This work provides a wealth of information on obscure and overlooked American playwrights as well as some famous ones; it will be a welcome addition for collections specializing in the theater arts. "Reference Books Bulletin"

This directory and index, the first such volume devoted exclusively to contemporary black American dramatists, will have an important place in theatre collections. It captures and preserves an elusive part of artistic endeavor, giving access to literally thousands of dramatic works that would otherwise be lost to scholars and the public. Organized as an encyclopedia, it provides information on more than 600 noteworthy Black American playwrights whose plays have been written, produced, or published between 1950 and the present. The volume begins with an introductory essay surveying the history of contemporary black American drama. Playwrights, screenwriters, radio and television scriptwriters, and musical theatre collaborators are treated in individual entries that comprise the bulk of the book. The volume also supplies a bibliography of anthologies, books, and periodicals cited; mailing addresses for more than 200 of the playwrights; and title and subject indexes.

This comprehensive reference book provides succinct information on almost thirteen hundred musical stage works written and produced from the 1870s to the 1990s involving contributions by black librettists, lyricists, composers, musicians, producers, or performers or containing thematic materials relevant to the black experience. Organized alphabetically, they include tent and outdoor shows, vaudeville, operas and operettas, comedies, farces, spectacles, revues, cabaret and nightclub shows, children's musicals, skits, one-act musicals, one-person shows, and even a musical without songs. In addition to the hundreds of shows independently created, produced, and performed by black writers and theatrical artists, it presents hundreds more representing a collaboration of black and white talents. An appendix organizes the shows chronologically and highlights those that were most significant in the history of the black American musical stage. An extensive bibliography and indexes of names, songs, and subjects complete the work.

By examining the ways that Catholic activists responded to political violence in El Salvador during the 1970s and 1980s, this book documents the beliefs and history of an important religious community, and explores the nature of religion's role in political ideology and mobilization.

Martyrdom and the Politics of Religion explores the ways that Salvadoran Catholics sought to make sense of political violence in their country in the 1970s and 1980s by constructing a theological ethics that could both explain repression in religious terms and propose specific responses to violence. Drawing on extensive fieldwork, the book highlights the ways that progressive Catholicism offered a justification and tools for political resistance in the face of extraordinary destruction. Using the case of Catholicism in El Salvador, the book explores the nature of religious responses to social crisis and the ways that ordinary believers construct and strive to live by ethical systems. By highlighting the importance of theological belief, of narrative, and of religious rationality in political mobilization, it touches questions of general interest to readers concerned with the social role of religion and ethics.

"The author employs research that is both methodologically and conceptually innovative. She is working where the field of religion and politics in Latin America needs to be headed: research that focuses on the participants themselves and not just an institutional analysis of church and state". -- Michael A. Burdick, Center for the Study of Religion, University of California, Santa Barbara

"This is a revelatory work. The reader is provided with fresh and unusual insights. There are popularaccounts of life and death in Central America but none, to my knowledge, that approach the subject from the theological depth which the author possesses". -- Edward L. Clearly, Providence College

Before Columbus, the Americas were populated by many indigenous cultures, with a great diversity of religions. After 1492, European governments and churches dominated religious life. While Roman Catholicism was the official religion, great religious hybridization occurred, mixing European, indigenous, and often African traditions into distinctly New World forms.

Latin American Religions provides an introduction through documents to the historical development and contemporary expressions of religious life in South and Central America, Mexico, and the Spanish-speaking Caribbean. A central feature of this text is its inclusion of both primary and secondary materials, including letters, sermons, journal entries, ritual manuals, and ancient sacred texts. These documents provide readers with direct access to the voices of adherents, enabling them to act as academic investigators, experiencing and interpreting the same texts on which historians draw. The documents are framed by substantive introductions which provide both historical context and theoretical insights for the study of these religions traditions and the ways in which they have developed over time.

