This book puts sampling studies on the academic map by focusing on sampling as a logic of exchange between audio-visual media. While some recent scholarship has addressed sampling primarily in relation to copyright, this book is a first: a critical study of sampling and remixing across audio-visual media. Of special interest here are works that bring together both audio and visual sampling: music that samples film and television; underground dance and multimedia scenes that rely on sampling; Internet "memes" that repurpose music videos, trailers and news broadcasts; films and videos that incorporate a wide range of sampling aesthetics; and other provocative variations. Comprised of four sections titled "roots," "scenes," "cinema" and "web" this collection digs deep into and across sampling practices that intervene in popular culture from unconventional or subversive perspectives. To this end, Sampling Media extends the conceptual boundaries of sampling by emphasizing its inter-medial dimensions, exploring the politics of sampling practice beyond copyright law, and examining its more marginal applications. It likewise puts into conversation compelling instances of sampling from a wide variety of historical and contemporary, global and local contexts.

The "Silent Majority" Speech treats Richard Nixon's address of November 3, 1969, as a lens through which to examine the latter years of the Vietnam War and their significance to U.S. global power and American domestic life. The book uses Nixon's speech - which introduced the policy of "Vietnamization" and cited the so-called bloodbath theory as a justification for continued U.S. involvement in Southeast Asia - as a fascinating moment around which to build an analysis of the last years of the war. For Nixon's strategy to be successful, he requested the support of what he called the "great silent majority," a term that continues to resonate in American political culture. Scott Laderman moves beyond the war's final years to address the administration's hypocritical exploitation of moral rhetoric and its stoking of social divisiveness to achieve policy aims. Laderman explores the antiwar and pro-war movements, the shattering of the liberal consensus, and the stirrings of the right-wing resurgence that would come to define American politics. Supplemental primary sources make this book an ideal tool for introducing students to historical research. The "Silent Majority" Speech is critical reading for those studying American political history and U.S.-Asian/Southeast Asian relations.

This unique encyclopedia explores the historical and contemporary controversies between science and religion. It is designed to offer multicultural and multi-religious views, and provide wide-ranging perspectives. "Science, Religion, and Society" covers all aspects of the religion and science dichotomy, from humanities to social sciences to natural sciences, and includes articles by theologians, religion scholars, physicians, scientists, historians, and psychologists, among others. The first section, General Overviews, contains essays that provide a road map for exploring the major challenges and questions in science and religion. Following this, the Historical Perspectives section grounds these major questions in the past, and demonstrates how they have developed into the six broad areas of contemporary research and discussion that follow. These sections - Creation, the Cosmos, and Origins of the Universe; Ecology, Evolution, and the Natural World; Consciousness, Mind, and the Brain; Healers and Healing; Dying and Death; and Genetics and Religion - organize the questions and research that are the foundation of the enormous interest, and controversy, in science and religion today.

The destruction of the Armenian community in the Ottoman Empire was an unprecedented tragedy. Even amidst the horrors of the First World War, Theodore Roosevelt insisted that it was the greatest crime of the conflict. The wartime mass killing of approximately one million Armenian Christians was the culmination of a series of massacres that Winston Churchill would later recall had roused publics on both sides of the Atlantic and inspired fervent appeals to save the Armenians. Sharing the Burden explains how the Armenian struggle for survival became so entangled with the debate over the international role of the United States as it rose to world power status in the early twentieth century. In doing so, Charlie Laderman provides a fresh perspective on the role of humanitarian intervention in US foreign policy, Anglo-American relations, and the emergence of a new world order after World War I. The United States' responsibility to protect the Armenians was a central preoccupation of Presidents Theodore Roosevelt and Woodrow Wilson. Both American and British leaders proposed an Anglo-American alliance to take joint responsibilities for the Middle East and envisioned a US intervention to secure an independent Armenia as key to the new League of Nations. The Armenian question illustrates how policymakers, missionaries, and the public grappled for the first time with atrocities on this scale. It also reveals the values that animated American society during this pivotal period in the nation's foreign relations. Deepening understanding of the Anglo-American special relationship and its role in reforming global order, Sharing the Burden illuminates the possibilities, limitations, and continued dilemmas of humanitarian intervention in international politics.

