This is a penetrating reinterpretation and defense of Hegel's social theory as an alternative to reigning liberal notions of social justice. The eminent German philosopher Axel Honneth rereads Hegel's Philosophy of Right to show how it diagnoses the pathologies of the overcommitment to individual freedom that Honneth says underlies the ideas of Rawls and Habermas alike. Honneth argues that Hegel's theory contains an account of the psychological damage caused by placing too much emphasis on personal and moral freedom. Although these freedoms are crucial to the achievement of justice, they are insufficient and in themselves leave people vulnerable to loneliness, emptiness, and depression. Hegel argues that people must also find their freedom or "self-realization" through shared projects. Such projects involve the three institutions of ethical life--family, civil society, and the state--and provide the arena of a crucial third kind of freedom, which Honneth calls "communicative" freedom. A society is just only if it gives all of its members sufficient and equal opportunity to realize communicative freedom as well as personal and moral freedom.

This is a penetrating reinterpretation and defense of Hegel's social theory as an alternative to reigning liberal notions of social justice. The eminent German philosopher Axel Honneth rereads Hegel's "Philosophy of Right" to show how it diagnoses the pathologies of the overcommitment to individual freedom that Honneth says underlies the ideas of Rawls and Habermas alike. Honneth argues that Hegel's theory contains an account of the psychological damage caused by placing too much emphasis on personal and moral freedom. Although these freedoms are crucial to the achievement of justice, they are insufficient and in themselves leave people vulnerable to loneliness, emptiness, and depression. Hegel argues that people must also find their freedom or "self-realization" through shared projects. Such projects involve the three institutions of ethical life--family, civil society, and the state--and provide the arena of a crucial third kind of freedom, which Honneth calls "communicative" freedom. A society is just only if it gives all of its members sufficient and equal opportunity to realize communicative freedom as well as personal and moral freedom.

Otto Weininger s controversial book Sex and Character, first published in Vienna in 1903, is a prime example of the conflicting discourses central to its time: antisemitism, scientific racism and biologism, misogyny, the cult and crisis of masculinity, psychological introspection versus empiricism, German idealism, the women s movement and the idea of human emancipation, the quest for sexual liberation, and the debates about homosexuality. Combining rational reasoning with irrational outbursts, in the context of today s scholarship, Sex and Character speaks to issues of gender, race, cultural identity, the roots of Nazism, and the intellectual history of modernism and modern European culture. This new translation presents, for the first time, the entire text, including Weininger s extensive appendix with amplifications of the text and bibliographical references, in a reliable English translation, together with a substantial introduction that places the book in its cultural and historical context."

Nine Suitcases was originally published in Haladas in weekly instalments. The first instalment appeared on 30 May 1946, and the last on 27 February 1947. Concentrating on his experiences in the ghetto of Nagyvarad and as a forced labourer in the Ukraine, Zsolt provides not only a rare insight into Hungarian fascism, but a shocking exposure of the cruelty, indifference, selfishness, cowardice and betrayal of which human beings - the victims no less than the perpetrators - are capable in extreme circumstances. Apart from being one of the earliest writers on the Holocaust, Zsolt is also one of the most powerful: he bears comparison with Primo Levi, Elie Wiesel or Imre Kertesz. accomplished novelist and a highly skilled journalist. He reports and analysizes the appalling events, almost immediately after they occurred, with exceptional freshness and a devastating blend of angry despair and cool detachment. For all the brilliant imaginative qualities of the writing, the crucial facts are authentic. Zsolt was spared Auschwitz, but he witnessed, or suffered, some of the worst atrocities of the Holocaust elsewhere. Set in a very dark period of modern European history, interspersed with moments of grotesque farce, grim irony and occasional memories of human kindness, his nightmarish but meticulously realistic chronicle of smaller and larger crimes against humanity is as riveting as it is horrifying.