From the religious traditions of the Mayas and Aztecs and of the African diaspora, to official and popular Catholicism, to liberation theology, the rise of Pentecostalism, and emerging trends and new religious movements in Latin America, this new work offers a concise overview of this fascinating field.

This directory includes over 500 African American performers and theater people who have made a significant contribution to the American stage from the early 19th century to the beginning of the civil rights movement of the 1960s. Entries provide succinct biographical and theatrical information gathered from a variety of sources including library theater and drama collections, dissertations and theses, newspaper and magazine reviews and criticism, theater programs, theatrical memoirs, and earlier performing arts directories. Among the professional artists included in this volume are performers, librettists, lyricists, directors, producers, choreographers, stage managers, and musicians. The individuals profiled represent almost every major category and genre of the professional, semiprofessional, regional, and academic stage including minstrelsy, vaudeville, musical theater, and drama. Persons of historical significance are included as well as those stars and theatrical personalities that were well known during their time but who are relatively forgotten today.

This comprehensive volume will appeal to theater and musical theater, Black studies, and American studies scholars. Cross-referenced throughout, this reference also includes an extensive bibliography and appendices of other theater personalities excluded from the main text. Separate indexes list the personalities, teams and partnerships, and performing groups, organizations, and companies.

The essays of this collection explore how ideas about 'blood' in science and literature have supported, at various points in history and in various places in the circum-Atlantic world, fantasies of human embodiment and human difference that serve to naturalize existing hierarchies.

Cartilage Repair Strategies is a comprehensive update of the present state of cartilage repair and regeneration. The information in this volume addresses what methods are effective, what methods are safe, and what methods will lead to an alteration in the short history of articular cartilage injury repair. Contributors present examinations of a variety of topics including the structure and function of articular cartilage, the evaluation of cartilage repair techniques, and the latest cartilage sensitive imaging techniques. Several chapters anticipate new and emerging cartilage repair techniques - such as second generation ACI, resorbable scaffold-based repair, and arthroscopically performed cartilage transplantation - and include descriptions of the rationale and application of these procedures. Leading experts present updates on current and emerging methodologies, making Cartilage Repair Strategies a unique and essential reference.

Peterson has done a great service to students of African-American theater. . . . Peterson's scholarship is impressive; the book's format is inviting . . . an indispensable reference book for academic libraries. "Choice"

This reference volume addresses an often overlooked area in the history of the American theatre, the contributions of early black playwrights and dramatic writers. At a time when they were denied full participation in many aspects of American life, including the mainstream of the theatre itself, black artists were compiling an impressive record of achievement on the American stage. This book, the most comprehensive on the subject, provides a complete look at these achievements by offering biographical information and a catalog of works for approximately 200 writers, including playwrights, librettists, screenwriters, and radio scriptwriters. From the emergence of black playwrights in the time prior to the Civil War, to the early days of film and radio in this century, the efforts of early black writers are fully documented in this work.

The book begins with an author's preface and is followed by an introductory essay that discusses the development of black American playwrights from the antebellum period to World War II. The heart of the book, the biographical directory, is organized alphabetically, with each entry providing highlights of the author's life and career; collected anthologies that include any works; and an annotated chronological list of individual dramatic works, including genre, length, synopses, production history, prizes and awards, and script sources. Three appendixes offer information on other playwrights and their works, additional librettists and descriptions of their shows, and a chronology of dramatic works by genre. A bibliography cites such information sources as reference books and critical studies, dissertations, play anthologies, and newspapers and periodicals frequently consulted, as well as significant libraries and repositories. The book concludes with title and general indexes and an index to early black theatre organizations. This work will be an important reference source for courses in black American drama and theatre history, and a valuable addition to both public and academic libraries.

This Handbook provides a comprehensive overview of the theories, methods and approaches for reducing HIV-associated risk behaviors. It represents the first single source of information about HIV prevention research in developed and developing countries. It will be an important resource for students, researchers and clinicians in the field.