The emphasis here is on ‘useful’. This is not an academic tome, but a discussion of the aspects of probability that every bridge player needs to know and understand. Topics include suit splits, suit combinations, percentage plays, the Principle of Restricted Choice, and even the application of probability to bidding decisions.

Covers a wide range of medical, holistic and religious aspects of healing and of death, expanding the definition of 'cure' from its narrower sense of restoring a victim to health to the larger goal of repairing social relations.

"This is a superbly conceived, thoughtfully organized, and well-written study of a subject-- the 'road movie'-- that has lacked anything close to a coherent, book-length overview.... It will make an ideal course text and should also have a wide appeal to non-academic readers." -- Scott Simmon, author of The Films of D. W. Griffith and King Vidor, American

From the visionary rebellion of Easy Rider to the reinvention of home in The Straight Story, the road movie has emerged as a significant film genre since the late 1960s, able to cut across a wide variety of film styles and contexts. Yet, within the variety, a certain generic core remains constant: the journey as cultural critique, as exploration beyond society and within oneself.

This book traces the generic evolution of the road movie with respect to its diverse presentations, emphasizing it as an "independent genre" that attempts to incorporate marginality and subversion on many levels. David Laderman begins by identifying the road movie's defining features and by establishing the literary, classical Hollywood, and 1950s highway culture antecedents that formatively influenced it. He then traces the historical and aesthetic evolution of the road movie decade by decade through detailed and lively discussions of key films. Laderman concludes with a look at the European road movie, from the late 1950s auteurs through Godard and Wenders, and at compelling feminist road movies of the 1980s and 1990s.

This is a necessary and urgent read for anyone concerned about the United States' endless wars. Investigating multiple genres of popular culture alongside contemporary U.S. foreign policy and political economy, Imperial Benevolence shows that American popular culture continuously suppresses awareness of U.S. imperialism while assuming American exceptionalism and innocence. This is despite the fact that it is rarely a product of the state. Expertly coordinated essays by prominent historians and media scholars address the ways that movies and television series such as Zero Dark Thirty, The Avengers, and even The Walking Dead, as well as video games such as Call of Duty: Black Ops, have largely presented the United States as a global force for good. Popular culture, with few exceptions, has depicted the U.S. as a reluctant hegemon fiercely defending human rights and protecting or expanding democracy from the barbarians determined to destroy it.

This book puts sampling studies on the academic map by focusing on sampling as a logic of exchange between audio-visual media. While some recent scholarship has addressed sampling primarily in relation to copyright, this book is a first: a critical study of sampling and remixing across audio-visual media. Of special interest here are works that bring together both audio and visual sampling: music that samples film and television; underground dance and multimedia scenes that rely on sampling; Internet "memes" that repurpose music videos, trailers and news broadcasts; films and videos that incorporate a wide range of sampling aesthetics; and other provocative variations. Comprised of four sections titled "roots," "scenes," "cinema" and "web" this collection digs deep into and across sampling practices that intervene in popular culture from unconventional or subversive perspectives. To this end, Sampling Media extends the conceptual boundaries of sampling by emphasizing its inter-medial dimensions, exploring the politics of sampling practice beyond copyright law, and examining its more marginal applications. It likewise puts into conversation compelling instances of sampling from a wide variety of historical and contemporary, global and local contexts.

Though it has often been passionately criticized--as fraudulent, exploitative, even pagan--the American funeral home has become nearly as inevitable as death itself, an institution firmly embedded in our culture. But how did the funeral home come to hold such a position? What is its history? And is it guilty of the charges sometimes leveled against it?
In Rest in Peace, Gary Laderman traces the origins of American funeral rituals, from the evolution of embalming techniques during and after the Civil War and the shift from home funerals to funeral homes at the turn of the century, to the increasing subordination of priests, ministers, and other religious figures to the funeral director throughout the twentieth century. In doing so he shows that far from manipulating vulnerable mourners, as Jessica Mitford claimed in her best-selling The American Way of Death (1963), funeral directors are highly respected figures whose services reflect the community's deepest needs and wishes. Indeed, Laderman shows that funeral directors generally give the people what they want when it is time to bury our dead. He reveals, for example, that the open casket, often criticized as barbaric, provides a deeply meaningful moment for friends and family who must say goodbye to their loved one. But he also shows how the dead often come back to life in the popular imagination to disturb the peace of the living.
Drawing upon interviews with funeral directors, major historical events like the funerals of John F. Kennedy and Rudolf Valentino, films, television, newspaper reports, proposals for funeral reform, and other primary sources, Rest in Peace cuts through the rhetoric to show us the reality--and thereal cultural value--of the American funeral.

