will support both teaching and further research on the role of women in world history."--"Itinerario"

"The book deserves credit for stimulating such questions, which have broad appeal among scholars of colonialism, including those who do not work on gender. Its broad coverage and accessible language give it access to a wider audience than many academic anthologies, thereby advancing the interests of all those who value the study of colonial history."--"Journal of Colonialism and Colonial History"

Women and the Colonial Gaze is the first collection to present a broad chronological and geographical examination of the ways in which images and stereotypes of women have been used to define relationships between colonial powers and subject peoples.

In essays ranging from ancient Rome to twentieth-century Asia and Africa, the contributions suggest that the use of gender as a tool in the imperialist context is much older and more comprehensive than previously suggested. Contributors look particularly at the ways in which colonizers constructed a national identity by creating a contrast with the colonial "other," in contexts ranging from Christian views of Islam women in medieval Spain to French beliefs about Native American women. They also examine the ways in which images of gender as constructed by colonial powers impacted the lives of native women from colonial-era India to Korea to Swaziland.

Comparative in its approach, the volume will appeal to students and historians of women's studies, colonialism, and the development of national identity.

Oceania was the last region on earth to be permanently inhabited, with the final settlers reaching Aotearoa/New Zealand approximately AD 1300. This is about the same time that related Polynesian populations began erecting Easter Island's gigantic statues, farming the valley slopes of Tahiti and similar islands, and moving finely made basalt tools over several thousand kilometers of open ocean between Hawai'i, the Marquesas, the Cook Islands, and archipelagos in between. The remarkable prehistory of Polynesia is one chapter of Oceania's human story. Almost 50,000 years prior, people entered Oceania for the first time, arriving in New Guinea and its northern offshore islands shortly thereafter, a biogeographic region labelled Near Oceania and including parts of Melanesia. Near Oceania saw the independent development of agriculture and has a complex history resulting in the greatest linguistic diversity in the world. Beginning 1000 BC, after millennia of gradually accelerating cultural change in Near Oceania, some groups sailed east from this space of inter-visible islands and entered Remote Oceania, rapidly colonizing the widely separated separated archipelagos from Vanuatu to SAmoa with purposeful, return voyages, and carrying an intricately decorated pottery called Lapita. From this common cultural foundation these populations developed separate, but occasionally connected, cultural traditions over the next 3000 years. Western Micronesia, the archipelagos of Palau, Guam and the Marianas, was also colonized around 1500 BC by canoes arriving from the west, beginning equally long sequences of increasingly complex social formations, exchange relationships and monumental constructions. All of these topics and others are presented in The Oxford Handbook of Prehistoric Oceania, written by Oceania's leading archaeologists and allied researchers. Chapters describe the cultural sequences of the region's major island groups, provide the most recent explanations for diversity and change in Oceanic prehistory, and lay the foundation for the next generation of research.

For Hayek, spontaneous order - the emergence of complex order as the unintended consequence of individual actions that have no such end in view - is both the origin of the Great Society and its underlying principle. These sometimes critical essays assess Hayek's position and argue that his work can inform contemporary social and political dilemmas.

Oceania was the last region on earth to be permanently inhabited, with the final settlers reaching Aotearoa/New Zealand approximately AD 1300. This is about the same time that related Polynesian populations began erecting Easter Island's gigantic statues, farming the valley slopes of Tahiti and similar islands, and moving finely made basalt tools over several thousand kilometers of open ocean between Hawai'i, the Marquesas, the Cook Islands, and archipelagos in between. The remarkable prehistory of Polynesia is one chapter of Oceania's human story. Almost 50,000 years prior, people entered Oceania for the first time, arriving in New Guinea and its northern offshore islands shortly thereafter, a biogeographic region labelled Near Oceania and including parts of Melanesia. Near Oceania saw the independent development of agriculture and has a complex history resulting in the greatest linguistic diversity in the world. Beginning 1000 BC, after millennia of gradually accelerating cultural change in Near Oceania, some groups sailed east from this space of inter-visible islands and entered Remote Oceania, rapidly colonizing the widely separated separated archipelagos from Vanuatu to S?moa with purposeful, return voyages, and carrying an intricately decorated pottery called Lapita. From this common cultural foundation these populations developed separate, but occasionally connected, cultural traditions over the next 3000 years. Western Micronesia, the archipelagos of Palau, Guam and the Marianas, was also colonized around 1500 BC by canoes arriving from the west, beginning equally long sequences of increasingly complex social formations, exchange relationships and monumental constructions. All of these topics and others are presented in The Oxford Handbook of Prehistoric Oceania written by Oceania's leading archaeologists and allied researchers. Chapters describe the cultural sequences of the region's major island groups, provide the most recent explanations for diversity and change in Oceanic prehistory, and lay the foundation for the next generation of research.