Lady Charlotte Elizabeth Guest (1812-1895), later Lady Charlotte Schreiber, was an English translator and business woman, best known for her pioneering translation into English of the major medieval work, the Mabinogion. The Mabinogion is a collection of eleven prose stories from medieval Welsh manuscripts, which draw on pre-Christian Celtic mythology, international folktale motifs, and early medieval historical traditions.

The Mabinogion consists of the earliest prose literature in Great Britain, the manuscripts of which originate in 12th century Welsh, with some dating earlier, to the oral tradition of the Middle Ages. Many of the stories in the Mabinogion would become famous anew thanks to the efforts of the translator. Rendered in modern English, the narratives of an era long departed reflect the time - events such as war, the idea of chivalric romance, and the prevalence of sorcery and mystical goings on are common devices in the stories. Much of what is here was passed onto other, later authors - the notion of the Medieval era as one laden with strange beasts, magic, and valiant combat originates with tales like those in the Mabinogion. This edition of the ancient stories was translated by Lady Charlotte Guest, an English aristocrat who was most famous for this work. Accomplished with languages from a young age, she gathered from obscure archives the manuscripts, arranged and presented them in modern English.

The Mabinogion consists of the earliest prose literature in Great Britain, the manuscripts of which originate in 12th century Welsh, with some dating earlier, to the oral tradition of the Middle Ages. Many of the stories in the Mabinogion would become famous anew thanks to the efforts of the translator. Rendered in modern English, the narratives of an era long departed reflect the time - events such as war, the idea of chivalric romance, and the prevalence of sorcery and mystical goings on are common devices in the stories. Much of what is here was passed onto other, later authors - the notion of the Medieval era as one laden with strange beasts, magic, and valiant combat originates with tales like those in the Mabinogion. This edition of the ancient stories was translated by Lady Charlotte Guest, an English aristocrat who was most famous for this work. Accomplished with languages from a young age, she gathered from obscure archives the manuscripts, arranged and presented them in modern English.

This Is A New Release Of The Original 1906 Edition.

The Red Book of Hergest, from which The Mabinogion are taken, is a collection of tales and poems written during the fourteenth century. Some of the Mabinogion in it have been reconstructed in Norman and Crusading times, but they contain reminiscences of a more distant period, often but half understood by the later story-teller. Among these are "The Dream of Rhonabwy," "The Lady of the Fountain," and "Peredur the son of Evrawc"-the three which happen to come first in the Red Book. These are Christian, but with distant glimpses of Celtic heathenism. The adventures are all grouped around Arthur and his knights; and a kind of connection is given to the three tales by the presence of Owen and his mysterious ravens. Others, especially the four Mabinogion properly so called and the Tale of Lludd and Llevelys, are far older; they are older than Christianity, and older than Arthur.

Lady Charlotte Elizabeth Guest (1812-1895), later Lady Charlotte Schreiber, was an English translator and business woman, best known for her pioneering translation into English of the major medieval work, the Mabinogion. The Mabinogion is a collection of eleven prose stories from medieval Welsh manuscripts, which draw on pre-Christian Celtic mythology, international folktale motifs, and early medieval historical traditions.

A Welsh cycle of Arthurian tales. If you read, as a kid, the Lloyd Alexander series "Chronicles of Prydain," some names might seem familiar.

This scarce antiquarian book is a facsimile reprint of the original. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment for protecting, preserving, and promoting the world's literature in affordable, high quality, modern editions that are true to the original work.

"Mother," said Peredur, "what are those yonder?" "They are angels, my son," said she. "By my faith," said Peredur, "I will go and become an angel with them." And Peredur went to the road, and met them. "Tell me, good soul," said Owain, "sawest thou a knight pass this way, either to-day or yesterday?" "I know not," answered he, "what a knight is."

A Welsh cycle of Arthurian tales. If you read, as a kid, the Lloyd Alexander series "Chronicles of Prydain," some names might seem familiar.

"Mother," said Peredur, "what are those yonder?" "They are angels, my son," said she. "By my faith," said Peredur, "I will go and become an angel with them." And Peredur went to the road, and met them. "Tell me, good soul," said Owain, "sawest thou a knight pass this way, either to-day or yesterday?" "I know not," answered he, "what a knight is."

This scarce antiquarian book is a selection from Kessinger Publishing's Legacy Reprint Series. Due to its age, it may contain imperfections such as marks, notations, marginalia and flawed pages. Because we believe this work is culturally important, we have made it available as part of our commitment to protecting, preserving, and promoting the world's literature. Kessinger Publishing is the place to find hundreds of thousands of rare and hard-to-find books with something of interest for everyone!