This is a necessary and urgent read for anyone concerned about the United States' endless wars. Investigating multiple genres of popular culture alongside contemporary U.S. foreign policy and political economy, Imperial Benevolence shows that American popular culture continuously suppresses awareness of U.S. imperialism while assuming American exceptionalism and innocence. This is despite the fact that it is rarely a product of the state. Expertly coordinated essays by prominent historians and media scholars address the ways that movies and television series such as Zero Dark Thirty, The Avengers, and even The Walking Dead, as well as video games such as Call of Duty: Black Ops, have largely presented the United States as a global force for good. Popular culture, with few exceptions, has depicted the U.S. as a reluctant hegemon fiercely defending human rights and protecting or expanding democracy from the barbarians determined to destroy it.

Coastally Restricted Forests addresses the ecology and management of freshwater forests and wetlands located along sea coasts, assessing the current research, comparing data from different geographic regions, and integrating applications and ideas from foresters, land-use managers, and water resource managers. This book fills a gap in forestry and wetlands literature, as it takes a worldwide view of natural resource management.

In Four Decades On, historians, anthropologists, and literary critics examine the legacies of the Second Indochina War, or what most Americans call the Vietnam War, nearly forty years after the United States finally left Vietnam. They address matters such as the daunting tasks facing the Vietnamese at the war's end-including rebuilding a nation and consolidating a socialist revolution while fending off China and the Khmer Rouge-and "the Vietnam syndrome," the cynical, frustrated, and pessimistic sense that colored America's views of the rest of the world after its humiliating defeat in Vietnam. The contributors provide unexpected perspectives on Agent Orange, the POW/MIA controversies, the commercial trade relationship between the United States and Vietnam, and representations of the war and its aftermath produced by artists, particularly writers. They show how the war has continued to affect not only international relations but also the everyday lives of millions of people around the world. Most of the contributors take up matters in the United States, Vietnam, or both nations, while several utilize transnational analytic frameworks, recognizing that the war's legacies shape and are shaped by dynamics that transcend the two countries. Contributors. Alex Bloom, Diane Niblack Fox, H. Bruce Franklin, Walter Hixson, Heonik Kwon, Scott Laderman, Mariam B. Lam, Ngo Vinh Long, Edwin A. Martini, Viet Thanh Nguyen, Christina Schwenkel, Charles Waugh

If your answer is 'YES' to the following three questions, this is the PERFECT book for you: 1. Have you read A Bridge to Simple Squeezes? 2. Did you see merit in the structured approach introduced in that book for executing simple squeezes? 3. Do you feel that in spite of your great effort you are still not finding squeezes? In this book, Still Not Finding Squeezes?, the structured approach is applied to the 39 squeeze examples that David Bird and Tim Bourke created for their book, Test Your Bridge Technique: The Simple Squeeze. These examples will give you the experience you need to include squeezes in your arsenal.

This book addresses the thought processes that novice declarers must develop and practice. The carefully chosen examples here will help advancing players to recognize the key features of a bridge hand and take appropriate action.

In this book, learning to recognize and appreciate threat cards plays a central role as you begin to understand how squeeze play operates. It won't be long before you can look at a layout and begin to imagine how the East-West cards will need to lie in order for your squeeze to be successful. Very soon, you will get to the point where simple squeezes are a part of your regular bridge arsenal. The first edition of this book was named Book of the Year in 2006 by the American Bridge Teachers Association. DR. JULIAN LADERMAN is a retired mathematics and computer science professor (Lehman College, City University of New York). He has written two books that have won the American Bridge Teachers' Association Book of the Year Award. His first book A Bridge to Simple Squeezes won in 2006 and A Bridge to Inspired Declarer Play won in 2009. For many years he wrote the bridge column for The Bronx Journal.

