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The Museum of Applied Arts (MAK) in Vienna holds a unique collection of Italian maiolica from the 15th to the 18th century, which is now being published almost in its entirety for the very first time. Maiolica tableware, Italy's luxury export, spread to the courts of northern Europe from the early 16th century. Today, the MAK's holdings from former imperial, ecclesiastical, aristocratic, and private ownership enter into a dialogue with maiolica from well-known Austrian and Central European collections. Timothy Wilson, professor emeritus at Balliol College Oxford and former Keeper of Western Art at the Ashmolean Museum in Oxford, and Rainald Franz, curator at MAK, together with other experts provide an extensive insight into the development of maiolica in its cultural and historical context. Thus a scholarly exploration of one of the best collections of maiolica in the world has now been scientifically examined for the very first time. With contributions by Rainald Franz, Michael Goebl, Nikolaus Hofer, and Timothy Wilson.
Conceptual architecture from the 1970s This book offers an in-depth look at the work of one of the most important phenomena of Austria's avant-garde art and architecture scene of the 1970s, MISSING LINK. The group founded by Angela Hareiter, Otto Kapfinger, and Adolf Krischanitz took on interdisciplinary projects that sought lines of connection between people, architecture, art, urbanity, and the social fabric, and expanded the repertoire of architecture to include experimental concepts. The result was a multi-layered and highly regarded body of work that includes artistic installations, objects, paintings, drawings, and posters, as well as urban sociological studies, actions, and experimental television films. This volume combines a comprehensive 'catalogue raisonne' with numerous, mostly hitherto unpublished images. Accompanying a major exhibition at the Vienna MAK from 11 May to 2 October 2022 First monograph on the Viennese experimental group MISSING LINK Installations, objects, posters, paintings, drawings, in mostly previously unpublished images
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