The Handbook of Philosophy and Religion is a one-volume examination of the most salient concepts that sit at the intersection of religion and philosophy. This book grounds readers in the mysteries that have evoked wonder and consternation for millennia, such as the nature of divinity in relation to humanity, the legitimacy of religious experience and how we frame language to speak about it, the possibility of miraculous occurrences, and theories regarding life after death.

With a focus on five major regions globally (UK, US, Europe, Canada, and Australia) Identifying and Managing Risk at Work outlines key regional factors affecting risk and its management. This volume looks at the social production and social construction of risk as well as taking a labour-process approach and socio-political perspective to investigate the nature and causes of work-related risk. In addition, there are several issues included that contribute to identifying risk at work such as climate change, the "gig" economy and the "Me Too" movement. Readers will gain a picture of some of the major current issues that are affecting risk under globalisation. Drawing on these key aspects of risk, students, academics, practitioners, and policy-makers will gain a better understanding of how risk is conceptualised and identified, and of the roles of management and employees in dealing with risk. This book will be of interest to researchers and practitioners to help gain an understanding of risk for a number of regions, and how several current issues in globalisation can be seen in their risk context.

Public health has a legacy of neglect regarding social and behavioral research. Too often, prompted by technical and scientific progress, we have ignored even marginalized-the vital "human element" in health thinking and prac tice. Thus, for example, while family planning programs focused on providing a choice among safe and effective contraceptive methods (a supremely worthy goal), the central issue of sexuality and sexual behavior was generally neglected. Similarly, the enormous and important efforts to develop rapid and reliable diagnostic and treatment methods for sexually transmitted diseases helped divert attention away from the crucial issues of sexual practice. In short, we seem to have difficulty addressing the fundamental behaviors-including sex, drug taking and other intoxications, and violence-that are central to the major causes of preventable morbidity, disability, and premature mortality in the world today. Our collective reluctance to examine and understand ourselves is also expressed in the oft-repeated pipedream that scientific progress will "take care of" the HIV / AIDS pandemic by delivering a preventive vaccine, an effective cure, or both. Yet even a cursory glance at the relationship between scientific/ technical progress and health shows that meeting the scientific challenges is only one step toward effective application of the vaccine or drug. It is typical, not atypical, that hepatitis B vaccine is only now becoming relatively freely available to large populations in the developing world, more than a decade after the vaccine's licensure."

First published in 1995. Routledge is an imprint of Taylor & Francis, an informa company.

The legend of Charles Darwin has never been more alive or more potent, but by virtue of this, his legacy has become susceptible to myths and misunderstandings. Understanding Charles Darwin examines key questions such as what did Darwin's work change about the world? In what ways is 'Darwinism' reflective of Darwin's own views? What problems were left unsolved? In our elevation of Darwin to this iconic status, have we neglected to recognise the work of other scientists? The book also examines Darwin's struggle with his religious beliefs, considering his findings, and whether he was truly an atheist. In this engaging account, Peterson paints an intimate portrait of Darwin from his own words in private correspondence and journals. The result is the Darwin you never knew.

Humorality in Early Modern Art, Material Culture, and Performance seeks to address the representation of the humors from non-traditional, abstract, and materialist perspectives, considering the humorality of everyday objects, activities, and performance within the early modern period. To uncover how humoralism shapes textual, material, and aesthetic encounters for contemporary subjects in a broader sense than previous studies have pursued, the project brings together three principal areas of investigation: how the humoral body was evoked and embodied within the space of the early modern stage; how the materiality of an object can be understood as constructed within humoral discourse; and how individuals' activities and pursuits can connote specific practices informed by humoralism. Across the book, contributors explore how diverse media and cultural practices are informed by humoralism. As a whole, the collection investigates alternative humoralities in order to illuminate both early modern works of art as well as the cultural moments of their production.

This concise, well-structured survey examines the problem of evil in the context of the philosophy of religion. One of the core topics in that field, the problem of evil is an enduring challenge that Western philosophers have pondered for almost two thousand years. The main problem of evil consists in reconciling belief in a just and loving God wit