Take a journey through Arkansas' forgotten past and find the colorful characters, unusual stories and strange occurrences left out of conventional history books. Authors Edward and Karen Underwood weave fact and fun in this offbeat, gripping and little-known history of the Natural State. Discover the Tantrabobus monster rumored to lurk in the hills of the Ozarks, meet the imposters who faked the state's first history museum and learn the story behind Arkansas' lost amusement park, Dogpatch, USA. Truth really is stranger than fiction in Arkansas, and this one-of-a-kind state has the stories to prove it

This book explores the role of children and young people within early modern England's Catholic minority. It examines Catholic attempts to capture the next generation, Protestant reactions to these initiatives, and the social, legal and political contexts in which young people formed, maintained and attempted to explain their religious identity.

As featured in the New York Times, ARTnews, Colossal, Metropolis and New York Magazine's The Strategist A groundbreaking A-Z survey of the work of over 300 modern and contemporary artists born or based in Africa Modern and Contemporary African art is at the forefront of the current curatorial and collector movement in today's art scene. This groundbreaking new book, created in collaboration with a prestigious global advisory board, represents the most substantial appraisal of contemporary artists born or based in Africa available. Features the work of more than 300 artists, including El Anatsui, Marlene Dumas, David Goldblatt, Lubaina Himid, William Kentridge, Julie Mehretu, Wangechi Mutu, and Robin Rhode, as well as lesser-known names from across Africa, with stunning and surprising examples of their art paired with insightful texts that demonstrate their contribution to the painting, sculpture, installation, photography, moving image, and performance art. Advisory Panel: Alayo Akinkugbe, Kavita Chellaram, Raphael Chikukwa, Julie Crooks, Tandazani Dhlakama, Oumy Diaw, Janine Gaelle Dieudji, Ekow Eshun, Ndubuisi C. Ezeluomba, Joseph Gergel, Danda Jaroljmek, Omar Kholeif, Rose Jepkorir Kiptum, Alicia Knock, Nkule Mabaso, Lucy MacGarry, Owen Martin, Aude Christel Mgba, Bongani Mkhonza, Riason Naidoo, Paula Nascimento, Simon Njami, Robert Njathika, Ugochukwu-Smooth C. Nzewi, Chika Okeke-Agulu, Hannah O'Leary, Sean O'Toole, John Owoo, Brenda Schmahmann, Mark Sealy, Yasmeen Siddiqui, and Joseph L. Underwood

TEXTURES synthesises research in history, fashion, art, and visual culture to reassess the "hair story" of peoples of African descent. A fraught topic for African-Americans and others in the Diaspora, artists, barbers, and activists address the topic of Black hair,both the historical perceptions and its ramifications for self and society today. TEXTURES explores the breadth of Black artists' perspectives on hair vis-a-vis beauty, pride, and politics. Barbers and activists address Black hair, from historical perceptions to its challenges today. Combs, products, and implements from the collection of hair pioneer Willie Morrow are paired with masterworks from artists like David Hammons, Sonya Clark, Lorna Simpson, Mickalene Thomas, and Alison Saar. The exhibition & catalogue are inspired by Drs. Ellington and Underwood who research preferential treatment of straight hair, the social hierarchies of skin, and the power and politics of display.

In the spring of 1994, a bronze sculpture of a little girl standing in scenic Bonaventure Cemetery in Savannah, Georgia, became famous when it was featured on the cover of the popular book, Midnight in the Garden of Good and Evil. That demure little girl holding up twin bowls became a national sensation, an object so often sought by tourists, the sculpture had to be removed, first to a private home, then to a museum. This is the story of that sculpture, the "Bird Girl", and the talented Chicago-based artist, Sylvia Shaw Judson, who created it. Additional sculptures by Judson illustrated and discussed here include "Gardener" -- currently residing in the Jacqueline Kennedy Garden at the White House -- and "Monument to the Quaker Martyr Mary Dyer" on the lawn of the Massachusetts State House in Boston. The text includes Judson's history and her works, illustrated with twenty-seven images. This book is essential to all with an appreciation of the arts.

Over 100 beautiful color photos and an engaging, detailed text direct an unusual and eye-opening art tour of Savannah, Georgia. Well known for its unique city plan of public squares and gorgeous historic homes, Savannah is also home to a fabulous collection of art: sculptures, paintings, drawings, prints, and photographs. Home to the South's first art museum, the Telfair Academy of Arts and Sciences, and the Savannah College of Art and Design, the country's largest art school, Savannah is well-established in the arts. This essential guide includes images and descriptions of important monuments, museums, galleries, art in unexpected places, and profiles of five Savannah artists. Art lovers everywhere will enjoy this book, and visitors and longtmie residents will fine it an indespensible guidebook.

At the beginning of the American Civil War the Federal government imposed a blockade of the southern coast of the Confederate States of America, including the ""dark corner of the Confederacy"" - Texas. Much of the fighting in Texas during the Civil War took place in the state's coastal counties and the adjoining Gulf of Mexico waters, and nearly all of these engagements were involved in one way or another with the Union blockade of the Texas coast.This book examines all major blockade-related land and sea engagements in and near Texas, and also includes many minor ones. It begins with a discussion of the blockade's creation and then concentrates on the successful Confederate efforts to evade the blockade by shipping cotton out of Mexico and, in return, receiving material and civilian goods through that neutral nation. The author also covers political intrigue and the spy activity with the French who had invaded Mexico. The book concludes with an analysis of the effectiveness of the Union blockade of Texas.

This book explores the role of children and young people within early modern England's Catholic minority. It examines Catholic attempts to capture the next generation, Protestant reactions to these initiatives, and the social, legal and political contexts in which young people formed, maintained and attempted to explain their religious identity.