'History at its scintillating best ... hard-hitting, revelatory and superbly researched' Andrew Roberts, author of Churchill: Walking with Destiny 'A rare achievement ... sure to become an instant classic' John Lewis Gaddis, Yale University This gripping book dramatizes the extraordinarily compressed and terrifying period between the surprise Japanese attack on Pearl Harbor and Hitler's declaration of war on the United States. These five days transformed much of the world and have shaped our own experience ever since. Simms and Laderman's aim in the book is to show how this agonizing period had no inevitability about it and that innumerable outcomes were possible. Key leaders around the world were taking decisions with often poor and confused information, under overwhelming pressure and knowing that they could be facing personal and national disaster. And yet, there were also long-standing assumptions that shaped these decisions, both consciously and unconsciously. Hitler's American Gamble is a superb work of history, both as an explanation for the course taken by the Second World War and as a study in statecraft and political choices.

Surfing today evokes many things: thundering waves, warm beaches, bikinis and lifeguards, and carefree pleasure. But is the story of surfing really as simple as popular culture suggests? In this first international political history of the sport, Scott Laderman shows that while wave riding is indeed capable of stimulating tremendous pleasure, its globalization went hand in hand with the blood and repression of the long twentieth century.
Emerging as an imperial instrument in post-annexation Hawaii, spawning a form of tourism that conquered the littoral Third World, tracing the struggle against South African apartheid, and employed as a diplomatic weapon in America's Cold War arsenal, the saga of modern surfing is only partially captured by Gidget, the Beach Boys, and the film "Blue Crush." From nineteenth-century American empire-building in the Pacific to the low-wage labor of the surf industry today, Laderman argues that surfing in fact closely mirrored American foreign relations. Yet despite its less-than-golden past, the sport continues to captivate people worldwide.
Whether in El Salvador or Indonesia or points between, the modern history of this cherished pastime is hardly an uncomplicated story of beachside bliss. Sometimes messy, occasionally contentious, but never dull, surfing offers us a whole new way of viewing our globalized world.

Surfing today evokes many things: thundering waves, warm beaches, bikinis and lifeguards, and carefree pleasure. But is the story of surfing really as simple as popular culture suggests? In this first international political history of the sport, Scott Laderman shows that while wave riding is indeed capable of stimulating tremendous pleasure, its globalization went hand in hand with the blood and repression of the long twentieth century.
Emerging as an imperial instrument in post-annexation Hawaii, spawning a form of tourism that conquered the littoral Third World, tracing the struggle against South African apartheid, and employed as a diplomatic weapon in America's Cold War arsenal, the saga of modern surfing is only partially captured by Gidget, the Beach Boys, and the film "Blue Crush." From nineteenth-century American empire-building in the Pacific to the low-wage labor of the surf industry today, Laderman argues that surfing in fact closely mirrored American foreign relations. Yet despite its less-than-golden past, the sport continues to captivate people worldwide.
Whether in El Salvador or Indonesia or points between, the modern history of this cherished pastime is hardly an uncomplicated story of beachside bliss. Sometimes messy, occasionally contentious, but never dull, surfing offers us a whole new way of viewing our globalized world.

Charged with restoring harmony and relieving pain, the Malay shaman places his patients in trance and encourages them to express their talents, drives, personality traits--the "Inner Winds" of Malay medical lore--in a kind of performance. These healing ceremonies, formerly viewed by Western anthropologists as exotic curiosities, actually reveal complex multicultural origins and a unique indigenous medical tradition whose psychological content is remarkably relevant to contemporary Western concerns.
Accepted as apprentice to a Malay shaman, Carol Laderman learned and recorded every aspect of the healing seance and found it comparable in many ways to the traditional dramas of Southeast Asia and of other cultures such as ancient Greece, Japan, and India. The Malay seance is a total performance, complete with audience, stage, props, plot, music, and dance. The players include the patient along with the shaman and his troupe. At the center of the drama are pivotal relationships--among people, between humans and spirits, and within the self. The best of the Malay shamans are superb poets, dramatists, and performers as well as effective healers of body and soul.

In this widely-praised study, Carol Laderman provides a vivid picture of the daily life of rural Malays as she focuses on their dietary practices and the ritual and medical aspects of childbirth procedures. Apprenticed to a village midwife and a local shaman, she was able to observe a traditional culture adapting to modern practices.